|
|
Action stage design In Czechoslovakia, Prague 2012
Frydlová, Veronika ; Klimešová, Marie (advisor) ; Koubská, Vlasta (referee)
"Action stage design" is a term which was originally used in the mid-70s in the connection with 1975 Prague Quadrennial. Soviet critic Viktor Berjozkin chose this term to describe a new approach which was apparent in the majority of national expositions. It was an alternative approach to dramatic space, the traditional proscenium theater was systematically abandoned. New possibilities of producing in non-traditional, mainly non- theatrical spaces which offered closer contact with audience were searched. In aesthetic approaches the action stage design abandoned rampant focus on art, illusoriness, embellishment and complicated technical solutions. On the contrary it took inspiration from "earth works" (arte povera) and pop-art. They used "poor" - which means - common and natural materials [mainly fabrics] and everyday objects. Simplicity and inventiveness became an important requirement of the new aesthetics, as well as constant confrontation of dramatic and empirical reality. Stage props were meant to be mainly polysemous. It means that a scenic element could change its meaning and function a few times during the performance thanks to actors activity. For example - a bed became a dining table, an altar, or a prison. It demanded big imagination of spectators, they often became a part of performance....
|
|
|
Director of Czechoslovak Radio Jiří Horčička
Paruchová, Adéla ; Maršík, Josef (advisor) ; Lovaš, Karol (referee)
This bachelor thesis aims to describe the life and work of the director of Czechoslovak Radio (and later Czech Radio) Jiří Horčička. In the first part, the author briefly presents the history of Czechoslovak Radio and explains the contemporary context in which Jiří Horčička worked. The author pays special attention to the artistic field in the radio. Furthermore, the work briefly deals with the development of Czech radio drama and mentions the most important milestones in its history. The most important part of the work is devoted to the life and work of the director. The author deals with Horčička's childhood and his radio beginnings (for example, working in Disman's Radio Children's Ensemble). The work describes Horčička's directorial beginnings and is especially devoted to his first major work, the dramatization of Čapek's War with the Newts. It shows the beginning of Horčička's promotion of a new style in the development of modern radio production. At the same time, the work reflects the achievements of Czech radiophony in the 1960s at home and abroad. The author then devotes to the director's work during normalization and his staging of works of classical literature. The author also introduced Horčička's approach to stereo broadcasts, which fundamentally influenced his work. In the "Journey to...
|
|
|
Analysis of squash match, comaparison between male and female players
Strnad, Jan ; Carboch, Jan (advisor) ; Kočíb, Tomáš (referee)
Title: : Analysis of squash match, comaparison between male and female players Objectives: This thesis shall compare different types of service, returns and third shots and their combinations between male and female players and estimate their usage and average success rate in professional squash matches. Methods: Indirect analysis - videoanalysis Results: Most used serve for both sex is backhande serve and three-wall serve, most used return is volley straight back and cross back, third shot was mostly directed to left side of the court. Better chances of winning had female players directing return straight back, men had better chaces directing return cross back. In profesional squash is minimum returns directing straight front, cross front and boast. Keywords: Squash, service, return, direction, tactics, typology of players, comparison, male, female, notational analysis
|
|
| |
|
|
On Supervision of Financial Markets by Czech National Bank
Skácelík, David ; Marková, Hana (advisor) ; Kohajda, Michael (referee) ; Švarc, Zbyněk (referee)
1 Abstract This work deals with the performance of supervision over the financial market and the entities operating in the financial market. Part of the work is devoted to consumer protection in the financial market and compensation systems. Because of the fact that the Czech Republic became a member of the European Union in 2004, this work includes also legislation of regulation and supervision of this level, as this treatment significantly predetermines Czech adjustment. Following questions were examined as an example of protecting the interests of clients of supervised entities: - whether there are any tools to protect the client's interests at the level of supervised entities, - what kind of role the supervisory authority has or may have in relation between a supervised entity and its client, - how are the client's financial interests protected in the event of failure of the supervised entity and whether this protection is de lege lata sufficient. The theoretical part of the work briefly describes the institute of supervision, its assorting and forms. The authority of supervisor is discussed in the next part together with the regulations under which the supervision is conducted. Owing to the fact that the scope of supervisory activity of the Czech National Bank is quite extensive, and the objective of...
|
|
|
Modern school management with ICT support
Ludvík, Roman ; Trojan, Václav (advisor) ; Voda, Jan (referee)
Cílem této práce je zjistit, jak využít ICT pro řízení ve školství. Pomocí polostrukturovaných rozhovorů zmapovat současný přístup managementu základních škol k problematice ICT v řízení školy. V práci jsou vymezeny pojmy management a ICT, stejně tak shromážděna východiska tématu z aktuálních výzkumů, zpráv, nástrojů a strategie vzdělávání ČR. Výsledky pedagogického výzkumu mezi řediteli základních škol jsou v závěru konfrontovány s publikovanými výzkumy a závěry. KLÍČOVÁ SLOVA: ICT, management, řízení, kvalita, změna, kultura školy, data, informace, nástroje ABSTRACT: The goal of this work is to find out, how can use ICT for management in the school system. To monitor current attitude of basic school management to the topic ICT in school management, due to half- structured interviews with principal. In this work are defined notions: management and ICT, as collected terminus a quo of the topic: current researches, informations, tools and strategy of education Czech Republic. Results of the pedagogical research among principals of the elementary school are compared with published researches and conclusions in the end of the work. KEYWORDS: ICT, management, direction, quality, change management, school culture, datas, informations, tools
|
|
|
The transformation of provincial repertoire theatre (Municipal Theatre in Most 1985-1995)
Kotisová, Linda ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
This diploma thesis deals with the decade of the Municipal theatre Most's existence in the years 1985 -1995. The first part of my thesis concentrates on the evolution of the theater making in Most region from the very beginning till the 80ties of the 20th century. The second part is dedicated to the construction and the final appearance of the theatre building by the architect Ivo Klimeš, then it describes The Workers' theatre in Most at the time of the director Zbyněk Srba's arrival accompanied by DAMU students and introduces some crucial plays on Most's stage in the years 1985-1995. Special chapter focuses on the Velvet Revolution and its influence on the Theatre Most.
|
|
|
Action stage design In Czechoslovakia, Prague 2012
Frydlová, Veronika ; Klimešová, Marie (advisor) ; Koubská, Vlasta (referee)
"Action stage design" is a term which was originally used in the mid-70s in the connection with 1975 Prague Quadrennial. Soviet critic Viktor Berjozkin chose this term to describe a new approach which was apparent in the majority of national expositions. It was an alternative approach to dramatic space, the traditional proscenium theater was systematically abandoned. New possibilities of producing in non-traditional, mainly non- theatrical spaces which offered closer contact with audience were searched. In aesthetic approaches the action stage design abandoned rampant focus on art, illusoriness, embellishment and complicated technical solutions. On the contrary it took inspiration from "earth works" (arte povera) and pop-art. They used "poor" - which means - common and natural materials [mainly fabrics] and everyday objects. Simplicity and inventiveness became an important requirement of the new aesthetics, as well as constant confrontation of dramatic and empirical reality. Stage props were meant to be mainly polysemous. It means that a scenic element could change its meaning and function a few times during the performance thanks to actors activity. For example - a bed became a dining table, an altar, or a prison. It demanded big imagination of spectators, they often became a part of performance....
|
|
|
Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman)
Jančálková, Petra ; Janoušek, Pavel (advisor) ; Topolová, Barbara (referee)
The thesis Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman) is about director K. H. Hilar's inscenation principles in position as the boss of National theatre from 1921 to 1935. The aim was to focus on Hilar's work at the National Theatre, as well as its cooperation with the actors, the elements of expressionism and later civilism in his arrangement and last but not least, given his cooperation with the set designer, especially with the architect and artist Hofman. Part of thesis involves a lot of images from Hilar inscenations . Most sources are available in the archives of the National Museum in Terezin, and archives of the National Theatre in Prague. The professional literature is available at the Theatre Institute, also in Prague.
|
|
| |
guest ::
