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Reconstruction of the Pohorelec at the JAMU Stage Design Studio
Čech, Daniel ; Špiller, Martin (referee) ; Guzdek, Adam (advisor) ; Lavický, Miloš (advisor)
The aim of the Bachelor thesis was to renew and rebuild the building of the former Supreme state prosecutor to the place for The Stage design of Janáček Academy of Music and Performing Arts in Brno and The Rectorate od Janáček Academy. The building is located on the corner of the busy streets Jánská, Kobližná and Pohořelec where it forms a rather drab end point of these streets. The object was built in the post World war II period and carries features of late functionalism. The building has been abandoned since 90s. The ground floor was used for commerce, the underground floor for technical equipment of the building and other upper floors were purely administrative. The building has one underground floor and seven above-ground floors. In the ground floor were designed a public café and exhibition spaces. On the second to the fourth floor there are administrative places for the Janáček Academy Rectorate. On the fifth to the seventh floor the are spaces for students of the Stage design. In the new eight floor there is a background for the Light design. The main focus of the work was to restore life and create a functional and aestetically friendly environment. This was achieved by changing the internal layout where some dividing structures were removed, including the vertical connections of the floors and finally the use of glass partitions.The layout is now more open, lighter and airy. A main element of the reconstruction is the extension of the next floor, which has increased the space for students and employees and confirmed the unclear verticality of the building. The entire extension has more dominant look, but with natural respect to the surrounding buildings. The superstructure fasade consists of pre-installed electroluminescent panels with a holographic foil. This foil produces rainbow effects on the facade and reflects light, relieving the mass. At night, thanks to electroluminescent wires, the extension shines and highlights the happenings inside th
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Gray zone of temporarity
Valíček, Martin ; Mačuda, Michal (referee) ; Kristek, Jan (advisor)
On an architectural proposal of techno club is demonstrated a stenographic approach in designing based on a phenomenon of electronic subculture. The Klub visitor is participating a ritual under the influence of music and nightlife lead by an ephemeral architecture, tectonic and spatial dramaturgy.
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Renovation of the house at Pohořelec in Brno to the atelier of scenography JAMU
Hádková, Sabina ; Žáková, Dagmar (referee) ; Májek, Jan (advisor) ; Šuhajda, Karel (advisor)
The bachelor thesis is based on a previously elaborated study in the subject AG035 - Atelier of Architectural Design V, which was further elaborated to the level of the documentation for building permits and documentation for construction. The aim of this work was to renovate the building of the former public prosecutor's office in Brno for the purpose of Janáček Academy of Music Arts - JAMU. The building is situated in the city of Brno, in the city center Brno-střed, on the street Kobližná 22. It is situated in the historical part of the city, in its immediate vicinity there are many Brno dominates such as Náměstí Svobody, Moravske namesti, Mahen Theater, Janacek Theater, etc. The main idea was to preserve the character of late functionalist buildings with minimal changes in the exterior. Also, meet all the requirements that were entered at the beginning of the project. In other words, the object will be a public function - a café and exhibition areas, which will be dedicated to exhibitions by the students of stage design and lighting design. In addition, there should be a Rectorate and the Institute of Stage Design, which should serve as a set of representative offices. The main aim of this work is to create a stable background for students of scenography and light design, which should act as representative, and should encourage students to develop creative thinking and development for their creation.
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Reconstruction of the Pohorelec at the JAMU Stage Design Studio
Skoupilová, Michaela ; Mikeš, Stanislav (referee) ; Guzdek, Adam (advisor) ; Lavický, Miloš (advisor)
The aim of the bachelor thesis was to create documentation for building permit and part of building design documentation, based on architectural study prepared in subject AG036 - Architectural Design Studio V. Main content of the study was reconstruction of the former public prosecutor's office in Brno for the purposes Janáček´s Academy of Music and performing. Object is situated in the city centre, near the Malinovského square. Basic idea was to maintain the appearance of a late functionalist building with minimal changes in the exterior. It was appropiate to eliminate the consequences of the reconstruction of the 1970´s, which did not take into account of the building sufficient. The building's function has emerged from the thesis assignment. In my design, I have decided to work with all three of the required functions, namely: the café, the rectorate and the stage design institute of JAMU. The café and the gallery on the ground floor communicates with the people in the city and it is the meeting point for students, teachres and visitors. The Rectorate should serve as a set of offices, but it will also represent the university. Facilities for students of scenography takes into account that scenography is a branch of art associated with theater and thus has the mission to support the student development and creative thinking of people interested in this field.
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Jiri Trnka's Scenography in the National Theatre
Vöröšová, Markéta ; Just, Vladimír (advisor) ; Topolová, Barbara (referee)
Jiri Trnka (1912 - 1969) ranks among the foremost representatives of Czech modern art in the 20th century and alongside the most remarkable protagonists of the visual art scene over a period ranging from the late 1930s through the end of the1960s. He stood out within that movement for his multiple talents, as a draughtsman, book illustrator, puppet designer, painter, animated film-maker, sculptor and stage designer. He achieved admirable success in these fields of activity. In the early 40s a new prospect opened up for him connected with work in theatre, as he took up the post of stage designer at the National Theatre in Prague, an assignment which enabled him to put to use his specific talent for stagecraft. He created 13 stage decorations together. Trnka was able to create unforgettable productions thanks the cooperation with Jiri Frejka or Karel Dostal. I documented and explained Trnka's work in the context of the Nation Theatre during the Second World War. I defined his style in the relation to his contemporaries in the end of work. KEY WORDS Jiri Trnka, National Theatre, set designer, scenography, stage decoration, costume, properties, scene, 40s, space, stage, style, set, constructed set, stage design, didascalia, theatrical space, animated film.
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Vincenc Kramar Gallery
Micka, Alois ; Lahoda, Vojtěch (advisor) ; Wittlich, Petr (referee)
5 ABSTRACT The subject of this diploma work is the documentation and presentation of program contents of the new exhibition at "Svaz československých výtvarných umělců" in Prague 6 Dejvice between the years 1964 to 1972, which carried the name of Czech theoretic artist, Vincenc Kramář. This diploma work is divided into three distinct parts. The first part focuses on the founders of the gallery and briefly about the personality of Vincenc Kramář. The second part is devoted to the work posted in the gallery between 1964 and 1972. The final part of the work explores the question of what place and position the Vincenc Kramář Gallery holds in comparison to other galleries during the same period. The introduction of the work comments on society and politics of the 1960s in the context of "fine arts", which was an era marked by the official tendencies of the socialist realism of the decade previous. The introduction also includes the process of creating and building a new exhibition hall into this era. The first chapter is dedicated to the patron of the gallery, Vincenc Kramář, and to the founding figures of this new gallery including František Doležal, commissioner and chairman of the exhibition committee; František Rocman, typographer; secretaries and co-founders of the gallery Antonín Kulda, Alena...
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Vlastislav Hofman and the Czech Cubist avant-garde in Ostrava
Galerie výtvarného umění v Ostravě
Gold medal for stage design at the International Exhibition of Modern Decorative and Industrial Art in 1925 in Paris. Is it possible to summarize the abilities of the all-talented artist Vlastislav Hofman? Hofman was primarily an architect, but his relationship to avant-garde streams also interfered with his painting, graphic, scenographic and design work. The exhibition at the Gallery of Fine Arts in Ostrava, which was created in cooperation with the Institute of Art History, will present it in full and unforgettable even the only cubo-expressionist crematorium in Czechoslovakia designed and realized together with František Mencl in Moravská Ostrava between 1923 and 1925.
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The exhibition of Vlastislav Hofman in Ostrava ends on Sunday
Galerie výtvarného umění v Ostravě
Until Sunday, January 7, visitors to the Gallery of Fine Arts in Ostrava (GVUO) can see the work of architect and internationally acclaimed stage designer Vlastislav Hofman (1884-1964) in the Ostrava House of Art. The author's architectural designs, paintings, graphics, print mats, porcelain, furniture, crematorium model in Moravská Ostrava, film screenings and archival documents are exhibited. The exhibition has been reviewed by over 11,000 visitors.
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