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Oppression
Lienerová, Lucie ; Kesner,, Ladislav (referee) ; Kvíčala, Petr (advisor)
The subject of the bachelor's thesis is a series of paintings called "Oppression", which is executed on canvas using the tempera technique. Perhaps surprisingly, realized paintings are not aimed to any depiction of oppression, but are a possible way out of the oppressive impressions and compositions present in my previous paintings. The dominant motive in the paintings is the horse and the central theme of the works is contact with horses and its sensitive and emotional impact on humans. The purpose of the work is to capture my own feelings related to spending time with horses and transfer them reliably on the painter's canvas.
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I Live Tarot
Oplatková, Hana ; Vondřejcová, Silvie (referee) ; Klímová, Barbora (advisor)
Private deck of cards created during six-month survey and documentation of daily experiences. The package contains 49 cards and it is inspired by a set of 78 tarot cards. Text content - reverse side of the card was created using diary notes. Face side of the card was chosen as a representation of processes taking place usually in days when the card was read.
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Modernity and holocaust
Vašička, Pavel ; Šindlar, Jiljí (referee) ; Marek, Jiří (advisor)
The thesis deals with the design of the Holocaust Documentation Centre in Moravia. Currently, there are several museums dealing with the Holocaust in our country, but none of them provides comprehensive documentation of the Holocaust. The proposal therefore seeks to create a museum that will be able to report on the Holocaust in a broader context and at the same time will be an attractive environment, especially for visitors living in the multimedia world of the 21st century.
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Critical Social Work
SCHWABOVÁ, Tereza
This bachelor thesis is theoretical thesis and it deals with theme of critical social work. Its aim is to describe and define all terms related to critical social work, its methods and approaches, and to create integrated literary source of critical social work theory. Because in Czech Republic critical social work is used minimally and that is why there is just a small amount of Czech literary sources on this topic. The thesis is divided into several chapters describing particular themes related to critical social work. Interdiction describes methods used while producing this thesis such as content analysis of literary sources and SWOT analysis. SWOT analysis result reveals that the biggest limitations of critical social work in Czech Republic are fear of change or using traditional social work approaches. Despite the fact that in Czech Republic this critical approach could be beneficial for working with clients from socially excluded localities and ethnic groups. Afterwards there is described social work, its formation, values, paradigms or approaches. And defined basic terms related to critical social work, such as its formation, methods and particular approaches of this kind of social work. And then there are stated examples of organizations that practice social work with features of critical social work. Conclusion summarizes whole making process or content of this thesis and recommendations for further research. A large amount of foreign and Czech literary or online sources were used while producing this thesis. From this sources were chosen and used relevant information, facts and findings that were congruently used by authors of this sources. And the text of this bachelor thesis was created. This thesis should be used as source of theoretical information about critical social work, also as promotion of critical social work evolution in Czech Republic or at least as a motivation tool for integration of critical thinking in social work practice.
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Oppression
Lienerová, Lucie ; Kesner,, Ladislav (referee) ; Kvíčala, Petr (advisor)
The subject of the bachelor's thesis is a series of paintings called "Oppression", which is executed on canvas using the tempera technique. Perhaps surprisingly, realized paintings are not aimed to any depiction of oppression, but are a possible way out of the oppressive impressions and compositions present in my previous paintings. The dominant motive in the paintings is the horse and the central theme of the works is contact with horses and its sensitive and emotional impact on humans. The purpose of the work is to capture my own feelings related to spending time with horses and transfer them reliably on the painter's canvas.
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Modernity and holocaust
Vašička, Pavel ; Šindlar, Jiljí (referee) ; Marek, Jiří (advisor)
The thesis deals with the design of the Holocaust Documentation Centre in Moravia. Currently, there are several museums dealing with the Holocaust in our country, but none of them provides comprehensive documentation of the Holocaust. The proposal therefore seeks to create a museum that will be able to report on the Holocaust in a broader context and at the same time will be an attractive environment, especially for visitors living in the multimedia world of the 21st century.
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Gender, Race, and Class: Intersectional Analysis of Kate Chopin's The Awakening and Selected Short Stories
Salajová, Gabriela ; Ulmanová, Hana (advisor) ; Veselá, Pavla (referee)
The objective of this study is to ascertain whether the principles of recent intersectional analyses of Kate Chopin's seminal novel The Awakening may also be applied to Chopin's short fiction and what conclusions would be drawn from such an analysis regarding Chopin's stance on the oppression of minorities. The purpose of an intersectional analysis is to evaluate the specific type of oppression that arises on the intersection of various social categories - the categories considered here are gender, race, and class. Intersectional analysis represents one of the latest methodological approaches regarding the fiction of Kate Chopin, expanding upon the inferences formerly derived by the feminist scholars. The first chapter introduces the concept of intersectionality and describes the changes of Kate Chopin's position in the American literary canon together with the development of the methods employed by the scholarship in relation to Chopin's works through time. The second chapter is concerned with the demonstration of the main notions of five intersectional analyses of The Awakening carried out by Anna Elfenbein, Elizabeth Ammons, Joyce Dyer, Michele Birnbaum, and Dagmar Pegues. The first three studies are presented along with my additions to the arguments, and are concerned with the dichotomy between...
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Oppression symptoms in chldren's drawings - necessary knowledge for arts and crafts teachers
Skálová, Hana ; Klusák, Miroslav (referee) ; Jakubcová Hajdušková, Lucie (referee)
The work proceeds from the idea, that the knowledge of signs of emotional distress which can be found in children's drawings is important of arts and crafts teachers. There is more and more children living under stress and this is one of several possible ways of how to find them and provide them timely help. Children living under the stress (exposed to cruelty, too much demands, lack of emotional care etc.) show certain signs in their drawings and children psychologists can work with it. If this issue is taught in pedagogical faculties and in special lessons for arts and craft teachers, educators would be able to contact psychologists in time. The works is analysing available Czech psychological literature and determines whether someone has already worked with the issue, also introduces publications which might be useful for course of study of teachers, brings proposals of the idea of how to proceed in arts and crafts lessons, summarizes the problematic of CAN (syndrome of maltreated, neglected and abused child) and brings alarming tel. numbers of the Safety line. In the practical part, the teachers from kindergarten and grammar school prove that they are able to react to warning signs in children's drawings.
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Negritude and a new poetic language, originated from colonial history
Šarše, Vojtěch ; Voldřichová - Beránková, Eva (advisor) ; Pohorský, Aleš (referee)
This work deals with Aimé Césaire's book Cahier d'un retour au pays natal, its function a value for author himself and for reader. At first, the paper explains, using linguistic and semantic analysis of chosen passages of this book, the liberation of author from the literary conventions and forms of his time, the quest of authentic style and his own poetic language. In the first part, the influence of french literature on Césaire's creation, precisely of Lautréamont, Rimbaud, Baudelaire, is explained. Afterwards, the work focuses on the emancipation tendencies which consist in the organic incorporation of the surrealistic practices and of creole influence into his poetry. In the second part, the paper attempts to give a description of author's determination to liberate the oppressed people, by the society, and his seeking of a new identity, based on omitted history of this people, on his ancestors and mainly on his forgotten roots. In the first place, indirect influence of the colonialism: his cruelty, enslavement, Triangular trade on Césaire's literary creation is described. The aim is to show the attitude of the author to the suffering of slaves and how he describes it to the reader and how he uses his heroes to accuse the colonialism of his cruel and usually atrocious practices to regain proud for his people.
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The Institution of Marriage in Armenia from Gender Perspective
Talalyan, Lidia ; Baslarová, Iva (advisor) ; Dvořáčková, Jana (referee)
The study intends to investigate the manifestation of power and patriarchy among Armenian marriage and household traditions and customs which have their role in the process of marginalising women. The construal how the marriage traditions and customs define gender roles and trigger gender inequality in Armenian context is discussed. Culture and society and traditions have an enormous impact on defining gender roles in Armenia. Armenians throughout history have been strongly influenced by cultural messages concerning gender roles and family influence. People both at subconscious or conscious level, take in the cultural perceptions. While the country is going through globalisation processes and becoming more and more exposed to foreign influences, conventional gender stereotypes, and patriarchal systems are still deeply rooted and prevalent in all spheres of social life, and the institution of marriage is one of the most striking among them. The research will illustrate how the culture, through institution of marriage, shapes compound power relations which lead to inequality and marginalisation of Armenian women in domestic sphere. Institution of marriage itself, all over the world, historically has been deeply rooted in patriarchal values, customs and traditions. Despite the fact that nowadays,...
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