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MISSING AND DISAPPEARING
Langer, Jan ; Havlík, Vladimír (referee) ; Mikyta, Svätopluk (advisor)
This work documents the author's interest in drawing and is based on the mental background of his artistic creation. The work is guided by the interest in the physical conditions of the drawing itself (materiality of the drawing), but also in the study of drawing as a fluid material of artistic creation, entering into the relationship with the image (drawing as a material). At the same time it deals with the process of creation itself and the phenomenon of repetition. The primary goal of the whole work is not the deliberate laying of pre-formulated questions and the subsequent search for their answers, the presentation of some finished truths, or the mere illustration of a certain issue, but rather the process of finding questions that emerge during the process of creation itself.
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BAROQUE FEELING OF LIFE
Ciprová, Barbora ; Havlík, Vladimír (referee) ; Smetana, Matěj (advisor)
I perceive the thesis as the outcome of longer-term considerations over the relationship between architecture and music, as well as the concepts of genius loci, memory of place, or site-specific art. Thanks to the closer encounter with the Broumov landscape and the churches designed by the architects Kryštof and Kilián Ignác Dientzenhofer, located in it, these reflections were connected with the term Baroque. The work is an experiment exploring the diversity of contemporary musical approaches responding to unified task based on the principles of Baroque architecture.
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Archives and documentation of performance art: at the intersection between history and myth.
Písaříková, Jana ; Šedivá, Barbora (referee) ; Havlík, Vladimír (referee) ; Horáková, Jana (referee) ; Ruller, Tomáš (advisor)
The PhD thesis deals with the role of archives in the contemporary artistic and curatorial practice, with an emphasis on the performance art. It also analyses the creation process, methodology and the contents of selected personal and institutional archives in both Czech and international contexts. The objective of the paper is to answer the following questions: In what way is the documentation and subsequent archiving of process-oriented forms of art performed? How is the history of the contemporary art formed and interpreted through these archives and with the help of the artistic and curatorial practice? To what extent are we able to reconstruct the history from records and performance documents that are only fragmented, thus making a reference to a real action? Do the archives leave some room for misinterpretation, creating a myth or personality cult through its system of classification of knowledge? How indeed is the performance art related to its own history; how is this history perceived by the performer alone; and how is it approached by the professional audience? The paper will also include the analysis of current state and possible solutions to the operation of the archive of the Faculty of Fine Arts, which is related to opening a dialogue among artists, theorists and institutions that might be interested in better accessibility of such an archive.
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The phenomenon of empty gallery
Brožka, Petr ; Havlík, Vladimír (referee) ; Chamonikolasová, Kaliopi (referee) ; Ryška, Pavel (referee) ; Kvíčala, Petr (advisor)
The doctoral thesis deals with the topic of exihibiting empty gallery space. The purpose is to clarify the specifics that accompany the exhibited empty gallery and to define the essence of more general patterns of exposition in the gallery space. Doctoral thesis also presents the special simple void that generates art itself. Finally, the text reopens a polemic within the institutional theory of art. Doctoral thesis criticizes the established terminology related with exposition of the empty gallery.
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Sculptural object in cultural -landspace reflections of not only public space
Kačírková, Pavla ; Babyrádová, Hana (referee) ; Sedlák, Jan (referee) ; Havlík, Vladimír (referee) ; Ambrůz, Jan (advisor)
The aim of the dissertation is to understand the rural environment, using the specific example of the Šarovy village, in all its uniqueness and wholeness of its built-up and rural zones. It points out the pressing problems of current landscape, such as the alienation of man and landscape, land consolidation, or bad state policy. The case study describes the activities of the citizens association Jinákrajina in the area of Šarovy and nearby villages. It describes individual activities of the citizens association (sculptures, avenues and trees, interesting places in the landscape, nature trails, events, and plans for the village), the reasons for their origination, the reactions they caused, and the consequences. The objectives of the research aim to show that it is art that can be the joining element between ecological and social approaches.
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A Prayer for Something That is Departing
Belzová, Denisa ; Havlík, Vladimír (referee) ; Zálešák, Jan (referee) ; Rozbořil, Blahoslav (referee) ; Stratil, Václav (advisor)
The aim of the dissertation is to interpret genius loci of the industrial and periphery landscape in painting and photography. Symbolic aspects originating from the atmosphere of the place are analyzed on the basis of concrete artists, works and resources. Another aim of the dissertation is to map contemporary Czech artists. Their works are put into context with roots in the arts history and with foreign artists. Apart from paintings, the photographic works are discussed. However, only names and works that can illustrate the concerned content areas have been selected.
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Post - conceptual Approaches in the Contemporary Czech Painting
Dub, Petr ; David,, Jiří (referee) ; Havlík, Vladimír (referee) ; Zálešák, Jan (referee) ; Stratil, Václav (advisor)
The dissertation thesis entitled Selected Post-conceptual Approaches in the Contemporary Czech Painting reflects the author’s expressions of the youngest artists’ generation working with the conceptual forms in the painting medium after 1996. The aim of the dissertation is to outline the conflict and overlapping of the conceptualism and painting. Apart from the development of conceptual art, the reference framework of the submitted thesis also comprises the post-modern turn in visual arts associated with a global change in its social status during the second half of the 20th and at the beginning of 21st century. The development of the domestic artistic scene and particular approaches are presented on the basis of a representative selection of the most distinctive tendencies and significant authors, being compared with the work of foreign artists. The text interprets the key theoretical treatises, reviewed responses and artists’ statements covering the domain of “contemporary painting to conceptual art”.
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Hollywood
Šprincl, Petr ; Havlík, Vladimír (referee) ; Cenek, Filip (advisor)
Hollywood is an experimental 8mm film that illustrates the text in a diary of my grandfather. The film is notionally divided into two parts - a "landscape of memories" and "landscape of fear and death". Grandpa here remembers his childhood in Dolní Loučky, which is also associated with the death of his grandfather, friends, that there he had in childhood and last but not least, the place where he wants to become his last rest. In the second part of his character is intertwined with the "landscape of fear" which is filmed near Litvinov, bleak countryside illustrated his concern about a retirement home and a gradual loss of his will to live. He illustratively passes through this country and trying to find his salvation.
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