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Antonio Maria Viani in Mantova. Painting works and drawings.
Nová, Magdaléna ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
The subject of thesis is Antonio Maria Viani's paintings and drawings which he created during his residence in Mantua. Mantua was ruled by art enthusiastic Gonzagas family who were the indisputable art enthusiasts. This thesis aims to summarize and evaluate the articles that had been written about Antonio Mario Viani until the exhibition called "I segni dell'arte. Il Cinquecento da Praga a Cremona" took place in Cremona in 1997/1998. The exhibition significantly helped this artist (originally from Cremona) to become widely known. Firstly shown, there were some Viani's drawings from Clary-Aldringen's albums which are now deposited in the National Gallery in Prague. List of bibliography will have been completed by the latest literature related to the artist and discussions and reviews of the exhibition in Cremona are also included. The main purpose of this thesis is to introduce the artist Antonio Maria Viani as an excellent master which, undoubtedly, he was. It is also inherent to stress the exceptionality to have so many drawings from cremona's masters in our colletions.
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Ephemeral architecture of Renaissance festivies in Giulio Campi drawings
Hlušičková, Pavla ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
This dissertation informs about the life and work cremonese painter, architect and decorator Giulio Campi (c. 1502-1572), who became in 1541 the author of the decorations for the triumphal entry of Emperor Charles V in Cremona. Together with his colleague Camille Boccaccino suggested a number of triumphal arches, whose appearance has been preserved to this day on preparatory drawings. A number of preparatory drawings, which are part of the recently discovered album of the Clara - Aldringen in Teplice, keep the National Gallery in Prague. This thesis concerns the problems of Campi's proposals of the arches - addresses visual effects that might have had an influence on the Campi's drawing expression, features other Campi's surviving drawings from the collection of the European institutions and summarizes a form of the Charles V Trionfo in 1541 and Philip II. Trionfo in 1549 in Cremona.
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F. A. Sporck in the Pieces of Graphic Art and Paintings
Benčová, Monika ; Zlatohlávek, Martin (advisor) ; Oulíková, Petra (referee)
This diploma thesis deals with portraits of František Antonín Count Špork. The paper presents graphic and painted portraits (all of them - except one miniature - are found in collections in the Czech Republic), that were made mainly for the purpose of the Count's presentation. A part of the thesis is devoted to the life of Count, his hobbies and legal disputes, that are reflected in individual works of art ( heraldic motto "True and Justice", hunting order of Saint Hubert, spa and hospital Kuks, etc). The main emphasis is put on presentation of surviving portraits of Count Špork as well as newly found and yet unpublished paintings and graphics, their authorship, dating and iconographic analysis. This lets us meet different authors with their Fine Quality. Thus a diverse, but complex collection of Count Špork portraits is formed for the first time. A catalogue, an important part of the thesis, comes at the end to summarize all the previous data in a transparent way and to add some more information, concerning especially oil-paintings. Keywords Baroque-Graphics-Paintings-Portrait-Špork Počet znaků (včetně mezer): 237606 Počet znaků (bez mezer): 201697
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Bartholomeus Spranger in the collections in Czech Republic
Liška, Jan ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Diploma work contains the description of the personality of the painter Bartholomeus Spranger and his work in the Czech collections. The portrait painter Bartholomeus Spranger lived from the year of 1546 to the year of 1611. He was born in Antwerpen and afterwards he was travelling around the Europe. At first he was going to the France ( Paris and Lyon ) and then he was going to the Italy ( Parma, Milano and Roma ). In the year 1575 he is called up to the Vienna and afterwards in the year 1580 to the Prague. The object of this work is an analyse of production in Czech collections and evaluate of their authorship. Futher on then the object of this work is exploration the sources of Documentary and also a critical evaluation of the used literature.
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The Production of Painter Jan Jiří Hering
Opatrná, Marie ; Zlatohlávek, Martin (advisor) ; Šroněk, Michal (referee)
Umělecká tvorba malíře Jana Jiřího Heringa. Diplomová práce. Marie Opatrná. vedoucí práce: Doc. PhDr. Martin Zlatohlávek Ph.D. - Praha, 2011 - 245 s. Abstract The theme of this thesis is The Production of Painter Jan Jiří Hering who painted during first half of the 17th century. There are described the resources and patterns of his artistic work, which technique brought to our country Italian and Netherlands artistic elements. The thesis involves all paintings and drawings, which are attributed to Hering or to his workshop, and compares them with each other.
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Changes to the interior of the basilica of St. Margaret's monastery at Břevnov
Linart, Petr ; Zlatohlávek, Martin (advisor) ; Oulíková, Petra (referee)
Changes to the Interior of the Basilica of St. Margaret's Monastery Břevnov St. Margaret's Church, which is part of Břevnov monastery of Benediktines, was built under the supervision of abbot and builder Otmar Zinke in the beginning of the 18th century. As all the architectonical works, even building of this great dome of radical Baroque came through its development. The earliest changes were done by the architect Pavel Ignác Bayer in the beginning of forming the plans. His successor was Kryštof Dientzenhofer. He changed even the basic masonry and the building as a single nave. According to the archival records there were some changes concerning the iconographical programme. The interior was gradually completed and changed partly too. The main changes concerned the paintings, arranging of the liturgical area and the Baroque organ case reconstruction as well as new organ.
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Personal and family representation of Zacharias of Hradec in the Telc Chateau.
Salava, Jan ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The castle in Telc is one of the few buildings in the Czech republic whose interiors from the second half of the 16th century have been preserved almost unaltered. Owner dominion Zacharias of Hradec had the castle enlarged and its interiors splendidly decorated. The decorations reflect the personal taste of the castle lord. The early designs were taken from a production of Nurnberg workshops. Later the Dutch influence prevailed. The inspiration by the Dutch engravers Cornelis Cort, Frans Huys and Swiss Rudolf Wyssenbach can be traced. Later, but not less important source of inspiration, is book Imagines gentis austriacae by the Italian painter and draughtsman Francesco Terzio. Various crypto-portraits, mainly in the Rooms that were opened to the public, may be attributed to personal representation as well. Another very specific form of representation are the bears who support the coat of arms of the castle lord and his first wife Kateřina of Wallenstain. The bears point out to a legend, according to which the castle lord's family descends from house Ursini, an ancient Italian family. The imperial chamber served for family representation as well. The chamber is decorated with portraits medallions of the roman kings and queens and several unidentifiable portraits. Although I was not able to prove...
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Chapters in the iconography of the renaissance portrait in Bohemia and Moravia
Kubíková, Blanka ; Konečný, Lubomír (advisor) ; Zlatohlávek, Martin (referee) ; Jakubec, Ondřej (referee)
The subject ofthis thesis is studying the iconography and iconology of selected portraits from the fund of painted aristocratic portraits of the 16th and beginning of 17th century from Czech and Moravian collections and putting them into the context of portrait painting in neighbouring countries of that period. The first chapter deals with the portraits af Vilém oj Rožmberk. The privileged position ofthe Rožmberk ruler, who held the second position after the king in the hierarchy ofthe Czech lands, is imaged in the magnifico's full-figure portraits, which ref1ect the newest portrait tendencies [rom the imperial circles in an immediate sequence and which in iconographic details enable concrete iconological interpretations. Founding a family portrait gallery at a time oftemporary loss ofthis exclusive position can be interpreted as a strong expression ofthe resolution to renew the family's prestige. The second chapter deals with pictures from the Pernštejn collection: the double portrait of Marie Manrique de Lara with a naked child and a portrait of her husband, Vratislav oj Pernštejn. The symbolical statement of the double portrait is especially studied, which may be perceived as a Marian identification portrait celebrating the family's continuance. Apart from its representative function, this portrait...
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Depictions of the Last Judgment Scene in the Czech Renaissance and Mannerism of the 15th and the 16th Centurie
Kalina, David ; Zlatohlávek, Martin (advisor) ; Royt, Jan (referee)
Depictions of the Last Judgment Scene in the Czech Renaissance and Mannerism of the 15th and the 16th Centurie. The study submitted to fulfill the Bachelor Degree requirement, "Depictions of the Last Judgment Scene in the Czech Renaissance and Mannerism of the 15th and the 16th Centuries," analyzes several preserved frescoes with the theme of the Last Judgment and identifies their compositional and iconographic sources. The main ones are Johanes Sadeler's I. copper engravings of the Last Judgment (1550-1600). The graphic oeuvre of this Flemish artist, as the study demonstrates in a number of examples, exerted a considerable influence not only on his contemporaries but also on the art of later periods. Powered by TCPDF (www.tcpdf.org)
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The Flaying of Marsyas versus The Pieta Rondanini. a Comparison of the Late Works of Titian and Michelangelo
Wanková, Veronika ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
The Anotation The Flaying of Marsyas versus the Pieta Rondanini A comparison of the late works of Titian and Michelangelo This bachelor's thesis deals with Titian's late work "The Flaying of Marsyas", which is held in the collections of the Archbishop's Palace in Kroměříž. This work is compared to another late work, Michelangelo's "Pieta Rondanini", a sculpture housed in Milan. The works are put into context with societal influences on both artists' work, the artists' confrontation with old age, and the issue of melancholy in their late works. Firstly, there is a list of literature that is necessary for understanding and further research of this topic. The list is followed by a summary of actual knowledge about both works. Subsequently the thesis contains a comparison of late works of Titian and Michelangelo where their new approach towards their works is described. Finally, the thesis deals with a relationship and difference between The Flaying of Marsyas and the Pieta Rondanini. The thesis also includes a rich supplement of pictures that should complement previous information as well as mention other works concerning with The Flaying of Marsyas or the Pieta Rondanini. Keywords: Flaying of Marsyas, Pieta Rondanini, Titian, Michelangelo, comparison of late works
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