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Body and its manifestation
Havlanová, Michaela ; Hogenová, Anna (advisor) ; Hauser, Michael (referee)
Resumé (En) Key words: Body, soma, sarx, pexis, horizon, aesthesis, corporate scheme, body art, body modifications. This thesis deals with body and its manifestation. The body is conceived as philosophic, anthropologic and psychic phenomenon. Philosophic part determinates body as soma, sarx and pexis. The phenomenon as corporate scheme, horizon, motion and aesthesis are used for better understanding as well. Next part deals with body as anthropologic phenomenon. Body modifications, suspensions and their history are showed here. The research makes clear minds and reasons of extremely modificated persons. The last part is psychological. Problems related with wrong corporate scheme are described, as well as evolution of body's perception.
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An Existential and Non-religious Interpretation of the Christian Faith
Holubec, Tomáš ; Funda, Otakar A. (advisor) ; Hauser, Michael (referee)
V této práci jsme analyzovali koncepty nenáboženské a existenciální interpretace křesťanské víry. V úvodu jsme si kladli spolu s Robinsonem otázku, zda lze tyto pokusy označit za reformaci analogicky k reformačnímu hnutí v Evropě patnáctého a šestnáctého století. Zdá se, že se Robinsonova naděje, že tyto pokusy o interpretaci evangelia rozpohybují podobný proces, jako se to povedlo v reformaci, nenaplnila. Přestože byly tyto pokusy zaměřeny na moderního, sekularizovaného člověka, zůstal tento člověk vůči této řeči hluchý. Možná to bylo způsobeno nejednoznačnou terminologií a určitou intelektuální náročností, kterou se nenáboženské interpretace vyznačují. Odhady a charakteristika "čtvrtého člověka" také neodhadly moderního a tím spíše postmoderního člověka přesně. Ano, do určité míry je takový člověk skeptický vůči všemu nadpřirozenému. Má výhrady vůči náboženským mýtům, zázrakům a dogmatům, zároveň však tento člověk hledá duchovní útěchu v nejroztodivnějších typech náboženství a duchovní sféry.
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The Constitution and Changes of the Ideal of Man in Ancient Drama
Hašek, Václav ; Hauser, Michael (referee) ; Blažková, Miloslava (advisor)
V úvodu naší práce vymezujeme jako základní cíl interpretaci obrazu cloveka v antické tragédii a s tím nedílne spojenou interpretaci rádu sveta, který cloveku urcuje jeho meze. Toto základní vymezení cíle práce nás vede k analýze dalších duležitých prvku, které údel cloveka v reckých dramatech pomáhají konstruovat. Jedná se zejména o vztah k bohum, fenomén osudového predurcení a náhody, zpusoby zakládání lidské viny a trestu za tyto viny. Krom techto vnitrních dimenzí díla venujeme pozornost i vnejším faktorum které se na konstrukci textu dramat podílejí. Jedná se zejména o promenu postavení Athén, které se z pozice suverénního hegemona, z konceptu vnímání sama sebe jako "spásy Recka", posouvají do role obce, která svuj potenciál musí užívat predevším na obranu vlastních korenu a posléze je zasažena vnitrním skepticismem, který radikálne problematizuje dosavadní neochvejné danosti. Zabýváme se rovnež vlivem nástupu sofístické filozofie, která prináší významnou zmenu perspektivy vnímání sveta, a uvádíme ji do vztahu ke konkrétním dramatickým textum. V úvodní kapitole Antické drama a jeho postavení v životech obcanu polis vrazujeme instituci divadla do struktury obce a sledujeme výsostnost jejího postavení, která nemá v dalších dejinných epochách obdoby. Zabýváme se funkcemi, které divadlo v polis zastává a...
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Žižek's critique of the ideology
Májíček, Jan ; Ritter, Martin (referee) ; Hauser, Michael (advisor)
In our thesis we take a account of Slavoj Žižek's critique of the ideology. We start from Marx's conception of the ideology as false consciousness. We link it with Žižek's interdiction of the notion of jouissance and in the light of it Žižek's critique of Marx's conception a elaboration of original theory of ideology. Our thesis takes a look on the notion of totalitarism developed by Arendt and analysis of Nazism a Stalinism.
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Film propaganda and the Hitlerian Era in Germany
Bína, Ondřej ; Hauser, Michael (referee) ; Stracený, Josef (advisor)
For political manipulators became an ally of the film medium, allowing them to operate more effectively on mankind. The film is an ideal means of indirect communication. Thanks to the mass character of film distribution, which adds to the rapid technological development, it is possible using film to create images and illusory worlds. Use them to influence audience awareness of reality. The first half of the 20th century brought a case in Nazi Germany and the Soviet Union, two typical examples of how film can be used for the subjugation of a communique to the general public. The first example was devoted to this work. Its purpose was to highlight the links between film means, propaganda and political history. Documented by the example of Third Reich cinema. At the same time provide high school teachers the information base to grab this issue and its subsequent use in teaching. Potential, which has a controlled structure poltickou cinematography is great, its weakness is also possible that the viewer will become bedlivějším "reader" film communication and learn to perceive the film entertainment in broader contexts. One way this situation is through convergence with the problems of film propaganda during the teaching humanities subjects such as civics, history and Czech language. In terms of further grasp of...
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Metamorphoses of Odysseus's role in Literature and philosophy
Růžková, Alexandra ; Hauser, Michael (referee) ; Blažková, Miloslava (advisor)
This diploma thesis engages in metamorphoses roles of Odysseus, how it is written in its name. Periods have changed in centuries and their thoughts, philosphy and attitudes to publications of past. too. What did Odysseus mean in Antics, he does not mean modern period. And of course it is the same in anothers periods. Every period answers to last and it is influenced by it. Odysseus is perceived as brave monarch of Ithaka, smart and honest heroe of ancient myths but as cheater and assman, too. And these metamorphoses can be explained. Each of these periods brought something charakteristic for them, what was typical for its heroe. In .Antics it was magic of mythologie heroe, Middle Ages tarn down him, because he did not look like heroe of Chrisitianism, Renaissance celebrated him again and Baroque turn down him again. Klasicism had not own opinion, it folowed instruction of Antics like "law" and Modem period offers many theses, how to look at Odysseus. Many of these theses are induced in this diploma thesis and there are noticed metamorphoses of all periods, too. Eveiybody could compose own attitude and understand metamorphoses of Odysseus by the antics to modem period, because the diploma thesis explains changes of all eras. Everybody could interpret this advance like he sees it.
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Philosophical Motifs in Czech Reflexive Lyrics of 1930's
Šimek, Petr ; Hauser, Michael (referee) ; Blažková, Miloslava (advisor)
Resume Diploma thesis Philosophical Motifs in Czech Reflexive Lyrics of 1930's. This discourse attempts to embrace philosophically the leading motifs (silence, death, time) in Czech reflexive poetry on the break of 1920's and 1930's as well as earliy thirties. It interprets the motif of silence as the silence of ens in the poems by Vladimir Holan.This silence reveals itself as ens of totality of being, as the silence of god, as the silent stimulus to writing poetry stemming from the difference between a thing and world ("Seyn"), as the silence concealingly revealing "Lichtung" - field of all appearing being. The silence is comprised in an exprience of anxiety where ens interprets oneself without being. The motif of death is philosophically analysed from the verses by Frantisek Halas. This analysis is focused on the relationship between the death, purpose of one's life and authentic existence arising from understanding of 'ens to death' as its very own alternative. The third part of the thesis is dedicated to philosophical interpretation of time in the poems by losef Hora. The time is qualitative, not quantitative. The perception of time is later on approaching to a notion of god and life. Significant similarities and parallels with the concept of time of Henri Bergson have been found in rendition of given...
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