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Dance art in Opava
Tomsa, Martin ; Gremlicová, Dorota (advisor) ; Hanáčková, Kateřina (referee)
In three chapters describe the development of this part of a theatre in Opava and its great characters in leadership, who were promoting fill - length ballet show with one premiér during the season,which was put through, even though the ballet group always had a duty of dance entries in opera and operets.To these days the theatre has still its own independant ballet evening.
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Scenic practise of modern dance
Kalousková, Hana ; Ovsová, Libuše (advisor) ; Janeček, Václav (referee)
My diploma thesis is focused on a special view of dance education with main emphasis on dance on the stage of contemporary dance. It´s divided into four chapters. At first, I summarize the object of dance on the stage, and then I´m focused on a teacher. In next chapter I present the system of education of this subject in two, the most important, dance conservatoires in Prague, Dance Centre Prague conservatory o.p.s. and Taneční konzervatoř hlavního města Prahy. In the 4th, the last chapter, I introduce the school dance companies. At first, I estimate being and the membership in this institutions generally, then I describe three contemporary school companies, Ballet Prague Junior and Baby Ballet Prague, which are under the control of Dance Centre Prague conservatory o.p.s. and Bohemia Ballet, which is manage by Taneční konzervatoř hlavního města Prahy. In each under-chapter I describe historical context, repertoire, types of dance performances and other dance productions, then, I try to look into the ordinary week plan of a member of the school dance company. In the last under-chapter I´m focused on the frequency of artistic productions of these companies.
In the end of this thesis the picture enclosure is situated. It depicts a few of photos of mentioned choreographies, in interpretation of students from Prague dance schools and their dance companies.
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Introduction to Stage Light Design
Josková, Michaela ; Kubicová, Ivanka (advisor) ; Wiesner, Daniel (referee)
This bachelor thesis explores the basic principles of stage lighting design.
This thesis goes over key terms, commonly used types of lamps and finally touches on light control. One ilustrated chapter describes and compares varied lighting angles. Another chapter clarifies the colour theory and principles of filtering colour. We conclude by discussing light design in dance performances. The supplement includes photographs taken specifically for this thesis.
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Connecting upside-down elements in contemporary classes
Ryšlavá, Jana ; Ovsová, Libuše (advisor) ; Raček, Daniel (referee)
Because I have seen so much use of upside down principles in my experience with contemporary dance classes and performance, I have taken this opportunity to research different methods used in the dance world to approach teaching these principles from a technical standpoint. From my experiences with different pedagogues, I have extracted similarities in approach. I have formed an axis to show how upside down elements are used in teaching; pointing to some general mistakes which I have discovered through classes I have taken and classes I have taught. Contact improvisation plays an important part in this thesis; it provides a point of origin in exploring how upside down practice has evolved over the years, as well as a window as to how the principles I have explored in this thesis can function realistically.
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A RESEARCH ON ACITIVITY IN DANCE DEPARTMENTS OF BASIC SCHOOLS OF ARTS IN CHOMUTOV DESTRICT
Ratajová, Olga ; Kubicová, Ivanka (advisor) ; Eliášová, Bohumíra (referee)
This bachelor thesis explores activities in dance departments of Basic schools of Arts in Chomutov destrict. This thesis goes over history of each school, introduce teachers of dance departments, their style of work and those pupils who started their professional dance career. The main focus is in children dance companies, their work and their successes in various competitions. One part of this thesis is formed by the results of a survey among teachers of dance. The results show many teachers who are not sufficiently educated in dance pedagogy and their orientation in the field of contemporary dance is very poor.
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EMPIRE
Babuščák, Ladislav ; Pospiszyl, Tomáš (advisor) ; Silverio, Robert (referee)
The subject-matter of this bachelor thesis, is a film by an American artist Andy Warhol called EMPIRE, which I subjected to a detailed analysis from a formal and significant stand point. The following chapters elucidate the EMPIRE in various connections with a film medium, it´s history, it´s link with a state of an American society, but also in connection with other artists or particular art works. Analysis of this movie is interconnected with hypothesis and contemplations over possible meanings, or symbols of the film.
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David LaChapelle
Malý, Jan ; Silverio, Robert (advisor) ; Ptáček, Josef (referee)
In my work i am engaged at life and work of american photographer David Lachappelle. In first part i compare Lachappelle creation accordingly along mode and portrait with historical connections in photography. I present him in the kontexts with american popculture and his progress from childhood to present. I describe his character of his work, style how he forms his style. And how he edge in portraiture celebrities.
In second part i occupy one´s mind after "samet" revolution prograssion of czech society and accesion of popculture in to the film, theatre and media. Follows his biography in which i describe Lachappelle progress - effect of his mother and his illness.
His life in studies to meet with Andy Warhol.
And start of his career upon this day. His actual work. I have there collage contains as in-person bearings, tact, all over himself ingress to creation and life. I was finding causes about facts, who these pictures are rised and who is that, who made these pictures.
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Photography of architecture and photography in architecture of Jacques Herzog & Pierre de Meuron
Vopátková, Eva ; Grygar, Štěpán (advisor) ; Kolář, Viktor (referee)
The bacheloreal work is focused on a mutual get-togetherness of two branches, architecutre and photography. It investigates relationship between reality and its interpretation, a kind of a three ? dimensional presentability and backward influence of these categories on architecture. In the concrete it is applied to authors, who fixate their attention on the top of the present world's architecture ? on Swiss studio ?Herzog & de Meuron?. It concerns the authors of documentary and free photography and also an integration of photography directly to architecture itself. The work is divided into several parts. At first, there are presented architects whose work is a topic of all alluded photographs. It is followed by a chapter speaking generally about relationship between architecture and photography (with bellow-chapters: perspective, trend, artificial image, digital image). The second half is devoted to the particular photographs and according to Eric de Maré it is divided into: ?Record?(I), ?Illustration?(II) and ?Picture ?(III). Following authors are assigned to single chapters: Margherita Spiluttini, Hisao Suzuki (I), Jeff Wall, Thomas Ruff (II), Hiroshi Sugimoto and Luisa Lambri (III).
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Hella Heyman/Hammid
Benešová, Pavla ; Dias, Pavel (advisor) ; Musilová, Helena (referee)
Ve své teoretické bakalářské práci jsem se zaměřila na americkou fotografku Hellu Heyman/Hammid. Hella Hammid za svůj život vytvořila nespočetné množství dokumentárních fotografií s dětskou tematikou, které mají velký sociální i sociologický přesah. Její knižní ilustrace jsou důkazem toho, jak precizně zvládala zakázky, ale i svoji volnou tvorbu. Vypovídají o její schopnosti komunikovat s dětmi, ale i o její úžasné invenci a tvůrčí práci.
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Média ve válce
Jarlbro, Olof ; Silverio, Robert (advisor) ; Kolář, Viktor (referee)
Existence médií ve válce se lišila od konfliktu ke konfliktu. Během Vietnamské války měla média největší vliv dopodud v dějinách fotografie. Tak vznikla první TV válka. Rozsáhlé mediální pokrytí změnilo postupně verejný názor na Vietnamskou válku, US armáda později obviňovala média za ztráty ve Vietnamu. Když US armáda napadla Grenadu, kvůli tomu jak "selhala" média ve Vietnamu, byl ostrov zcela uzavřen. Tisk vyvolával a tvořil problémy pro americkou vládu silou. Když US armáda napadla Panamu, již poučena z předchozích chyb, dovolila médiím "nahlédnout" do války, způsobem jakým vyhovovalo armádě. Během války v Perském zálivu, tento postup byl vylepšen. Vylepšena cestou, že se z ní stala první válka v přímém přenosu. Dovolila obyčejným lidem dívat se na válku, tak jak se dívají na footbalový nebo hokejový zápas. I když byla válka, která se vysílala živě v TV, diváci viděli jenom to co vyhovovalo armádě. Třetí Balkánská válka vytvořila nový druh mediálního pokrytí "Journalism with attachment", tisk se stává subjektivním (zaujatým), rozhoduje se co je špatně, a co je dobře. Genocida v Rwandě, tisk byl na místě, ale zanedbal událost. Následky této války vytvořily značnou epidemii Cholery v Zaiře, média znovu selhala, místo toho aby ukázala divákovi skutečný politický problém, ukázala zainteresovanost v humanitární krizi. Mezinárodní komunita odpověděla rychlou pomocí, ale vlastně pomohla viníkům, kteří zavinili tuto válku. Konflikt, který vznikl v Kongu neměl téměř žádnou odezvu v médiích, a důvod? Důvodů bylo pár, Kongo je země považována za méně vyvinutou , a chyběl mediální zájem o tuto část světa, k tomu hrozba únosu žurnalistů nechala konflikt v Kongu bez mediálního pokrytí, i když tento konflikt měl větší následky než druhá světová válka. Válka v Iraku má obrovskou mediální hodnotu, ale kvůli značně vysokýmu riziku pro žurnalisty, fotografie pořízené amatéry jsou mnohem důležitější.
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