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Metafictional narrative strategies of two Cervantes' Exemplary Novels
Krátká, Tereza ; Holub, Jiří (advisor) ; Sánchez Fernández, Juan Antonio (referee)
The aim of the work is to sum up main function of the metafictional narrative strategies in two Cervantes' Exemplary Novels - The dialogue between Scipio and Berganze and The deceitful marriage. At the beginning, the text is focused on composition of both novels, mainly on their narrative structure. In the next part, the work is concentrated on analysis of reminiscences relevant - as for novels' genre, language and style - for interpretation of metaficitonal narrative with respect to the period of baroque upcoming. Then, the narrative structure is compared with Cervantes' novel Don Quijote which is based on the same type of narrative strategy. The author comes to the conclusion that the primary function of the metafictional narrative strategies is a possibility to interpret the question of the truth in relation to the baroque reality of the 17th century in Spain. The main importance of the work is presentation of a detailed narrative scheme of two novels, up to now absent in majority of theoretical works aimed at Exemplary Novels composition. Key words: Miguel de Cervantes, Dialogue between Scipio and Berganze, El coloquio de los perros, metafiction, intertextuality, credibility, narrative strategies.
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Postmodernism in British and American comics : postmodernist overtones in the works of Alan Moore and Grant Morrison
Holub, Martin ; Ženíšek, Jakub (advisor) ; Chalupský, Petr (referee)
The aim of this thesis is the examination and analysis of postmodernist overtones in the medium of comics. It is concerned both with the postmodernist content in comics, and comics' possibilities and attributes as a postmodernist medium. The first part of the thesis elaborates on sequential art in general and the essential elements of postmodernism, such as deconstruction, metafiction, and intertextuality, within its context. The second part of the thesis is concerned with selected postmodernist works of prominent comicbook authors: Alan Moore and Grant Morrison. Key words Comics, comicbook, graphic novel, postmodernism, metafiction, intertextuality, continuum, narration, binary oppositions, deconstruction, superhero, author, creation, Watchmen, Animal Man
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Narrative Structures in Virginia Woolf's Shorter Fiction
Kovačeva, Elizabet ; Wallace, Clare (advisor) ; Nováková, Soňa (referee)
Thesis Abstract One of the basic principles of modernism was to evaluate existing traditions and cultural norms, to innovate them, and to get rid of them if necessary. The need and urge to innovate proved to be immensely productive in the short story genre. The short story is now perceived as independent of other prose forms precisely thanks to the modernists. Virginia Woolf was one of the most enthusiastic innovators of the form, her work in the genre is nevertheless often overlooked in comparison to her novels, or even in comparison to other short story writers, such as Katherine Mansfield or James Joyce. This thesis deals with selected narrative structures in Virginia Woolf's shorter fiction. It works with the basic assumption that when Woolf's short stories are read, her novels have to be taken into account as well due to numerous thematic and other affinities. However, it is also of importance to evaluate Woolf's short fiction without measuring them against her novels as these are two distinct genres. The thesis introduction presents an overview of the literary and cultural context of the times in which Woolf lived and wrote, with emphasis on her familiarity with the Russian writers, primarily Chekhov, and the first Post-Impressionist painters. The thesis then carries out four separate analyses of four...
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From Metafiction to Self-reflexive Narration ( Theory and Praxtice of Self-disclosing Fiction in Czech Literature)
Trpka, Vladimír ; Trávníček, Jiří (advisor) ; Češka, Jakub (referee) ; Kubíček, Tomáš (referee)
From Metafiction to Self-reflexive Narration (Theory and Practice of Self-disclosing Fiction in Czech Literature) Mgr. Vladimír Trpka Abstract The doctoral thesis deals with metafiction as a key theoretical concept influencing both theoretical contemplations on self-reflexivity in narrative fiction and interpretation of the development of self-reflexive practice in literature. The main objective, based on an analysis of the most influential theoretical approaches to narrative self-reflexivity, is to propose such concepts of metafiction and self-reflexive narration that could be applied in the analysis of the self-reflexive practice in the Czech narrative fiction. The theoretical part focuses on examining the relationship between metafiction and narrative self- reflexivity. Metafiction is viewed as a concept that has not only replaced the concept of self-conscious novel, but it has also adapted it to the postmodern conception of fiction. The concept of fictionality in the theoretical concept of metafiction is directly related to postmodern discourse in which this concept was born. Consequently, an explicitly formulated and/or hidden relationship with constructivist philosophy of language, performativity, and linguistic nature of reality is found in the existing approaches to metafiction. Thus if the...
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Interpretation of the novel Spas by Ivan Matoušek
Malá, Lucie ; Vojtěch, Daniel (advisor) ; Málek, Petr (referee)
The master thesis discusses the novel Spas by Ivan Matoušek published in 2001. The description of the structure and narrative time of the novel is followed by a characterization of the ironic self-conscious narrator and his relationship to the fictional world and the main character. The interpretation is partly inspired by a theoretical paper on irony by Vladimir Jankélévitch, which is compared with Paul de Man's concept of irony. The thesis also refers to Linda Hutcheon's theory of self- reflexivity and metafiction and employs the concept of mise en abyme.
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Metafictional narrative strategies of two Cervantes' Exemplary Novels
Krátká, Tereza ; Holub, Jiří (advisor) ; Sánchez Fernández, Juan Antonio (referee)
The aim of the work is to sum up main function of the metafictional narrative strategies in two Cervantes' Exemplary Novels - The dialogue between Scipio and Berganze and The deceitful marriage. At the beginning, the text is focused on composition of both novels, mainly on their narrative structure. In the next part, the work is concentrated on analysis of reminiscences relevant - as for novels' genre, language and style - for interpretation of metaficitonal narrative with respect to the period of baroque upcoming. Then, the narrative structure is compared with Cervantes' novel Don Quijote which is based on the same type of narrative strategy. The author comes to the conclusion that the primary function of the metafictional narrative strategies is a possibility to interpret the question of the truth in relation to the baroque reality of the 17th century in Spain. The main importance of the work is presentation of a detailed narrative scheme of two novels, up to now absent in majority of theoretical works aimed at Exemplary Novels composition. Key words: Miguel de Cervantes, Dialogue between Scipio and Berganze, El coloquio de los perros, metafiction, intertextuality, credibility, narrative strategies.
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Fin-de-siècle Elements in Flann O'Brien's Novel The Third Policeman
Brymová, Petra ; Pilný, Ondřej (advisor) ; Wallace, Clare (referee)
This thesis concerns the similarities between Flann O'Brien's novel The Third Policeman and fin-de-siècle literature, more specifically decadent literature and literature of the early avant-garde. The fact that, apart from metafiction, O'Brien's novel does not deal with aesthetics (neither when it comes to the form nor when it comes to the topic) does not invalidate the presence of fin-de-siècle elements or strategies in it; the elements only change and thus adapt to their new environment. Many of them become ironic, other ones actively contribute to the metafictional scope of the novel. The first chapter explains the parallels between The Third Policeman and fin- de-siècle literature in general. It concentrates primarily on decadent literature and its central theme of "unnaturalness." Unnaturalness occurs in variegated forms, such as artifice, artificiality or make-believe. Unnaturalness can be detected also in the protagonists themselves and even (in compliance with the metafiction of the novel) in the form of O'Brien's hellish world where the narrator finds himself. Discovering and experiencing various forms of unnaturalness go hand in hand with sense perception which is what the chapter also refers to - The Third Policeman remarkably reflects descriptions of sense experiences known from...
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Role of a writer in selected metafictional novels
Šulcová, Eva ; Peterka, Josef (advisor) ; Kubíček, Tomáš (referee)
The role of a writer in selected metafictional novels Bc. Eva Šulcová Abstract This diploma thesis deals with the genre of metafictional novel. The aim of the diploma thesis is to identify various internal motivations for the usage of metafiction technique in literature and to describe the role of a writer. The first part summarizes the theoretical background of the genre and formulates some characteristic features of metafictional novel (emphasized vicariousness of the narrative, reflection of the creative act, personality of the writer, or the problematized relationship between reality and fiction), which were all illustrated by the analysis of André Gide's novel The Counterfeiters. The second part consists of interpretations of three metafictional novels. The interpretations aim at a complex analysis of the author and at a description of various functions of the metafiction technique as a constituent of the work's meaning. Gide uses metafiction to display the discrepancy between reality and illusion, thus uncovering hypocrisies of society and passing judgement on it. To Čapek, metafiction is a tool for applying multiperspectivity to his storyline, thus creating a metaphor of varying epistemic principles. Metafictional genre was further utilized by Řezáč in his novel Rozhraní to illustrate the polarity...
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