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Symbiotic imprint
Kachtíková, Michaela ; Tkáčová, Lucia (referee) ; Houser, Milan (advisor)
The thesis entitled "Symbiotic Imprint" explores the symbiotic relationship between the physicality and the mind through a meditative practice that materializes in a site-specific installation inside the catacombs. The thesis reflects the artist's personal research into the inner mental space that is transformed into physical form. The author presents a space that, while familiar to her, is at the same time alien, and which is constantly transforming and evolving as a result of long-term care. This process leads to the creation of a unique dialogue between external and internal environments, where physical interaction and presence of body become key components for deeper understanding and self-knowledge. The site-specific installation attempts to connect the outer and inner worlds, the visible and the hidden, inside and outside.
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Hall
Žilinský, Michal ; Cenek, Filip (referee) ; Mikyta, Svätopluk (advisor)
Using slow camera movement in 20 minutes in five video scenes of completely CGI-rendered environment called Area of Universal Latency, I am mapping space-time of the zone which is located in the north-western Slovakia. Minimalistic narration of the autonomous single-channel video projection is confronting subjectivism with universality of the Anthropocene, vanitas and spirituality with the belief of consumerism in infinite accumulation and simulacra of virtuality with the absolute truth. The story of this video-poem is communicated through virtual environment, composed sounds and natural noises. This thesis is presenting a fragment of my attempt to record the morphology of the specific place through which, as the title of the video states, I am indicating the state of reality and its consequences yet not describing it explicitly.
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Archive+
Domiňáková, Michaela ; Ponešová, Barbora (referee) ; Kristek, Jan (advisor)
The design theme is not just the archive as a repository of past, but primarily center of architecture as a platform for sharing ideas and shifting boarders in architecture. This makes an institution with overlapping contradictory programs at different levels. It is both closed and open. These two counterparts are solved in spatial and material „spiral“. On the one hand, there is the notion of absolute closeness that of archive, on the other there is also the idea of the maximum openness of public space. Closeness and openness are transcribed in mass, materiality as well as programmatic solutions of space. The aim is to modulate the degree of social interaction in each of the spaces according to its function.
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Germ and potential
Kachtíková, Michaela ; Houser, Milan (referee) ; Mikyta, Svätopluk (advisor)
Bachelor's thesis deals with topics such as presence, perception of corporeality and oneself appear in the context of the process of creation of a work. The evolving themes reflect subjective present vision and fascination with materiality, in order to achieve sustainable art and life. It asks questions of aesthetic - philosophical nature. What is the relationship between art and sustainability, the relationship between work, its creator, and objects? The work that was created is a material artifact, a record of being in the past and in the present. It is like a record arc, a photograph of a given reality, created to understand the past in the future. It is a reflection of the inner nakedness, internal processes, inner emotions and thoughts which shape the inner aspects of the psyche, expand into space, crawl, fill, and have their own distinctive life.
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MISSING AND DISAPPEARING
Langer, Jan ; Havlík, Vladimír (referee) ; Mikyta, Svätopluk (advisor)
This work documents the author's interest in drawing and is based on the mental background of his artistic creation. The work is guided by the interest in the physical conditions of the drawing itself (materiality of the drawing), but also in the study of drawing as a fluid material of artistic creation, entering into the relationship with the image (drawing as a material). At the same time it deals with the process of creation itself and the phenomenon of repetition. The primary goal of the whole work is not the deliberate laying of pre-formulated questions and the subsequent search for their answers, the presentation of some finished truths, or the mere illustration of a certain issue, but rather the process of finding questions that emerge during the process of creation itself.
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Life After the Bin: Used clothing between gift, commodity, raw material and waste
Sedláčková, Markéta ; Abu Ghosh, Yasar (advisor) ; Zandlová, Markéta (referee)
This thesis explores different lives of used clothing donated into charity clothing bins. Multi-sited ethnographic research makes visible the diverse lives of the collected material that vary substantially depending on the type of organization and the scale of their work, ranging from small non-profit organizations to large-scale recycling companies. The key practice is sorting which separates heterogeneous materiality into specific categories and transforms discards into gifts, commodities, materials for recycling or waste. However, these categories are far from being fixed or clear-cut, rather the value of the collected postconsumer material is continually being negotiated and is shifting dependent on the context. Key words: second hand clothing, waste, materiality, bin, recycling, value, sorting, gift, commodity
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Ecology of walls: Ethnography of Belgrade murals
Miličičová, Jolana ; Klepal, Jaroslav (advisor) ; Abu Ghosh, Yasar (referee)
Nowadays, many of Belgrade's walls form an imaginary gallery of large-scale street paintings: murals. This thesis builds on an argument that in order to understand this phenomenon, it is important to go beyond its visual and aesthetic qualities. Instead it approaches murals as complex entities that shape and reflect life and events in a given urban space and Serbian society undergoing post-war, post-socialist and neoliberal transformations. With a help of a metaphor "ecology of walls", this thesis aims to show that murals can also be seen as a kind of "organisms" which have their own socio-material life and agency, and are closely intertwined with the "ecosystem" of the capital city and Serbian society as a whole. This "ecological" perspective allows to think about the issue holistically. That is, as an intersection of actions and events involving walls and facades, creators and passers-by, local moods and global politics. Keywords: Murals, street art, ecology, materiality, urban space, Serbia
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