National Repository of Grey Literature 211 records found  1 - 10nextend  jump to record: Search took 0.00 seconds. 
Problem of Philosophy in Arabic Medieval Thinking
Šenk Kopecká, Pavlína ; Hogenová, Anna (advisor) ; Semrádová, Ilona (referee) ; Kalábová, Helena (referee)
Medieval philosophy in the Arabic world has sought to harmonize the Greek philosophic tradition with the Islamic religion. Many rulers, scholars and theologians were against this intellectual approach and defend the Islam from the philosophers. The position of philosophy and its followers in the Arabic realm was therefore uneasy. Many scholars had to hide their opinions between the lines and avoid to doing philosophy publicly. Alongside the unfriendly environment, the position of philosophy in the Arabic society was also determined by common notion of scholars, that the revealing of the philosophical thoughts can be harmful for uneducated citizen, as well as influenced by mysticism. The aim of this thesis is to summarize the main philosophical approaches responding to the problematic position of philosophy in the Arabic world. Crucial will be the philosophy of solitary by Ibn Bajja, where the author seeks to bond tight the philosopher's life with the city and thus present a new role of philosopher in the Arabic society. Keywords Ibn Bajja, Rule of the Solitary, Al-Farabi, Political Regime, Aristotle, Nicomachean Ethics, Plato, The Republic, political philosophy, mysticism, ethics, philosopher, virtue, city, weeds, knowledge, governance, happiness
Read the text as a myth (contribution to hermeneutics and interpretation of the myth)
Nikl, Lukáš ; Lukeš, Jiří (advisor) ; Hogenová, Anna (referee)
In my diploma work "Read the text as a myth (contribution to hermeneutics and the interpretation of the myth)" I pay attention to the issues of perceiving a text in communion. I worked on the assumption based on theories of deconstruction, poststructuralism, and collective memory. I take into consideration theories of media that are connected with M. McLuhan or W. J. Ong. I deal with the theory of the new orality and methods of the myth perception. The way of writing, I use, is based on the concentration of touches on different approaches of thinkers that I paid attention to. I aim to show, how we read the text, how we orient in narratives, what is the function of myths and how the issues are connected with the communion. Without communion, it is almost impossible to imagine, how these processes take place. I put emphasis on the dynamicity of the shifts of the discoursive perception of the text.
Woman and her body
Váňová, Kateřina ; Hogenová, Anna (advisor) ; Hrabinec, Jiří (referee)
v angličtině This master thesis is about woman and her body. If a woman wish to be healthy, her soul and body should be in harmony. If she follows her own way, she is in harmony with society, she has time for relaxing and takes care for her soul she is happy. Society at this time is trying to separate soul and body. But when we are lost we can find the truth and ourselves. We can take care of our soul in this ways: relaxing, meditation, movement. When we are moving, soul is in harmony with a body. Every woman has shapes of her body from her forefathers and she should appreciate it.
Art and reality
Barabášová, Magda ; Hogenová, Anna (advisor) ; Fleischerová, Andrea (referee)
This bachelor thesis The Art and reality to analyse selected philosophical sources concerning the problem of the artistic reflection of reality, their mutual confrontation and, also, questions related to them which arose after focusing the artwork on the idea, as being stated by the author. Moreover, it tries to clarify the question of the genesis of the artwork as the sensory object and the question of the dialogue between an artwork and a recipient. The initial sources for the analysis were the Plato's Republic, Aristotle's Poetics, Kant's Critique of Judgement, and Hegel's Aesthetics. Although the selected sources come from the former philosophy, they are being reinterpreted, and associated with different artworks throughout the history of art, also concerning the modern art phenomenon. Regarding objectives of the artwork, the highest objective has been ascertained as the good, and the idea of simulating the sensorial world has been refuted. The technical aspect of the artwork seems to be a mere tool of creation. The modern art has already questioned the significance of the technical aspect as the highest value by its conceptual tendencies. From the perspective of recognizing through the artwork, a new possibility of cognition arises - the anamnesis. Rather, it is finding the existing content of...

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