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Inside the Surroundings
Ryneš, Zdeněk ; Vojtěchovský, Miloš (referee) ; Klímová, Barbora (advisor)
The topic of this diploma thesis is a form of own personal space which is confronted with scene visuality used in film industry. It is about linking an existing and fictive (illusionary) environment. I can see the cinematographic space as an image of its physical equivalent. I do search for scenes in existing movies, which are charting the interiors of environments, where the movie is being set. I do use the camera moves and the ways of seeing the immediate surroundings as they are used in those scenes and I repeat them in my own private apartment. Screenplay structure comes from my apartment dispositions. The final dual channel video leads the spectactor through two levels of space in the same time.
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Analysis of documentary production of the online streaming service Netflix
Spěváková, Klára ; Štoll, Martin (advisor) ; Kruml, Milan (referee)
This thesis, titled Analysis of the Documentary Production of the Online Streaming Service Netflix, aims to describe the characteristics typical of Netflix's documentary production using a selection of films from 2015 to 2022. The films included in the analysis are American Murder: The Family Next Door, Schumacher, The Social Dilemma, The Tinder Swindler and David Attenborough: A Life on Our Planet. Based on semiotic and image analysis, it examines the various elements of film language used in these films - mise-en-scene, camera, editing and sound, including the narrative mode and structure of the film. The thesis also focuses on describing the key features of Netflix production, its use to influence audiences, and the search for the reason behind the popularity of this production. The thesis also includes a quantitative analysis of Netflix's documentary production.
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Imagery of Czech border in modern cinematography and in television
Šolcová, Tereza ; Štoll, Martin (advisor) ; Bednařík, Petr (referee)
This master's thesis named Imagery of Czech Border in Modern Cinematography and in Television focuses on the issue of the representation of the Czech border region in Czech cinematography after 1990. The Czech border region is still an interesting area for its historical development, attracting the attention of many historians and artists. The thesis seeks to answer the question of how Czech cinematography works with historically and geographically given realities. The first part of the thesis deals with the issue of the historical development of the Czech border region and introduces the reader to the key events that formed the border in the past. It then explains how these historical events resulted in the present form of the Czech border region. The second part of the thesis focuses on the exploration of five different films made after 1990. Selected Czech films are Až do Města Aš (Made in Ash), Mistři (Champions), Habermannův mlýn (Habermann's Mill), the analysed series are Pustina (Wasteland) and Přísahám a slibuji (Spondeo ac polliceor). Movies are analysed through selected means of expression, such as location and environment, acting and characters, camera, shot and cut, lighting and sound component. The aim of the thesis is to confirm or rebut the hypothesis that the Czech borderland will...
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Imagery of Czech border in modern cinematography and in television
Šolcová, Tereza ; Štoll, Martin (advisor) ; Bednařík, Petr (referee)
This master's thesis named Imagery of Czech Border in Modern Cinematography and in Television focuses on the issue of the representation of the Czech border region in Czech cinematography after 1990. The Czech border region is still an interesting area for its historical development, attracting the attention of many historians and artists. The thesis seeks to answer the question of how Czech cinematography works with historically and geographically given realities. The first part of the thesis deals with the issue of the historical development of the Czech border region and introduces the reader to the key events that formed the border in the past. It then explains how these historical events resulted in the present form of the Czech border region. The second part of the thesis focuses on the exploration of five different films made after 1990. Selected Czech films are Až do Města Aš (Made in Ash), Mistři (Champions), Habermannův mlýn (Habermann's Mill), the analysed series are Pustina (Wasteland) and Přísahám a slibuji (Spondeo ac polliceor). Movies are analysed through selected means of expression, such as location and environment, acting and characters, camera, shot and cut, lighting and sound component. The aim of the thesis is to confirm or rebut the hypothesis that the Czech borderland will...
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Handicap as a Gift
Beran, Radek ; KLÍMA, Miloslav (advisor) ; KUBÍČEK, Jiří (referee)
In my thesis the potential of technical struggles and various mechanical limitations of puppets themselves is explored. Related to that also other limitation of puppetry and even drama as a genre itself are uncovered. Surprising analogy with the world of people with disabilities can be found here. So a disabilitity becomes a substantial point of view and a kind of subjects of demonstration which have been used in my work up to now. In the first part resources and terms related to disabilities are considered as well as the reasons triggering my interest in this phenomenon. A particular project subconsciously drew my attention to my higher sensitivity to various forms of disabilities in life and art as well
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Influence of Music on the Spectator's Emotional and Cognitive Perception and Its Usage in Film Narrative
Marinová, Viera ; KUDLÁČ, Jakub (advisor) ; EKRT, Viktor (referee)
This bachelor‘s thesis focuses on the influence of music on the emotional and cognitive perception of human being. In particular, it focuses on film music and its function in a movie. With the help of cognitive science, it looks for answers to explain how the music used in a movie can influence our emotions and other cognitive processes such as empathy, understanding of meaning, contextual associations, memory, etc. The main goal of this thesis is not to provide a guide on how to use music correctly in films, rather it provides the guide for understanding a movie viewer. Nevertheless, it confirms that music is a very functional tool of film narration.
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Internal Film Logic
Tichovský, Martin ; JÍCHA, Marek (advisor) ; SMUTNÝ, Vladimír (referee)
Abstract
The thesis Internal film logic analyzes the processes by which an audience is guided through visual signs. Film is conceived here as a type of communication. The text explores processes and relationships in the author-artwork-audience axis, and offers a terminological apparatus to philosophically work with basic questions regarding creative intention. The purpose of this work is to lead the reader-cinematographer towards awareness of organic structures within film alongside the commonly utilized technical frameworks. If an author can conceive of film as a communication process, then a film can come to life as a „dialogue“: to direct audience's thought paths, provoke their intellectual capabilities, and enliven their experiences against their expectations.
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Camera movement
Mach, Adam ; BRABEC, Jaroslav (advisor) ; MAREK, Diviš (referee)
This bachelor thesis deals with the camera movement. The first part provides
basic information about camera movement and its properties. It divides
camera movements in terms of function and technology. It defines the
differences between the static and the dynamic camera and deals with the
camera's motion and long shot relationship. The second part consists from
few examples of the use of camera movement in specific film segments.
These examples are accompanied by a description of the camera's motion,
timeline, and pictures representing a certain part of the shot for better
illustration.
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