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Machining technology with the necessity of manual work
Svoboda, Jakub ; Kupčák, Radim (referee) ; Kalivoda, Milan (advisor)
Manual work is still necessary and often irreplaceable. In most cases, it is combined with machine production. As an example of such work we have chosen the production of tin lead alloy organ pipes, which encompasses several machining processes. All aspects of production were analyzed, including specification of the materials used and the various production processes. A pipe was produced according to these specifications for illustration. Individual chapters presented special manual tools and specific machinery. The difficulty and originality of the given production was outlined. This is professional work requiring manual dexterity, logical thought, attention to detail and an artistic spirit. During production we obtained an image showing a part of the cross-section of the pipe perpendicular to its axis. The image shows the correct shape of the soldered joint and the tangential connection of both sides of the sheet. Several aspects of the pipe were evaluated. The final chapters include feedback from customers and a general assessment of this particular work.
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Spectral analysis of flute organ whistles and their comparison
Sommer, Tomáš ; Michálková Slimáčková, Jana (referee) ; Jirásek, Ondřej (advisor)
This work is focused on the problems of spectral analysis of flutes stops in organ pipes. The first part of this work is about terminology of organ pipes. This theoretical part is also focused on the problem of harmonic analysis with the use of mathematical signal processing methods, which allows this analysis. The second part of this work deals with measuring methods of specific organs and acquiring sound samples and their evaluation and spectrum description.
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"Music Scene" - a concert hall for the city of Brno
Zatloukalová, Veronika ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The subject of this thesis is the design concept of the architectural study of a concert hall, namely the proposal for a "MUSIC SCENE" - the concert hall for the city of Brno. As part of this study is therefore designed a hall for 591 visitors. Hall enables performances to 90-member orchestra or choir. The solution is also operating and maintenance facilities necessary facilities like auditorium. The main emphasis was put on the acoustic solution, then the overall transparency in the operation of the building and the continuity of the building and the surrounding development mainly to the existing communication system that tries to respect.
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History of audio carriers and transmission of sound
Šimarová, Lucie ; Krhutová, Milena (referee) ; Šedrlová, Magdalena (advisor)
Cílem této bakalářské práce je popsat vývoj zvukových nosičů. Tato bakalářská práce poskytuje náhled do historie a současnosti zvukových nosičů. Nejprve seznamuje čtenáře s teorií přenosu zvuku. Tato část je zaměřena na přenos vlnění a popisuje rozdíly mezi vlnami. Následně jsou probírány analogové a digitální způsoby záznamu zvuku. Hlavní část práce se věnuje uchovávání hudby. Nejprve se práce zabývá uchováním hudby před mechanickým záznamem, tato část zahrnuje notaci, tabulatury a automatofony. V další části je již popsán mechanický záznam zvuku, a to v analogové formě. Poslední kapitola je zaměřena na digitální záznam zvuku. V neposlední řadě práce obeznamuje čtenáře s kulturním a hudebním vlivem jednotlivých nosičů. Znalosti jsou nabyty z různých zdrojů, především z literatury.
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Interpretation of organ music
Bařák, Hynek ; Daněk, Josef (referee) ; Malý, Břetislav (advisor)
In my diploma thesis I want to deal with another topic which is very interesting and important for me and that is organ and organ music in general and everything that belongs to them. From history, production, maintenance to play itself. In most of my previous works, not only at college but also earlier, fragments of this instrument appear in my paintings (mainly whistles, which are actually the most visible and their size determines the size of whole organs and is their precept) even though I have devoted myself on another topic, these fragments I had some need to plant there. Organs are referred to as the royal instrument, they are the largest and mechanically the most complicated musical instrument. That is the complexity I would like to express in my pictures, I do not mean the complexity of the organ for the technical, construction, but especially the complexity of playing. The need for the right combinations of different registers with differently colored tones and tools. Swap pedal handbooks, etc. This is all about fascination for me. In this diploma thesis I want to use the themes that appeared on the surface often as secondary or I did not put such emphasis or were the main topic for example only one semester, but in fact I continued to work with them subconsciously in the same way, Layers, Recycling, Reaction to Substrates, etc. It could be said that such organ compositions are such layers as Bach's or any fugues that are gradually being added, layers of new and new tones often result in the the full extent that the organ is able to administer. The layer I used to work with before, and actually always appears in my works, has actually become an integral part of my paintings. I want to express the complexity of the organ compositions in my paintings, as I do. Not only by layering, but also by using different techniques, not just acrylic. I also used this in my previous work, and examined how they work with each other. I have responded to differently produced backgrounds. Organ music can be considered complicated because all we hear is produced by one person. Who must play and cater everything else that is associated with it, except perhaps the bells pedaling. This series of images will not, in the end, express myself visually, at first sight nothing concrete, over time I have come to a pretty abstract image. I do not mean to say that organ music is abstract, especially if I talk about Baroque or Classicism. Maybe in romanticism, for example, F. Liszt and his organ compositions are so complex and terribly crazy that I might consider them quite abstract. But just the organ music of Liszt, which I admire most, I think it is not possible to express it in abstract form. It's a mad, complicated tangle of different, tones, colors, games with registers, blinds, and so on, and I want to express it all on the canvas.
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Machining technology with the necessity of manual work
Svoboda, Jakub ; Kupčák, Radim (referee) ; Kalivoda, Milan (advisor)
Manual work is still necessary and often irreplaceable. In most cases, it is combined with machine production. As an example of such work we have chosen the production of tin lead alloy organ pipes, which encompasses several machining processes. All aspects of production were analyzed, including specification of the materials used and the various production processes. A pipe was produced according to these specifications for illustration. Individual chapters presented special manual tools and specific machinery. The difficulty and originality of the given production was outlined. This is professional work requiring manual dexterity, logical thought, attention to detail and an artistic spirit. During production we obtained an image showing a part of the cross-section of the pipe perpendicular to its axis. The image shows the correct shape of the soldered joint and the tangential connection of both sides of the sheet. Several aspects of the pipe were evaluated. The final chapters include feedback from customers and a general assessment of this particular work.
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Petr Eben - music as a way to God
Šmardová Koulová, Jana ; Špačková, Alena (advisor) ; Tvrdek, Petr (referee)
Petr Eben. Hudba jako cesta k Bohu. Jana Šmardová Koulová Resumé Svou prací jsem došla k závěrům, že přínos skladatele Petra Ebena je pro českou a světovou duchovní hudbu opravdu velký a jeho skladby jsou skutečnou pomocí v ekumenické práci. Autorova vlastní upřímná víra v Boha se, díky jeho usilovné smysluplné práci, nese tóny skladeb dál k posluchači, kterého skutečně oslovuje. Pochopil služebnost hudby a podřídil ji moudrosti slov, jejich pravému významu a obsahu, čímž její význam naopak pozdvihl. Vznikla díla, která opravdu k posluchači promlouvají svým poselstvím, dokonce ho i formují. Na základě této práce a získaných poznatků, se určitě pokusím Ebenovu Truvérskou mši, pro její jednoduchost a přitom nádhernou melodičnost, citlvě propojenou hudbu se slovy, která byla inspirována vírou v Boha, zařadit do katecheze dětí. Petr Eben. Music as the way to God. Jana Šmardová Koulová Summary In my work I have come to the conclusion that Petr Eben's music means really great contribution not only to Czech but even to the whole world sacred music with his compositions that help a lot in ecumenical efforts. The author's own true faith in God, thanks to his concentrated and meaningful work, conveys onto the listener and addresses him/her with direct impact. He understood the subservience of music well, and he...
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J. S. Bach and His Piano Pieces for Music Art Schools
Marečková, Alena ; Gregor, Vít (advisor) ; Palkovská, Jana (referee)
The thesis "J. S. Bach and His Piano Pieces for Music Art Schools" is focused on interpretation of the piano music of Johann Sebastian Bach. For the right understanding of the composer's musical narratives, it is necessary to acquire the basic knowledge and principles of the music theory in the Baroque era and to become familiar with the environment in which this extraordinary composer had been professionally developing and composing. This musician is presented here as the founder of a modern fingering whose musical language brought a change into musical thinking and he became inspiration and a role model for composers of the next centuries. This thesis highlights the importance of appropriately selected musical materials in piano teaching and it prefers the performance to be as authentic as possible. The main purpose of this paper is to update the knowledge of methodology and to find a comprehensive guide to a correct understanding of musical language of this genius that would help the music teachers introduce to pupils the beauty and timelessness of Bach's musical work and that would motivate them to other musical discoveries and make them desire to be further educated in music.
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Organ Accompaniment of Massliturgy and New Liturgical Songs
Náměstek, Vít ; Stříteská, Leona (advisor) ; Nedělka, Michal (referee)
TO THESIS "THE ORGAN ACCOMPANIMENT OF MASSLITURGY AND NEW LITURGICAL SONGS" Vít Náměstek PedF UK This thesis is going to pursue a task of the right modes of organ accompaniment of massliturgy. It describes the desirable style and character of accompaniment component parts of ceremony to make the organ play not to be for itself only, but to let it become the thing, that it schould be: The organ play has to create an organic complex with the liturgy. The work makes the direction of the play concrete and accent the sensitivity not only for pure substance of the holy mass, but also depending on liturgical day and season. It is focus on the main prelude and main postlude, on perticular preludes, postludes and interludes during the ceremony, and on accompaniments of the responses, acclamations and also solo celebrant's singing - that means on the parts, which aren't mostly mentioned in publications of organ accompaniment. The creative part of the work includes 3 new songs for worship: their tunes and lyrics , harmonization and music-theological analysis.
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