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The Art Journal Ateliér from the fondation to the present time
Mikulíková, Radka ; Köpplová, Barbara (advisor) ; Sládková, Hana (referee)
This diploma thesis "The Art Journal Ateliér from its foundation to the present" goes into the semimonthly art-oriented Ateliér magazine being issued from 1988 to December 2015. The work looks about historical context of period 1980 and 1990 until the first decade of the new millennium. The thesis, in detail, is focused on Ateliér magazine publishing in years 1988, 1989, 1990, 1992, 2000 and 2008. The most detailed there are analyzed years 2012 and 2015, the crucial years, in light of magazine financial crisis. In 2010 the magazine got into financial trouble that culminated at at the end of 2015, the time the periodical had made a request for liquidation. 1. January 2016 the magazine entered into liquidation. In all surveyed years the attention is focused on the editorial staff, the graphic design and the semimonthly Ateliér magazine content. The most detailed is the magazine analyzed in 2012 and 2015 by using the analyses of all authorial texts there, there will be presented story writers contents from among the editorial staff and externals who had participated in both editions. An attention is paied to those authors writting in the periodicals,on how many there were in total and on how many times they wrote in the magazine in one year. The second analysis aimes only on copyright reviews of...
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Art-critique work of Jiri Setlik and Czech art critique of the 1960s
Sládková, Hana ; Köpplová, Barbara (advisor) ; Pelánová, Anita (referee)
The "Art-critique work of Jiri Setlik and Czech art critique of the 1960s" text describes the approach, sources and method of Jiri Setlik, important Czech theoretician and historician of art and art critic. The text follows his work in three different periods of the Czech afterwar art and art theory (1950s and 60s, the normalization period of 1970s and 80s and after the 1989). The structure of the first part of the text follows these periods, that represent different enviroment, possibilities and inspirations, mentioning the important cultural and art scene events, practical background of exhibiting, art writting, journalism or pUblishing and other circumstances that influenced the approach, style and work of Jiri Setlik and his colleagues. For each period, several art-critical texts of Jiri Setlik are selected, that are representative of his style development and also situation given by the culture and politics of that time. The second part of the text defines the art-critique method of Jiri Setlik in context of the contemporary art-critique theory and practice of 1960s, which is considered the most influential until today. Powered by TCPDF (www.tcpdf.org)
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Jaroslav Špillar (1869-1917) and folklorism in Czech fine art
Fišerová, Hana ; Wittlich, Petr (advisor) ; Prahl, Roman (referee)
The aim of this thesis is to make a clear reflection of folklorism in the Czech Art Nouveau painting at the turn of 19th and 20th century. This era is characterized by the effort of artists to follow the development in western art as well as to find their own Czech way to the modern art. The establishment of new societies of art and the impact of art critics - leading personalities of cultural life - is another feature of this period. The last quarter of 19th century is the time connected with the national revival era, when the folk culture is seen as pure and original. The culmination of so called "ethnographic movement" is the Czech-Slavonic Ethnographical Exhibition which took place in Prague in 1895. This event was the main reason for the fact that many artist suddenly started to feel sympathies for the folk topics even though in the past they were interested in different themes. In the middle of these two tendencies: desire to follow the western development and the attempt to find an inspiration in folk culture, grew the work of so called "regional painters". This thesis aims to characterize this phenomenon and to exemplify it on the basis of artwork of selected regional artists. Main part of this thesis is dedicated to the life and work of Jaroslav Špillar who was the significant figure of...
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Art criticism in the magazine Dílo (1903-1949)
Bytelová, Adéla ; Pech, Milan (advisor) ; Winter, Tomáš (referee)
Art criticism in magazine Dílo (1903-1949) Abstract Bachelor thesis Art criticism in magazine Dílo (1903-1949) deals with critical texts published monthly in journal Dílo, the magazine of "Jednota umělců výtvarných" society in the years 1903- 1949. In chronologically arranged chapters are the selected texts analysed, compared with texts from the rival journals, set in the context of contemporary artistic disputes and the chapters are completed with basic information about editorial staff and thematic focus of the magazine Dílo. In conclusion there is outlined an overall picture of the art criticism in magazine Dílo, its orientation, transformations, value and influence on the art scene in the first half of the 20th century.
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From art criticism to art journalism? Czech arts writing after 1989
Sládková, Hana ; Bednařík, Petr (advisor) ; Pachmanová, Martina (referee) ; Vančát, Jaroslav (referee) ; Petříček, Miroslav (referee)
The purpose of the disertation From Art Criticism to Art Journalism? Czech Arts Writing after 1989 is to find out how did the Czech politics and society transformation influence the character of art critique, particularly the visual arts reflection. How did the post-1989 art critique deal with the communist regime past and relics? How was the art critique influenced by the art development and by the changes in the media structure and functioning? Content analysis of selected periodicals texts from the 1990s enables us to follow if and how do the form and content of the visual arts reflecting texts mirror the communication, art and media character and structure development. The topic connects media and communication studies with visual studies and art theory. Hanka Sladkova
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The Art Journal Ateliér from the fondation to the present time
Mikulíková, Radka ; Köpplová, Barbara (advisor) ; Sládková, Hana (referee)
This diploma thesis "The Art Journal Ateliér from its foundation to the present" goes into the semimonthly art-oriented Ateliér magazine being issued from 1988 to December 2015. The work looks about historical context of period 1980 and 1990 until the first decade of the new millennium. The thesis, in detail, is focused on Ateliér magazine publishing in years 1988, 1989, 1990, 1992, 2000 and 2008. The most detailed there are analyzed years 2012 and 2015, the crucial years, in light of magazine financial crisis. In 2010 the magazine got into financial trouble that culminated at at the end of 2015, the time the periodical had made a request for liquidation. 1. January 2016 the magazine entered into liquidation. In all surveyed years the attention is focused on the editorial staff, the graphic design and the semimonthly Ateliér magazine content. The most detailed is the magazine analyzed in 2012 and 2015 by using the analyses of all authorial texts there, there will be presented story writers contents from among the editorial staff and externals who had participated in both editions. An attention is paied to those authors writting in the periodicals,on how many there were in total and on how many times they wrote in the magazine in one year. The second analysis aimes only on copyright reviews of...
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Post internet art within the galleries
Hošek, Petr ; Lahoda, Vojtěch (advisor) ; Malečková, Dita (referee)
This thesis deals with contemporary art movement called post internet, its forms and its presentation within the gallery spaces. The emphasis is based on a complex description of its topics, mailny the problems of its presentation, the corporate aestetics, the radical identification and the post human body. The third chapter describes the transfer of the art from the internet into the gallery spaces and its methods. The last part of this text is then devoted to the Czech post internet art scene and to the negative impact of the internet on the sociaty and the art.
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Jaroslav Špillar (1869-1917) and folklorism in Czech fine art
Fišerová, Hana ; Wittlich, Petr (advisor) ; Prahl, Roman (referee)
The aim of this thesis is to make a clear reflection of folklorism in the Czech Art Nouveau painting at the turn of 19th and 20th century. This era is characterized by the effort of artists to follow the development in western art as well as to find their own Czech way to the modern art. The establishment of new societies of art and the impact of art critics - leading personalities of cultural life - is another feature of this period. The last quarter of 19th century is the time connected with the national revival era, when the folk culture is seen as pure and original. The culmination of so called "ethnographic movement" is the Czech-Slavonic Ethnographical Exhibition which took place in Prague in 1895. This event was the main reason for the fact that many artist suddenly started to feel sympathies for the folk topics even though in the past they were interested in different themes. In the middle of these two tendencies: desire to follow the western development and the attempt to find an inspiration in folk culture, grew the work of so called "regional painters". This thesis aims to characterize this phenomenon and to exemplify it on the basis of artwork of selected regional artists. Main part of this thesis is dedicated to the life and work of Jaroslav Špillar who was the significant figure of...
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Art-critique work of Jiri Setlik and Czech art critique of the 1960s
Sládková, Hana ; Köpplová, Barbara (advisor) ; Pelánová, Anita (referee)
The "Art-critique work of Jiri Setlik and Czech art critique of the 1960s" text describes the approach, sources and method of Jiri Setlik, important Czech theoretician and historician of art and art critic. The text follows his work in three different periods of the Czech afterwar art and art theory (1950s and 60s, the normalization period of 1970s and 80s and after the 1989). The structure of the first part of the text follows these periods, that represent different enviroment, possibilities and inspirations, mentioning the important cultural and art scene events, practical background of exhibiting, art writting, journalism or pUblishing and other circumstances that influenced the approach, style and work of Jiri Setlik and his colleagues. For each period, several art-critical texts of Jiri Setlik are selected, that are representative of his style development and also situation given by the culture and politics of that time. The second part of the text defines the art-critique method of Jiri Setlik in context of the contemporary art-critique theory and practice of 1960s, which is considered the most influential until today. Powered by TCPDF (www.tcpdf.org)
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