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A Comparison of Czech Adaptions of the Reality Show Survivor
Dittrichová, Anna ; Kruml, Milan (advisor) ; Bednařík, Petr (referee)
This diploma thesis deals with the comparison of Czech adaptions of the reality show Survivor - i.e. Trosečník (Prima, 2006), Robinsonův ostrov (Nova, 2017), and Survivor Česko & Slovensko (Nova, 2022). In the theoretical part, reality TV is defined at first - its definition, characteristics, reasons for success, modes of representation, and the difference between reality TV and reality are outlined, history of the format, its classification to subgenres and reality TV in the Czech Republic is introduced. A description of the globalization of television formats and the process of adapting licensed formats follows it. In the analytical part, firstly, the comparison methodology is described, and briefly, the selected adaptions and the original global format are characterized. Subsequently, a comparison of three Czech adaptions of the reality show Survivor is accomplished. In two more recent adaptions, only the show's first series is included in the comparison. The comparison of adaptions is based on the following aspects: the name of the show, program strategy (broadcasting schedule, number, and duration of episodes, sideshow), the cast (contestants and hosts), the visual and audio elements of the show, the episode structure, rules, content selection, and feedback (viewership, reviews).
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The adaptation of foreign TV formats on Czech television from the 90's until present time
Chudárková, Adéla ; Kruml, Milan (advisor) ; Štoll, Martin (referee)
Teoretickým východiskem této práce je fenomén globalizace, který pronikl do všech domén včetně mediální, jejíž součástí jsou právě televizní formáty, o kterých tato neboť v sobě mísí prvky globální a zároveň lokální kultury, kdy na základě zakoupení zahraniční licence vzniká celá řada lokálních verzí, jež jsou lokálními specifiky dané kultury. Jedná se o stále vzrůstající h počátků, spojených s formáty, rozštěpil mezi všechny žánry, včetně dramatické tvorby. Tato práce se soustředí na adaptace zahraničních televizních formátů v České televizi. Mapuje nejen vývoj tohoto trendu v jediném českém veřejnoprávním televizním médiu, ale taktéž se věnuje důvodům, které vedou ke koupi zahraničních licencí pro médium, jehož výsadou by měla být původní tvorba. Právě otázka veřejnoprávnosti a s ní se pojící specifika výběru obsahu pro toto médium jsou pilířem této diplom
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Global television formats and their adaptation in Central Europe
Vachová, Kateřina ; Štětka, Václav (advisor) ; Štoll, Martin (referee)
The aim of this diploma thesis is to describe how successfully are global television formats adapted in the region of Central Europe. Media systems in the Czech Republic, Hungary, Poland and Slovakia were considerably transformed after the fall of communism in the 1990s. Television markets started to be built within the new media systems. This thesis describes a globalization theory with focus on the concepts of cultural imperialism and cultural globalization. Emergence of the global television formats is one of the most visible processes within the globalization. There is a prevailing opinion presently that the global formats contributes in some ways to cultural heterogenization and pluralization. Local adaptations of global formats acquire meanings of national culture. The term glocalisation is connected with spreading of the global formats. This term is nowadays used more often than the term globalisation in relation to global formats. This diploma thesis is concerned with the adaptation of formats in the countries of Central Europe. Popularity of global formats in this region is compared on the basis of ratings. There is also evaluated which format has the most universal impact in the region and if audiences in these countries have similar cultural preferences. Afterwards, other trends typical...
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Television formats transmission into czech environment since the creation of the dual system in Czech republic
Kantorová, Katarzyna ; Bednařík, Petr (advisor) ; Štoll, Martin (referee)
Diploma thesis "Television formats transmission into Czech environment since the creation of the dual system in the Czech Republic" focuses on television formats which have been adapted in the Czech television industry since 1994. TV formats, the primary analytical object of this thesis, belong among the strongest aspects of media globalization. Since specific television formats spread the same structure, idea and concept, they increasingly influence the practice in television markets and the process of globalization all over the world. With this continuity, the paper describes the theory of globalization, focusing on cultural and media imperialism. Further, newer theories of globalization and their subsequent transformation are described. Based on this theoretical basis, the thesis describes, which TV formats have been adapted since 1994 in the Czech Republic. Our analysis is based on in-depth interviews with Czech television professionals who have experiences with the purchasing and subsequent adaptation of television formats. The thesis provides the overview of all adapted TV formats in the Czech Republic, and describes reasons, difficulties and the overall process of adapting licensed television formats. Powered by TCPDF (www.tcpdf.org)
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Media image show star dance and its impact on the public
Morávková, Pavlína ; Kruml, Milan (advisor) ; Zábrodská, Kristina (referee)
The aim of the thesis is to create the media image of the StarDance... Když hvězdy tančí show in printed media, on the internet and on Česká televize and analyze its impact on the general public. The StarDance show is a global TV franchise broadcast in more than thirty countries around the world. It originated in the United Kingdom as Strictly Come Dancing. Česká televize bought the license and broadcast the first season in 2006. The thesis compares the Czech version of the show with the original British version as well as the Polish one, drawing attention to the differences in the number of episodes and couples, in the way the competition is judged etc. StarDance is an entertaining dance show which follows the competition of couples composed of a celebrity and a professional dancer. The dances which the couples practice are mostly ballroom dances usually taught in dance classes for general public. The media image is closely connected to the public ballroom classes. Its main purpose is to examine whether StarDance has raised awareness of social dance and helped arouse interest in dance classes. The internationally acclaimed show comprises more than just the Saturday live broadcast. Both the show's web pages and its Facebook profile teem with commentaries, interviews and picture. Chapter 3 StarDance...
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Publicistic style elements in czech television'documentary series "13th chamber"
Štefánková, Aneta ; Štoll, Martin (advisor) ; Novotný, David Jan (referee) ; Šoltys, Otakar (referee)
The aim of my thesis is to define the publicistic style elements of characteristics within Czech television's documentary series "13th Chamber". The analysis section is based on episodes that were broadcasted within the first five years of the series between 2006- 2011. I found that the program has more features of a television journalism program than a television documentary in which the creators claimed. The project is a typical example of the terminological genre confusion of Czech television. In the theoretical section of my thesis, the concepts of television journalism, television documentary, television format and the differences of cycle and television series are discussed in detail. In context with the theme, I have designed a program structure in which the principle production, choice of topics, individuals parts and authors who participated in the preparation and shooting are involved. The program structure includes a practical component with specific parts in which I discuss the pre-defined publicistic elements. These elements are mandatory especially given structure, the presence of journalists, expert talks, the use of comments and interviews. The aim is to look at the agenda in terms of audience, the degree of fun and bulvarity within the program structure. In terms of resources, I...
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