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Deeds
Kopčil, Tomáš ; Palla, Marian (referee) ; Ruller, Tomáš (advisor)
For the deed I consider an event in the outside world which will depend on human behavior, which may have one or more signs of artistic acts or does not show signs of any artistic act. This event is then act as defined in the relevant Act. Artistic achievement in relation to the act represents a certain structure. The nature of the offense and an act of the artist and the result of this conduct caused, which is relevant to the history of visual culture. Negotiation is a manifestation of the will of the artist in the outside world, consisting of an act or omission, failure to act.
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The Phenomenology of Touch and Desire
Vojtěšková, Jitka ; Hanzlová, Alžběta (referee) ; Mikyta, Svätopluk (advisor)
Still life arise from interactions related to a particular situation, location and experience. They are composed of objects that are located on a given place, of my own and borrowed or donated by my "partners". Reflect the time memory. They are a physical reminder of the experience. Still Life is manipulated, staged, composed of various artifacts that are symbolic bearer of facts that preceded them, Images may affect the perception of emotions associated with the concept of beauty, transience, decay, evoking a feeling of emptiness, to reflect the time - an irreversible momentum. Photos show a banal, everyday objects, often so obvious and neglected, What remains for us ... What remains ... What goes around ... What is gone ... Similar scenarios acquire different meanings, finding what is already absent,
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Selected issues of proving in criminal proceedings
Polanský, Ivo ; Jelínek, Jiří (advisor) ; Galovcová, Ingrid (referee)
1 Abstract This thesis deals in particular with the analysis of the process of presentation of evidence in penal proceedings, its basic principles, as well as the constitutional limitations within which the evidence-making process should be carried out. However, some other questions, especially legal and philosophical ones that are directly related to the presentation of evidence in the penal or legal proceedings cannot be ignored. The chosen topic can undoubtedly be considered to be very topical. This is because the presentation of evidence in penal proceedings is, besides the decision-making process itself, the most important procedural activity carried out by the bodies responsible for penal proceedings and participated by other entities involved in the penal proceedings. The aim of this thesis is to give a brief and comprehensive overview of some specifically selected problems of presentation of evidence in penal proceedings. Naturally, with regard to the chosen topic and its scope, it is not possible to comprehensively process all the areas that are related to the issue of presentation of evidence. Chapter 5, 6 and 7 can be considered crucial to the thesis in question, as they provide, in particular, the analysis of existing evidence-making legislation in penal proceedings. The basic principles of...
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Two Ways of Being: Potentiality and Actuality. A Contribution to Interpretation of Aristotle's Metaphysics
Rabas, Martin ; Němec, Václav (advisor) ; Špinka, Štěpán (referee)
in English: In the first half of the book Theta of his Metaphysics, Aristotle discusses dunamis as a property of a being. In this sense, dunamis is primarily a principle of change in another thing or in the thing itself qua other, thereby exercising itself in its energeia. In the second half of the book, Aristotle discusses dunamis as a way of being. In this sense, a being is dunamei another thing and in the course of its becoming that thing it changes into being energeiai. The aim of the present thesis is to offer an interpretation of the concepts of dunamis and energeia as they appear in the chapters 1, 2, 6 and partly 7 of the book Theta. The first question is how the concepts of dunamis and energeia in both parts fit together. The problem is posed as follows: Are dunamis in the sense of a principle of change and dunamis as a way of being mutually dependent? Are energeia as change and being energeiai related? Are they not, in fact, two relatively independent philosophical concepts, relative to whether being is regarded from the point of view of physics, respectively metaphysics? Based on the interpretation of Aristotle's statements, the thesis aims to argue that Aristotle starts his exposition with the analysis of dunamis in the sense of a principle of change precisely in order to show the...
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Visual Perception in the Work of René Magritte
VANDERKOVÁ, Andrea
This work provides a detailed analysis of three works by René Magritte based on the theoretical background of Visual Culture Studies and Semiotics. Since these disciplines still need to be better established in Czech research, the first part of the thesis is devoted to creating of theoretical background relevant to the interpretation of Magritte's works. In addition to this part aiming at the issue of human perception of images in general, the thesis also deals with the interpretation of selected works and the dynamics of the relation between word and image that had influenced Magritte's work. Based on the interpretation of Magritte's work, I try to illuminate the ways in which we perceive images and evaluate the world through them.
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Audience expectations in relation with film authenticity
Jelínek, Jakub ; BAGDASAROV, Georgy (advisor) ; Kratochvíl, Jaroslav (referee)
This study aims to examine the cosmos of mock-documentary films, that are trying to fool its audience throughout the acceptance of the form of real documentary films. By using the same stylistic elements they try to deprive the audience of its critical approach and make it believe. Through the analysis of those fictional mock-documentaries, we are going to reveal procedures used by many directors all over the world to create something what we call the illusion of the real. On the specific examples of "mockumentary" films, propaganda films and some conspiracy theory films, we will explore whether all of those film forms use the same procedures to convince their audience since they are all trying to achieve the same result – to create an ultimate vision of the real throughout the acceptance of visual and formal appearance of documentary film.
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Selected issues of proving in criminal proceedings
Polanský, Ivo ; Jelínek, Jiří (advisor) ; Galovcová, Ingrid (referee)
1 Abstract This thesis deals in particular with the analysis of the process of presentation of evidence in penal proceedings, its basic principles, as well as the constitutional limitations within which the evidence-making process should be carried out. However, some other questions, especially legal and philosophical ones that are directly related to the presentation of evidence in the penal or legal proceedings cannot be ignored. The chosen topic can undoubtedly be considered to be very topical. This is because the presentation of evidence in penal proceedings is, besides the decision-making process itself, the most important procedural activity carried out by the bodies responsible for penal proceedings and participated by other entities involved in the penal proceedings. The aim of this thesis is to give a brief and comprehensive overview of some specifically selected problems of presentation of evidence in penal proceedings. Naturally, with regard to the chosen topic and its scope, it is not possible to comprehensively process all the areas that are related to the issue of presentation of evidence. Chapter 5, 6 and 7 can be considered crucial to the thesis in question, as they provide, in particular, the analysis of existing evidence-making legislation in penal proceedings. The basic principles of...
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The Railway Station - Czech Post-war Painting Focused on Urban Landscape
PALUŠOVÁ, Mária
This diploma thesis called The Railway Station - The Introduction of the Theme of Urban Landscape Shaped by the Industrial Revolution in Czech Painting of 1930s and 1940s is divided into two parts, theoretical and practical. The theoretical part deals with the czech painting of the thirties and fourties mainly. The painting of this period reacts on the development of the cities after the industrial revolution and the change of the stands. The new situation was reflected by the artists originally. The theoretical part is focused on Group 42 and its members mainly. The artists and their pieces of work show the issues of the progress. Both parts, practical part mainly, put the emphasis on the phenomenon of the railway station. The railway station is connected with the development of the cities and it serves for the transport of people and goods. There is the outlining of the problem of artistically captured everyday reality of man living in the city in this thesis, there is the differentation of abstract and concrete imaging and its interconnection. The practical part contains photos, sketches and final painting. The railway station is depicted in the painting. The problem of reality and abstract and concrete imaging are expressed in the painting.
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