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"Normalization" view on the cinema: Jan Kliment and "Rudé právo" 1971-1973
Škopková, Andrea ; Klimeš, Ivan (advisor) ; Bednařík, Petr (referee)
This study is based on reviewing Jan Kliment's journalism in the context of wide social, cultural and political conditions of the so-called Normalization in Czechoslovakia. Jan Kliment was an exponent of the communist regime journalism, specialized on cultural events. The sample of his articles published in the Rude Pravo newspapers between years 1971 and 1973 illustrates the time-influenced (or biased) approach to reviewing both Czechoslovakian and foreign motion pictures. The study is trying to summarize and to describe the film criticism lineament under the ideological power of the Communist Party in the times of Normalization, actually in the beginning seventies. The text includes (apart from the presentation of Kliment's movie pictures reviews) a brief introduction to the history of the Czechoslovakian leftist film criticism, general facts about the Czechoslovakian media landscape in the era of the so-called Prague Spring and the subsequent Normalization and information about Kliment's career.
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Bronx as the Birth Place of Hip Hop: Locality as the Key Factor of Creation of a New Subculture
Solničková, Sabina ; Sehnálková, Jana (advisor) ; Kozák, Kryštof (referee)
The Bachelor thesis South Bronx as a cradle of hip-hip: location as a key factor for the emergence of hip-hop subculture deals with the circumstances that allowed the emergence of the hip-hop subculture in the 1970's in the Bronx. Considering the transformation that Bronx has undergone before the beginning of this decade in terms of its reconstruction and exchange of people, the thesis attempts to examine which key events have caused this transformation that in the early 1970s created a combination of factors that formed the hip-hop subculture. The aim of this work is to demonstrate how these pivotal facets of the Bronx's influenced the emergence of the hip-hop subculture and answer the question how the subculture was influenced by social environment of the Bronx.
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Italian and German Left-Wing Terrorism in the 1970s in a Transnational Perspective
Pešta, Mikuláš ; Koura, Jan (advisor) ; Rákosník, Jakub (referee) ; Valenta, Martin (referee)
The dissertation thesis concerns with the issue of the left-wing terrorism in Italy and Federal Republic of Germany in the 1970s. The chosen topic is approached using the methods of transnational studies, which have been thus far applied only exceptionally in the relation to this phenomenon, despite the numerous parallels in different countries. The focus of the research lies in the analysis of the German-Italian terrorist network as a whole, the contacts between the organizations and mutual influence. The direct and indirect comparison of the cooperating terrorist organizations is also a substantial part of the thesis. The protest movement, which spread at the end of the 1960s and from which emerged the future terrorist groups as its most radical branches, was an important transnational phenomenon itself. The first chapter concerns with the analysis of this movement, emphasizing the reasons of its inception and its stances on political violence. The student and worker aspects of the movement are introduced, as well as older roots in the anti-fascist resistance or in the work of the Marxist authors. The thesis finds a special inspiration for the radicalizing Left in the events in the Third World. The thesis further examines the individual terrorist groups, chosen according to their importance and relevance...
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"Normalization" view on the cinema: Jan Kliment and "Rudé právo" 1971-1973
Škopková, Andrea ; Klimeš, Ivan (advisor) ; Bednařík, Petr (referee)
This study is based on reviewing Jan Kliment's journalism in the context of wide social, cultural and political conditions of the so-called Normalization in Czechoslovakia. Jan Kliment was an exponent of the communist regime journalism, specialized on cultural events. The sample of his articles published in the Rude Pravo newspapers between years 1971 and 1973 illustrates the time-influenced (or biased) approach to reviewing both Czechoslovakian and foreign motion pictures. The study is trying to summarize and to describe the film criticism lineament under the ideological power of the Communist Party in the times of Normalization, actually in the beginning seventies. The text includes (apart from the presentation of Kliment's movie pictures reviews) a brief introduction to the history of the Czechoslovakian leftist film criticism, general facts about the Czechoslovakian media landscape in the era of the so-called Prague Spring and the subsequent Normalization and information about Kliment's career.
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