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Machining technology with the necessity of manual work
Svoboda, Jakub ; Kupčák, Radim (referee) ; Kalivoda, Milan (advisor)
Manual work is still necessary and often irreplaceable. In most cases, it is combined with machine production. As an example of such work we have chosen the production of tin lead alloy organ pipes, which encompasses several machining processes. All aspects of production were analyzed, including specification of the materials used and the various production processes. A pipe was produced according to these specifications for illustration. Individual chapters presented special manual tools and specific machinery. The difficulty and originality of the given production was outlined. This is professional work requiring manual dexterity, logical thought, attention to detail and an artistic spirit. During production we obtained an image showing a part of the cross-section of the pipe perpendicular to its axis. The image shows the correct shape of the soldered joint and the tangential connection of both sides of the sheet. Several aspects of the pipe were evaluated. The final chapters include feedback from customers and a general assessment of this particular work.
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Spectral analysis of flute organ whistles and their comparison
Sommer, Tomáš ; Michálková Slimáčková, Jana (referee) ; Jirásek, Ondřej (advisor)
This work is focused on the problems of spectral analysis of flutes stops in organ pipes. The first part of this work is about terminology of organ pipes. This theoretical part is also focused on the problem of harmonic analysis with the use of mathematical signal processing methods, which allows this analysis. The second part of this work deals with measuring methods of specific organs and acquiring sound samples and their evaluation and spectrum description.
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"Music Scene" - a concert hall for the city of Brno
Zatloukalová, Veronika ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The subject of this thesis is the design concept of the architectural study of a concert hall, namely the proposal for a "MUSIC SCENE" - the concert hall for the city of Brno. As part of this study is therefore designed a hall for 591 visitors. Hall enables performances to 90-member orchestra or choir. The solution is also operating and maintenance facilities necessary facilities like auditorium. The main emphasis was put on the acoustic solution, then the overall transparency in the operation of the building and the continuity of the building and the surrounding development mainly to the existing communication system that tries to respect.
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History of audio carriers and transmission of sound
Šimarová, Lucie ; Krhutová, Milena (referee) ; Šedrlová, Magdalena (advisor)
Cílem této bakalářské práce je popsat vývoj zvukových nosičů. Tato bakalářská práce poskytuje náhled do historie a současnosti zvukových nosičů. Nejprve seznamuje čtenáře s teorií přenosu zvuku. Tato část je zaměřena na přenos vlnění a popisuje rozdíly mezi vlnami. Následně jsou probírány analogové a digitální způsoby záznamu zvuku. Hlavní část práce se věnuje uchovávání hudby. Nejprve se práce zabývá uchováním hudby před mechanickým záznamem, tato část zahrnuje notaci, tabulatury a automatofony. V další části je již popsán mechanický záznam zvuku, a to v analogové formě. Poslední kapitola je zaměřena na digitální záznam zvuku. V neposlední řadě práce obeznamuje čtenáře s kulturním a hudebním vlivem jednotlivých nosičů. Znalosti jsou nabyty z různých zdrojů, především z literatury.
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Moravian-Silesian Philharmonic Orchestra of Ostrava, Černá louka
Fedorková, Zuzana ; Rusín, Tomáš (referee) ; Gürtler,, Ivan (advisor)
The building is located in the city Ostrava in Cerna louka, that is a city district very close to the center and river side, just in a middle of the ortogonal block build up area. The philharmonic is designed like a big block made of brass from which is rising the light glazed volume of the auditorium and where the volume of atrium is hidden in. This 2 volumes represent the future and past values of the city Ostrava. The volume of the auditorium is the only object in whole ortogonal area that is twisted. Due to this fact it gains uniqueness and dissimilarity. Thanks to that is becoming a new symbol of the city.
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Interpretation of organ music
Bařák, Hynek ; Daněk, Josef (referee) ; Malý, Břetislav (advisor)
In my diploma thesis I want to deal with another topic which is very interesting and important for me and that is organ and organ music in general and everything that belongs to them. From history, production, maintenance to play itself. In most of my previous works, not only at college but also earlier, fragments of this instrument appear in my paintings (mainly whistles, which are actually the most visible and their size determines the size of whole organs and is their precept) even though I have devoted myself on another topic, these fragments I had some need to plant there. Organs are referred to as the royal instrument, they are the largest and mechanically the most complicated musical instrument. That is the complexity I would like to express in my pictures, I do not mean the complexity of the organ for the technical, construction, but especially the complexity of playing. The need for the right combinations of different registers with differently colored tones and tools. Swap pedal handbooks, etc. This is all about fascination for me. In this diploma thesis I want to use the themes that appeared on the surface often as secondary or I did not put such emphasis or were the main topic for example only one semester, but in fact I continued to work with them subconsciously in the same way, Layers, Recycling, Reaction to Substrates, etc. It could be said that such organ compositions are such layers as Bach's or any fugues that are gradually being added, layers of new and new tones often result in the the full extent that the organ is able to administer. The layer I used to work with before, and actually always appears in my works, has actually become an integral part of my paintings. I want to express the complexity of the organ compositions in my paintings, as I do. Not only by layering, but also by using different techniques, not just acrylic. I also used this in my previous work, and examined how they work with each other. I have responded to differently produced backgrounds. Organ music can be considered complicated because all we hear is produced by one person. Who must play and cater everything else that is associated with it, except perhaps the bells pedaling. This series of images will not, in the end, express myself visually, at first sight nothing concrete, over time I have come to a pretty abstract image. I do not mean to say that organ music is abstract, especially if I talk about Baroque or Classicism. Maybe in romanticism, for example, F. Liszt and his organ compositions are so complex and terribly crazy that I might consider them quite abstract. But just the organ music of Liszt, which I admire most, I think it is not possible to express it in abstract form. It's a mad, complicated tangle of different, tones, colors, games with registers, blinds, and so on, and I want to express it all on the canvas.
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Machining technology with the necessity of manual work
Svoboda, Jakub ; Kupčák, Radim (referee) ; Kalivoda, Milan (advisor)
Manual work is still necessary and often irreplaceable. In most cases, it is combined with machine production. As an example of such work we have chosen the production of tin lead alloy organ pipes, which encompasses several machining processes. All aspects of production were analyzed, including specification of the materials used and the various production processes. A pipe was produced according to these specifications for illustration. Individual chapters presented special manual tools and specific machinery. The difficulty and originality of the given production was outlined. This is professional work requiring manual dexterity, logical thought, attention to detail and an artistic spirit. During production we obtained an image showing a part of the cross-section of the pipe perpendicular to its axis. The image shows the correct shape of the soldered joint and the tangential connection of both sides of the sheet. Several aspects of the pipe were evaluated. The final chapters include feedback from customers and a general assessment of this particular work.
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Chemical communication in field mice of the genus ApodemusApodemus
Obstová, Lucie ; Stopka, Pavel (advisor) ; Vohralík, Vladimír (referee)
The bachelor thesis deals with a special sebaceous organ that probably serves as a chemical communication means with four species of Apodemus field mouse - A. flavicollis, A. sylvaticus, A. agrarius and A. microps. This organ is found on the ventral side of a tail, so it is classified as a caudal organ. It consists of significantly enlarged sebaceous glands. It is particularly developed mainly with males; however, both females and infants have it as well. Its morphological structure has the same base regardless of the species, gender, and/or age; however the extent of development varies among species. The organ releases a secretion whose chemical content is unknown so far. Thanks to the gas-liquid chromatography, researchers have found out that there are both variations in the secretion contents among individual species, as well as within the same species. This kind of secretion is basically a characteristic feature of an individual, as it bears information about the species, gender, age and even the population affiliation. Functions of the organ stay unknown as well. It might serve to mark the territory, to play a role in social interactions (i.e. agonistic behaviour) and/or to be an important part of copulatory behaviour.
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Transplantation and Organ Donation in the Awareness of the Non-professional Public
Sládková, Andrea ; Votroubková, Michaela (advisor) ; Vachková, Eva (referee)
This bachelor thesis offers a complete overview of the tissue of organ donation and transplantation. The theoretical part contains information on the history of transplantation of vital organs. It describes the opportunities and risks of modern transplantology - the multicultural and ethical aspect. It covers activities of transplant centre and current legislation with emphasis on the criteria determination of brain death. Finally, it outlines the care of the potential donor and his/her loved ones. Empirical part is focused on the exploration level of awareness of the general public in the possibilities of organ donation and transplantation, including attitudes on the topic. Key wards: Transplantation, organ, donor, brain death
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