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PEOPLE-VOICE
Chalabalová, Aneta ; Gravlejs, Ivars (referee) ; Ambrůz, Jan (advisor)
I collect, through audio recordings and online platforms, the culture of events that I attempt to reflect through my social strata, as well as the group of people who provide me with the material. I try to evoke a certain self-reflection in the viewer and show a different perspective on the issues associated with the topics mentioned. The output is action/installation.
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CRM System for a Non-Profit Organization
Pospěch, Jan ; Rychlý, Marek (referee) ; Bartík, Vladimír (advisor)
The bachelor thesis deals with the implementation of a CRM system for a non-profit organization. It provides an introduction to existing CRM platforms and compares their strengths and weaknesses. The implementation of the system begins with the identification of the client's requirements and user stories. Then the requirements are analyzed and designs are created using the UML methods. Once the designs are approved, the project is implemented and tested. Finally, the thesis evaluates the results and suggests further options for the project development.
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Side Effect / This could be us
Masevnina, Polina ; Pustaiová,, Zuzana (referee) ; Klodová, Lenka (advisor)
My bachelor thesis Side Effect / This could be us consists of a series of photographs and the texts in the form of a visual intimate diary and focuses mainly on self-reflection. As in my previous works, I reflect on romantic and sexual relationships, changes in my mental and physical condition, whether caused by love affairs, any kind of addiction, or by taking anti- depressants. The side effect of medical psychotherapy affecting sexuality is one of the top- ics I reveal in my project. By creating my self-portraits and writing explicit notes, I satisfy the obsessive need to share my intimate life - digital exhibitionism has a therapeutic meaning in this case, it helps to ex- perience and cope with my current state. I interpret intimacy from the perspective of sharing a personal space. I explore the physical and symbolic nature of the text as the way of ex- pression and my own body as a tool for preserving and living memories. Focusing on the body I materialise it as the map of touches, I turn my experiences into a physical form.
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It feels like you have never left
Rapavá, Michaela ; Hlavina,, Tomáš (referee) ; Ambrůz, Jan (advisor)
“It feels like, you’ve never left” is a name I’ve given my bachelor thesis. I dedicate attention to past and present relationship connections of personal experiences with my recently deceased grandma. It’s about a capture of relationship fragments, that I shared with this person, witch create links conecting past and present and with time to near future aswell. Across the entire thesis, the aspect of time is the most important. It form imaginary phases written into objects. The search will consist in the deepening memories in an effort to allow others to peek inside this microword. Thesis’s purpose is to achieve confrontations with feelings intertwined with lost in terms of finding reconsiliation.
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Story of gesture
Matušek, Jakub ; Horčicová, Monika (referee) ; Gabriel, Michal (advisor)
In my bachelor thesis I want to deal with the detail of the human body and the importance of this detail. The detail I chose is a hand in a gesture. I chose it because of its unique ability to convey information or emotions through gestures. A gesture of expressions can be expressed through gestures. From a simple disagreement to a scientific term. It was this aspect that fascinated me and I continue to follow it in my work mainly from an aesthetic point of view. The creation of the concept of the sculpture was procedural and arose from the individual steps that I took during the design.
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Dust
Zadražilová, Lenka ; Klímová, Barbora (referee) ; Kvíčala, Petr (advisor)
The bachelor thesis will focus on dust. It works with particles that are rather neglected or, on the contrary, unwanted and undesirable for people. The work tries on a long-term effort to approach and beautify this (according to common perception) anesthetic part of our homes, air and world. Elevating a disparaged part of all lives. It explores how dust and all the elements of dust can be used in art. The project is based on several years of interest in dust and the possibilities of its visibility, preservation and use for artistic creation. It is the basis for several cycles of various related works. In the cycles appear different approaches to dust processing and different dust issues. In the units are highlighted various layers that dust can have not only in the literal meaning (layers, dust deposits on things, in places) but also in a transferred meaning (as a literary, scientific, philosophical, psychological concept)
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Digital Climate II.
Sidlárová, Kristýna ; Jansa, Jakub (referee) ; Šrámek, Jan (advisor)
In the diploma thesis Digital Climate II. I'm dealing with the representation of the relationship between physical and virtual matter. The final presentation will take place via video installation in a non-gallery environment. In the work process, I record my own experience of gradual work with the processes of influencing the physical mass of ceramic clay and virtual mass software interfaces. The subject of the work is a remediation of physical ceramic material, whose raw materiality is supported by its absence of glaze or any other noble surface treatment, which could be considered a certain metaphor of today, beautifying AR face filters on social media, Photoshop and unattainable standards of beauty and falsely promoted products.
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The Space for All of Us
Dobiášová, Dominika ; Poliačková, Martina (referee) ; Štindlová, Marie (advisor)
The diploma work Sanctuary for Each of Them consists of a series of objects and paintings in which I try to capture the mutual necessity and ambiguity of the individual's position in society. I am trying to bring the viewers to a strange, unsettling place where a series of plots and stories take place. Relationships develop between the characters, but also between them and the fictional world in which their stories are set. Motifs and characters from the paintings then transition into anthropomorphic objects - figures depicted in glassware and table bases. In this way, the action shifts directly into the physical space of the gallery and turns into a scenography that can be entered and interacted with on a personal level.
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