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Group Performance in Music Education Use of Epressive Means of Modern Popular Music in Music Education
Vepřek, Jan ; Sládek, Libor (advisor) ; Tichá, Alena (referee)
Modern popular music is worldwide spread and it is developing rapidly. Therefore it is important for the music teachers to react to this fact. They should offer students the possibility to find their bearings in the great amount of newly developing popular music and also in the new expressive means of music. Of course, this can be done through lectures and suited listening, but I argue that both these activities should be accompanied by learning-by-doing musical activity, because it gives the students the opportunity of practicing the new information and of understanding it in context. My thesis therefore focuses on this issue. It deals with the possibilities of implementing group music performance using the expressive means of modern popular music in music education. It could also be used as a set of practical advices for creating suitable music arrangements for students. The author defines key terms, most important of which are undoubtedly the concept of modern popular music and defining the group of students. The second chapter lists suitable instruments and their description. It focuses on instruments suitable for participating in the rhythmic section. We use some of the Orff instruments as well as some other user-friendly instruments. The third chapter deals with playing in a group in music...
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Vocal interpretation of modern popular music
Nováková, Kateřina ; Svoboda, Čeněk (advisor) ; Volavá, Iva (referee)
This bachelor thesis deals with the theme of the singing interpretation of modern popular music. The study is dedicated to all who want to learn more about vocal expression of different genres of popular music. The aim of the thesis is to point out the specifics of the singing performance of particular musical genres of popular music. In addition, the genre boundaries are examined and their wiping is gradually influenced by the combination of many styles. The theoretical part deals with the description of individual expression elements of singing interpretation and maps the history of world and Czech popular music. Practical part deals with particular selected genres of popular music and their characteristic vocal speech based on interviews with singers and music professionals. The individual musical genres are characterized by their distinctive vocal expression. In the end, the thesis develops the very meaning of the singing interpretation as such, and what is its meaning for the overall performance of the musician.
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Group Performance in Music Education Use of Epressive Means of Modern Popular Music in Music Education
Vepřek, Jan ; Sládek, Libor (advisor) ; Tichá, Alena (referee)
Modern popular music is worldwide spread and it is developing rapidly. Therefore it is important for the music teachers to react to this fact. They should offer students the possibility to find their bearings in the great amount of newly developing popular music and also in the new expressive means of music. Of course, this can be done through lectures and suited listening, but I argue that both these activities should be accompanied by learning-by-doing musical activity, because it gives the students the opportunity of practicing the new information and of understanding it in context. My thesis therefore focuses on this issue. It deals with the possibilities of implementing group music performance using the expressive means of modern popular music in music education. It could also be used as a set of practical advices for creating suitable music arrangements for students. The author defines key terms, most important of which are undoubtedly the concept of modern popular music and defining the group of students. The second chapter lists suitable instruments and their description. It focuses on instruments suitable for participating in the rhythmic section. We use some of the Orff instruments as well as some other user-friendly instruments. The third chapter deals with playing in a group in music...
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The original radio show Pinwheel and its effect as compared with the current music programs
Beránková, Simona ; Maršík, Josef (advisor) ; Moravec, Václav (referee)
The contemporary music opinion journalism appears most commonly in newspapres and magazines these days. As well as in the past it is not the only form of the opinion journalism focused on music. We can meet the one even on the Internet or on the air. I was interested in the move of the music opinion journalism since the Czech very important music opinion show called Větrník existed. This theses contains a circumscriptions of radio music journalism, journalism music show and an anchorman of such a show. The next part of the theses contains a history of this sort of a radio show since today. Nowadays those shows suffer from a little interest of the listeners at all. The theses makes clear the importace one of the show broadcasted in the past, Větrník. The detailed description then shows the contemporary situation of the opinion music journalim shows. The very last part contains results of an questionaire that was filled by people between 18-26 years old.
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