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LABYRINTH
Schiffnederová, Markéta ; Sláviková,, Ivana (referee) ; Gabriel, Michal (advisor)
In the past, my work was focused on transferring the flat visual element into the space. I turn away from this concept, because as my Master's thesis I chose a Labyrinth. A labyrinth is not primary flat visual element. My final work is free artistic interpretation of this theme. My work based on classical craftsmanship techniques, which I am using in the new way in my work. I understood this theme labyrinth as an something very personal and individual. Because of this, I decide to create sculpture which will fit in to the gallery space and also the space of everyday life. My expression of the Labyrinth has cube shape. The entire sculpture is stitched inside, this stitch create the inside space. In one way this inner space is open and we are free to look inside, in the other hand center of the sculpture is hidden. I want to express a feeling of secrecy, and create tension between outside and inside space of the sculpture.
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Housing+
Malínková, Markéta ; Pecka, Lukáš (referee) ; Kristek, Jan (advisor)
Use of ruralness Husovic as an advantage. Small scale of Husovice houses against seven storey blocks, old almost forgotten repair shops against global cafes, tram against car, historical identity against sterility ...
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The Phenomenon of the Journey in Artistic Areation and in the Pedagogical Work
Novotná, Karolína ; Gajdošíková, Pavla (advisor) ; Kitzbergerová, Leonora (referee)
This thesis is focused on exploring aspects and visions of the journey and their meaning, both in concrete and metaphorical terms. In one perspective, the path is interpreted as a link between specific points, while in the other as a tool to reach a specific goal. In such a context, the journey becomes an integral part of the process towards achieving a particular goal, which can be anything from reaching a specific destination to fulfilling a life dream or mission. In this context, the interaction between the journey and the destination is crucial. The artistic component of the work is a personal diary, which contains fragments from various journeys, captured in watercolour. The diary is enriched with drawings and texts that reflect authentic travel experiences. This diary, as well as the theme of "The Phenomenon of Travel", has become an inspirational source for didactic projects that explore the concept of travel, whether in an artistic or pedagogical context. The aim of this thesis is to explore the different aspects and perspectives of the journey, both on a concrete and metaphorical level, and to translate them into didactic projects. KEYWORDS Point, path, goal, labyrinth, fragment, art, art didactics
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About myth and eternal return in art
Novotná, Karolína ; Hůla, Zdenek (advisor) ; Gajdošíková, Pavla (referee)
Thebachelor thesis On Myth and Ethernal Return in Artaims to introduce and connectconcepts such as myth, archetype, primordial image, image and return. The thesis isfocused on pilgrimage and labyrinth as a journeyof a man throught a life, in which he looksforsymbols and links in picturesthat are becomingguides on theway. Thetheoretical part of my thesis isdevidedintothreeparts - Myth, Return and Picture. Allthreeparts are connected by pilgrimage, thatjourney, a threadwhichonefinds on thewaybut thethemeofthe image iscentral in allthreeparts, becauseonlythanks to it, theinvisiblebecomesvisible. In thedidactic part I presentanartisticactivity, whichisfocused on the return in art, to thebeginningsof art and cultureitself - to cavepaintings. In the art project I try to takethewholetopicof my bachelor thesis artistically by creating a smallbook, whichisprinted on pausepaper, so theaccentisfocused on theconnectionbetweenthepages "past, present and future". The last part istheappendix, whichcontainsartworks on thethemeofthe "Labyrinth", whichwerecreated by my friendsbased on my task. Eachapproachedthelabyrinthfrom a differentangle and thuscreatedtheirownspecialviewofthetheme. KEYWORDS myth, ritual,image, archetype, return
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Housing+
Malínková, Markéta ; Pecka, Lukáš (referee) ; Kristek, Jan (advisor)
Use of ruralness Husovic as an advantage. Small scale of Husovice houses against seven storey blocks, old almost forgotten repair shops against global cafes, tram against car, historical identity against sterility ...
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Boundaries of the labyrinth. Literary Space in the Italian Postmodern Novels
Čaplyginová, Olga ; Flemrová, Alice (advisor) ; Pelán, Jiří (referee) ; Pechar, Jiří (referee)
The Phd thesis titled Boundaries of the labyrinth and subtitled Literary space in the Italian postmodern novels strives for specification and closer definition of the genre of post-modern novel through the analysis of literary space. Formally, the thesis is divided into three parts. The first part aims to provide a theoretical introduction into the problems of three areas related to the given topic, namely the definition of postmodernity and postmodernism, the genre of the novel itself and last but not least the study of space in literature. The content of the second part is the actual literary and scientific analysis of the selected novels (Città invisibili and Se una notte d'inverno un viaggiatore by Italo Calvino, Notturno indiano by Antonio Tabucchi, Comici spaventati guerrieri by Stefano Benni and Oceano mare and City by Alessandro Baricco) which follows three basic and most frequent spacial topoi occurring in these novels, namely the topos of the city, the house-hotel and the road. The third and final section sums up the observed aspects and characteristics and strives to use them as a basis for determining a certain and generalizing spacial and temporal principle which would facilitate at least a partial characterization of the postmodern novel as an independent genre.
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Laberinto
Skopalová, Eva ; Konečný, Lubomír (advisor) ; Purš, Ivo (referee)
Laberinto is a type of book-form game, invented by Andrea Ghisi, and first printed in 1607. A second version was printed in 1616 and includes all the characters of the so-called tarocchi of Mantegna, with the addition of a new series of ten cards (following the logic of composition of the tarocchi). Another two versions of Laberinto (printed in 1607 and 1610) contain none of the Mantegna tarocchi characters. The rules of the game are based on the art of mathematical combinations. The aim of the game is to move through a visual labyrinth and discover which figure the opponent has in mind. The focus of this work will be on the 1616 version; my intention is to describe the problematic of the repetition of the original game concept a century and a half later, examining the conditions under which players used the allegorical field of the so-called Mantegna Tarocchi, and under which the cosmological meaning was secularized and the new series of ten cards added.
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The Theme of a Labyrinth in the Contemporary Anglo-American Fantasy for Young Readers
ŠTĚRBÍK, Matěj
This diploma thesis deals with the literary analysis of the theme of a labyrinth which appears in Anglo-American fantasy book series for young readers. The work is divided into two main parts. In the first, theoretical part, the author describes the main features of fantasy literature. The author also focuses on the assessment of the theme of a labyrinth in a wider literary-theoretical and historical context (mythology, Middle Ages literature, gothic novel, Romanticism, Modernism, Postmodernism). The second, practical part of the work, is represented by the author's literary analysis of the theme of a labyrinth appearing in these fantasy book series for young readers: Harry Potter, Hunger Games, Maze Runner, Percy Jackson, A Series of Unfortunate Events and Miss Peregrine's Home for Peculiar Children. The analysis mainly concentrates on the motifs of the monster, the experience of getting lost, fight and hideout.
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LABYRINTH
Schiffnederová, Markéta ; Sláviková,, Ivana (referee) ; Gabriel, Michal (advisor)
In the past, my work was focused on transferring the flat visual element into the space. I turn away from this concept, because as my Master's thesis I chose a Labyrinth. A labyrinth is not primary flat visual element. My final work is free artistic interpretation of this theme. My work based on classical craftsmanship techniques, which I am using in the new way in my work. I understood this theme labyrinth as an something very personal and individual. Because of this, I decide to create sculpture which will fit in to the gallery space and also the space of everyday life. My expression of the Labyrinth has cube shape. The entire sculpture is stitched inside, this stitch create the inside space. In one way this inner space is open and we are free to look inside, in the other hand center of the sculpture is hidden. I want to express a feeling of secrecy, and create tension between outside and inside space of the sculpture.
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Labyrinth. Author project inspired by thoughts and work of Paul Klee.
TRUHLÁŘ, Richard
This thesis consists of theoretical and practical part. The theoretical part will deal with the concept of the labyrinth in the context of artistic work of the German painter Paul Klee. The thesis will simultaneously explain what the labyrinth and its content and a symbolic meaning is. Subsequent chapters will gradually handle the creation of Paul Klee in sufficient breadth so that it can be linked to the practical part. Practical part and its elaboration of the inspirational themes - the labyrinth is the loose inspiration for the work of Paul Klee. The artwork will consist of drawings and prints of the drypoint technique.
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