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Painting off imperial court in France at 19th century
Kšinská, Anna ; Jančík, Jiří (advisor) ; Listíková, Renáta (referee)
The objective of this bachelor thesis is to outline the creation of paintings in the 19th century during the reign of Napoleon I. as emperor and try to understand it in the historical context. Before we will characterize the era of empire, we mention in the first part the previous period - the monarchy and as well the period since revolution to the empire with theirs aesthetics ideas. This way we can to understand better the new established aesthetic of painting of empire called the Empire style. The Empire style we define in the second part and at the same time we present its concretes painters. We will compare the style of painting at the court of emperor Napoleon I. and the monarch Louis XIV. Because the personality of Napoleon wasn't always associated with ta popularity, we will introduce in the last section of theory the caricaturists of emperor. In the practical part we will deal first the concretes motifs of empire style by show them in the creation of painters the empire style. We will compare the portrait style of Napoleon I. with the portrait of Louis XIV. Finally we will introduce some off concretes works off caricaturists. KEYWORDS imperial court, the aesthetics ideals of empire, the scenes of empire, painting of monarchy, the caricatures
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František Gellner. Text - Image - Context
Kořínková, Lucie ; Wiendl, Jan (advisor) ; Merhaut, Luboš (referee) ; Tureček, Dalibor (referee)
The Ph.D. thesis deals with the Czech author František Gellner. It deliberately endeavours not to exclude any of the segments of his both literary and visual work out of consideration, but to present them all in their heterogeneity, yet in mutual connections. Works of Gellner's art are therefore interpreted in novel ways, especially in consideration of the contexts of the period from which they origin (and above others those contexts that have become obscure and forgotten in the nearly hundred years since the original publication of Gellner's work). The first chapter summarizes the previous critical reception of Gellner's work and at the same time deals with this author's image in the Czech cultural milieu. Analysing some of Gellner's manuscripts, the second chapter aims to describe the specific type of the author's creativity. The third chapter is devoted to the problem of ambiguously constructed national identity of František Gellner and to the impact it had on the ways he dealt with the themes of Jewishness and anti-Semitism. The fourth chapter describes the various relations between Gellner's works and the periodicals these were prepared for. The next chapter is dedicated solely to Lidové noviny, as this was the newspaper periodical with which Gellner co-operated most intensely; the detailed...
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Painting off imperial court in France at 19th century
Kšinská, Anna ; Jančík, Jiří (advisor) ; Listíková, Renáta (referee)
The objective of this bachelor thesis is to outline the creation of paintings in the 19th century during the reign of Napoleon I. as emperor and try to understand it in the historical context. Before we will characterize the era of empire, we mention in the first part the previous period - the monarchy and as well the period since revolution to the empire with theirs aesthetics ideas. This way we can to understand better the new established aesthetic of painting of empire called the Empire style. The Empire style we define in the second part and at the same time we present its concretes painters. We will compare the style of painting at the court of emperor Napoleon I. and the monarch Louis XIV. Because the personality of Napoleon wasn't always associated with ta popularity, we will introduce in the last section of theory the caricaturists of emperor. In the practical part we will deal first the concretes motifs of empire style by show them in the creation of painters the empire style. We will compare the portrait style of Napoleon I. with the portrait of Louis XIV. Finally we will introduce some off concretes works off caricaturists. KEYWORDS imperial court, the aesthetics ideals of empire, the scenes of empire, painting of monarchy, the caricatures
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Cartoons political commentary: Freedom of speech and accusations of defamation
Hořavová, Tatiana ; Osvaldová, Barbora (advisor) ; Slanec, Jaroslav (referee)
This thesis deals with the genre of political cartoons, which is a relatively understudied genre today. The thesis tries to review the past and also the present position of the genre under question, to describe its functions and possibilities; however, it namely focuses on the potential collisions between freedom of speech and other freedoms, rights or interests that might come up in the cartoonists' work. This thesis shows the way these collisions influence the position of the whole genre and analyses the sources and reasons for the attempts to limit cartoonists in their expression. Two different areas are examined here - continental European and American - as areas with different legal tradition and history, which is a fact that manifests itself in different approach to the concepts of freedom of speech. Through analysis of three different cartoon controversies from the past that came up in these areas, this thesis reaches the conclusion, that one of the greatest challenges the cartooning craft is facing today is the phenomenon of political correctness, mainly in the American territory, which has a chilling effect on the genre of cartoons. The thesis also compares the relation between the state of freedom of speech and cartoons in the analyzed territories in general and points out the possibility of the...
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Self-reflection Czech cociety - Turn of the 19th and 20 century in perspective humor magazines
Fronk, Václav ; Pokorný, Jiří (advisor) ; Mocná, Dagmar (referee) ; Vošahlíková, Pavla (referee)
The dissertation is an attempt to utilise Czech humoristic periodicals as a source from the point of v i ew of social history. The main axis in all the thematic units represents the change in the viewpoint of contributors in connection with the introduction of general and equal voting rights in the pre-Litava (Leitha) year of 1907. Humour is a starting-point for knowledge of society, the caricature as a phenomenon of the beginnings of mass culture. Humour and Identity. The other side of humour, the connection with fear and dreams. Rejection of self-reflection in the Czech Lands in the 2nd half of the 19th century. The remarkable increase in the criticism from the media after 1907. Powered by TCPDF (www.tcpdf.org)
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