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Photographic post-production special techniques
Červinka, Jaroslav ; Krsek, Libor (advisor) ; Horný, Stanislav (referee)
Goal of this thesis is to present evolution of photography post-production from the very beginning and demonstrate special techniques which are used during complex photo-montage creation. Theoretical part is dedicated to history, from early examples of analogue photography manipulation and it's techniques to present day application. The second, practical part, showcases special techniques which are used in digital domain. Each method explanation includes cases of its usage and reasons for it. Techniques are explained by real-life examples which in conclusion lead to complex photographic montage. This thesis assumes that the reader knows how to use basic functions of Adobe Photoshop.
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AUDIOVISUAL POST-PRODUCTION IN ADOBE AFTER EFFECTS
Švejkar, Jan ; SUK, Aleš (advisor) ; Štěpánek, František (referee)
What motivated this paper was an obvious hunger of fellow students from the editing department to explore possibilities of the Adobe After Effects program. My work aims to map and explain tools that the AAE program offers to the user working in the field of an audio-visual media postproduction.
First part of my paper introduces the working interface and the structure of the application, while the second lays down the basic work methods. In the third part, I will look closer at selected workflows and several case studies that will provide an insight into the most frequently used functions.
This work does not aim to make a complete coverage of the AAE functions. As a student of the editing department, I have selectively explored functions I find most important and enriching. After reading this paper, an editor will be able to work on touch ups, masking, image stabilizing, colour keying, will be able create animated titles, animatics and do other postproduction work that couldn't be done with the usual editing programs.
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Audiovisual post-production of internet show in After Effects
Miadoková, Miroslava ; Krist, Antonín (advisor) ; Adamec, Jiří (referee)
The thesis deals with the process of post-production of audiovisual work. It describes Adobe After Effects and Premiere Pro as tools for creating cycle videos. The practical part compares the possibilities of accessing post-production of work from the point of view of automation. The thesis also analyzes the various procedures and provides guidance for the development of optimized output. It describes an automated template through which were generated parts of internet show. The outcome of the work is analysis interpreted on the basis of time spent creating project.
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History of film post-production
Mencl, Tomáš ; Truhlář, Filip (advisor) ; Mezuláník, Radek (referee)
The purpose of this thesis is to evaluate the history of post production in film. The theoretical section describes the development of sound, recording, cutting and general film editing worldwide. It deals with both technological and methodological development. It provides a clear overview of the history of film which is relevant to the whole world and analyzes it with regards to the events that affected it. The practical section then describes the process of realizing videos reporting on interesting places around Prague. These videos are used as the main informative source in our project TruePrague, which is designed for foreign tourists who wish to experience the city in a nontraditional way. This section also includes technical and financial comparison between analog and digital film recording medium.
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Digital photography post-production and its purpose in commercial sphere
Polcíková, Michaela ; Krsek, Libor (advisor) ; Horný, Stanislav (referee)
Objective of this thesis is to define Photography Postproduction and present specific techniques of editing commercial photographs. Theoretical part is focused on the clarification of expression Photography Postproduction itself, it's understanding in the past and mainly actual application in distinct areas of commercial field. Practical part of this document elaborates on an implementation of digital composite. In separate steps are described different processes and reasons of their application. In addition, practical abstracts are included in form of photographs and videos, amending to the explanation of the techniques used. This assignment assume that a reader has basic understanding of a employed softwares, specifically Adobe Lightroom and Adobe Photoshop.
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Television advertising and its production of the Czech Republic to the example of Armada Films Ltd. Company
Janovcová, Zuzana ; Hanzlík, Jan (advisor) ; Kubaš, Mario (referee)
The thesis talks about TV commercial and its production in the Czech Republic. The theoretical parts discusses briefly history of TV commercial and its forms and impact it has on us. Furthermore, the first part contains regulations effecting TV commercial and its production in the Czech Republic. The practical part focuses on the overall production of commercials in the Czech Republic and the introduction of Armada Films Ltd. Company together with the total cost of the ads produced. The major part contains a comparison of two TV commercial examples, which is subsequently evaluated.
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Digital tools for correction of image in postproduction
Daliman, Tomáš ; JÍCHA, Marek (advisor) ; SMUTNÝ, Vladimír (referee)
Formats and videocodecs, Bayer mask, introduction to color spaces, reference color spaces, working color spaces, 1D LUT vs 3D LUT, Color management introduction, hardware based systems for color grading, software systems for color grading.
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Foreign production activities during filmmaking
Holmanová, Nikol ; Hanzlík, Jan (advisor) ; Riedlbauch, Václav (referee)
The aim of this thesis is to explain activities of the production companies, producers and production managers. First part is dedicated to promotion of cinematography - comparison of foreign and czech point of view. The second part is divided into the pre-production, the shooting and the post production. The topic of pre-production is in following text discussed more in detail. There are described more demanding activities, for example creating the schedule and budget, finding an appropriate location or using of special software. The hypothesis described in the introduction was confirmed in conclusion - the producer's activity is essentially an activity of manager.
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Methodology of management of VFX projects in cinematic and commercial postproduction
Poštulka, Ondřej ; Šedivá, Zuzana (advisor) ; Chocholatý, Drahomír (referee)
Post-product studios which finalise the results of authorial audiovisual products are an important part of the media space. In this thesis, I am dealing with one of the phases of post-production film processing -- the methodology of management and optimization of VFX projects, by which I mean the utilization of computer graphics in the creation of special visual effects in film and advertising. In order to optimize VFX projects I designed a sample project based on a typical, VFX postproduction which became the basis for the comparison of the general principles of the project management and actual procedure used in practice with the quest to optimize the management of the project. The purpose of this thesis is to establish a project management methodology for a VFX project which consists of four subsequent steps. The first step is the division of a VFX project into phases. The second step is the identification of auxiliary computer programmes for each phase, followed by an analysis of the risks and the evaluation of the optimal procedure. The first part of this thesis is devoted to the general definition of computer graphics and their use in post-production. The second part focuses on the development of the management methodology of VFX projects by testing it on a sample project.
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Digital postproduction of multimedia
Krist, Antonín ; Horný, Stanislav (advisor) ; Dlabač, Karel (referee)
Práce se zabývá digitálním zpracováním audiovizuálních multimedií. Diskutuje postprodukci v závislosti na zpracovávaném médiu, navrhuje postprodukční workflow a srovnává postprodukční metodiky, využívající informační technologie. Popisuje a srovnává digitální formáty zpracovávaných audiovizuálních souborů, jejich strukturu a způsob digitalizace. Praktická část se věnuje práci v nelineárním střihovém sytému, zaměřuje se na jeho základní prvky a funkce. Na závěr srovnává současné nelineární postprodukční softwary na základě specifikovaných kritérií a výsledky této analýzy prezentuje formou doporučení.
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