|
| |
|
|
František Xaver Brixi - Kyrie and Gloria in D.
Čančíková, Marie ; Valášek, Marek (advisor) ; Perglerová, Marka (referee)
Das Ziel dieser Master-Arbeit ist die Komposition des tschechischen Komponists des 18. Jahrhundert aufzuleben, konkret Kyrie et Gloria in G (Missa solemnis) des František Xaver Brixi, die Partitur aus den verschiedenen Parten zusammenzusetzen, die Annotation zumachen und Generalbass zu erarbeiten. Ein Bestandteil der Arbeit ist auch die Analyse der Komposition und kurze Übersicht des Lebenslaufs des Komponists und seiner Schöpfung. Die Grundlage der Arbeit ist keine musikologische Studie herzustellen. Sie ist vor allem praktisch an die Realisation und die Aufnahme der Musik auf CD gezielt.
|
|
|
Art Agency in the Culture Life of the Region of Aš
Benešová, Alexandra ; Nedělka, Michal (advisor) ; Valášek, Marek (referee)
v angličtině In this paper will be described fresh history (after 1989) of culture life in the region of Aš. The art agency in the conditions of regional culture will be described and compared with simile institutions in the Czech Republic. The aim of this paper is to explore the aktivity of a such agency, its results in education system, church, community and european cooperation. In the general analysis the will be specified the means, the problems and the results of explored activities.
|
|
|
Arrangements for School Brass Orchestra
Farkaš, Matěj ; Herden, Jaroslav (advisor) ; Valášek, Marek (referee)
Diplomová práce pojednává o historickém vývoji dechových hudeb v období od zakládání orchestrů rakousko-uherské armády v 19. století přes vývoj orchestrů vojenských a civilních dechových hudeb v průběhu 20. století až po současnost. S vývojem dechového orchestru úzce souvisí rozšiřování repertoáru, vznik nových aranží a formování pohledu na aranžérskou práci. Následují kapitoly, které obsahují vymezení základních pojmů aranžování a instrumentace a detailní charakteristiku jednotlivých nástrojů dechového orchestru, jejich rozsah a notaci. V práci byl definován školní dechový orchestr, jeho funkce a možnost variability. V kapitole aranžování vedle všeobecných zásad jsou také demonstrovány možnosti aranžování pro školní dechový orchestr na konkrétních vlastních příkladech.
|
|
|
Recording at studio from comprehensive and educational perspective of interpreteur (at Sono Records)
Melcrová, Hana ; Nedělka, Michal (advisor) ; Valášek, Marek (referee)
The work deals with the preparation of recording and recording itself. It is intended for beginning musicians. It is divided into two basic parts, which are divided into other smaller compartments. The first part focuses on preparation for recording and discusses the selection of materials, solving various points such as lyrics, music, instrument preparation and other tasks. It also focuses on the selection of the recording studio and in which cases is suitable to use a work of producer. It also describes work of producers in Czech Republic. Part of it is also dedicated to the distribution, promotion, and financial aspects of the recording. Last but not least, it is trying to explain how to plan the whole project. It relies primarily on sources arising from consultations, as this issue is not sufficiently covered in the literature. The second part deals with recording. It is focused on the recording process of the band and at the same time shows the peculiarities of the interpretation at studio. The chapters contains examples of interesting recording techniques and comparisons of recording in the Czech Republic and abroad. Recording goes through all phases - sound check, recording, mix and mastering. At the end, it evaluates the information and related resources, demonstrates problems with solving...
|
|
| |
|
|
Requiem as a musical form and it's transformations in themusic of nineteenth and twentieth centuries
Gonata, Elena ; Pecháček, Stanislav (advisor) ; Holubec, Jiří (referee) ; Valášek, Marek (referee)
In this thesis, the evolution of the Requiem Mass throughout the centuries has been explored. The evidence provided clearly demonstrates the changes that the Requiem mass has gone through, from the first traditional Requiem mass all the way to the new Requiems of the Contemporary era. While early composers were inspired by religion, over time, a clear shift towards freedom of expression (war, human losses, tragic events) is evident. Requiems can be written for liturgical use and concert halls, and can be performed by choirs, soloists and orchestras (Acapella and Orchestral compositions). Requiems can have both short and long durations, and can have different textures (polyphonic style, homophonic style etc.). The traditional Latin language and religious texts are still widely used, however, there have been many changes throughout the centuries, such as the use of translations into different languages, the use of psalms, bible verses, poetry and famous speeches. Today, a large number of Requiems can be found from composers on a worldwide scale, including America, Europe and Great Britain.
|
|
|
Ordinarium by Karel Briza and Mistake in Interpretation in Prague's Churches
Churáčková, Alžběta ; Stříteská, Leona (advisor) ; Valášek, Marek (referee)
The main topic of the bachelor thesis is the analysis of Ordinarium by Karel Bříza. The part about life and work of Karel Bříza is followed by short historical-theological explanation of texts from Ordinarium Missae. The study itself consists of music component analysis. Final chapter deals with recordings of Bříza's Ordinarium from churches in Prague. The mail goal is to describe common mistakes which are frequently repeated, find out whether the organists follow prescribed accompaniment and to evaluate quality of music in Prague's churches.
|
|
|
Range of activities choirmaster of amateur and professional bodies
Tylšarová, Markéta ; Valášek, Marek (advisor) ; Pecháček, Stanislav (referee)
v anglickém jazyce The work focuses on the spectrum of choirmaster activities. Its main goal is to describe and characterize the way the choirmaster works with the choir, in all branches and areas of choral singing. Another goal is to compare the work of a choirmaster in different types of choirs - children's, women's, mixed; in the case of adult churches, the differences between amateur and professional work are then affected. The theoretical part deals with the organizational structure of choirs in the Czech Republic, the content of the study plan of the field of choral conducting at the Faculty of Education, Charles University, what the student should go through in their studies, what the student of choral subjects should learn and what knowledge and skills should be available in his choirmaster practice. It describes in detail conducting, singing and instrumental skills, the gradual development of the student from the role of a singer to the role of assistant choirmaster in choral practice and mastering the methodology of rehearsing compositions of various types and genres. In addition to leading the choir, the work focuses on knowledge and skills, both in the field of conducting and singing. It also describes how important the choir practice is, how one feels in the position of conductor /...
|
|
| |
guest ::
RSS feed.