|
|
Creativity and Creative Industries: Redefinition of Economy and Culture
Kubaš, Mario ; Patočka, Jiří (advisor) ; Riedlbauch, Václav (referee) ; Kloudová, Věra (referee)
A dissertation entitled Creativity and Creative industries: Redefinition of Culture and Creativity presents a current paradigmatic shift, deep-rooted in 80th . The study is divided into three main parts. First one analyses a change of paradigm using a cultural, economic and psychological approach. The second part employing a cultural statistics method describes the changes in a cultural consumption and participation. The final part proposes two possible scenarios of a future position of a mainstream cultural production. In the introductory part an author delineates four main reasons of the ongoing paradigmatic shift: the radical change of a geopolitical situation in the break of 80th and 90th causing the democracy a liberalism expansion; an intellectual migration in 90th provoking an increasing concurrence among the educational institutions; a digital revolution redefining the communication principles and their space-time dimension, being at the same time a part of an economic revolution consisting in an enhancing trade of intangible goods; a growing interest in cultural and creative goods becoming a nourishment of current paradigmatic shift. These processes are resulting in a concept of culture and creative industries which represent a new kind of symbiosis between culture and economy. The study...
|
|
|
The Legacy of the Composers of Holy Minimalism
Christou, Marios ; Nedělka, Michal (advisor) ; Pecháček, Stanislav (referee) ; Riedlbauch, Václav (referee)
This dissertation is a result of the author's great interest in contemporary music and especially musical "styles" known as "Holy minimalism", "New simplicity", etc. In a way, this work is an extension of my master thesis that dealt with the music of Arvo Pärt which only deepened my interest for this kind of music. Here I also deal with the music of Henryk Mikolaj Górecki whose name very often appears beside that of Arvo Pärt's and he is usually characterized as his Polish counterpart. As a student of the Pedagogical Faculty of the Charles University I realize that the music education students of this university are not familiar with the musical output of the post-modern era, a fact that means that they will not be able to teach anything about contemporary music in their role of music teachers. Undoubtedly, the music of the second half of the 20th century and 21s1 century is an integral part of the history of music and I strongly believe that it has a very high artistic value. Consequently, it is essential that pedagogues know and understand this music. This is the main reason for choosing this topic. Powered by TCPDF (www.tcpdf.org)
|
|
|
Měření výkonnosti veřejných muzeí umění
Prokůpek, Marek ; Riedlbauch, Václav (advisor) ; Machek, Ondřej (referee) ; Wagner, Jaroslav (referee)
The issue of the economics of cultural institutions, their economic impact, and measurement of their performance has been paid systematic attention basically only in the past few years. PhD thesis analyses the methods of performance measurement in public art museums and creates economic models. Aim of my thesis is also to create a model for museum managers to measure the performance. Nowadays it is almost necessary to integrate performance measurement system in organization´s strategy decision making. The museum managers feel the pressure to prove that their organization is performing well by various stakeholders and we perceive the idea that multidimensional performance measures could fill the informational gap concerning performance, quality, and the artistic value of cultural programs. The mixed research method was employed in this research. Qualitative data was obtained from the questionnaire and interviews. Quantitative data was obtained from the questionnaire, annual reports and reports of The National Information and Consulting Centre for Culture (NIPOS). The aim of this study is to propose a comprehensive multidimensional model to assess art museum activities. This model takes into account the scope and character of museum´s mission. This model consists of implementation of Data Envelopment Analysis into Balanced Scorecard.
|
|
|
Comparison of actual methods of management of music ensembles with approaches of music ensembles management in the past
Pivrnec, Michal ; Riedlbauch, Václav (advisor) ; Šubrt, Daniel (referee)
This diploma thesis concerns approaches of management in the area of music ensembles on nowaday Czech music scene. Theoretical part of the thesis focuses on the music market as a whole, actual economical importance of music in the world, roles and tasks of managers and marketing communication. In the practical part of the thesis are introduced three music ensembles which are part of Czech music scene and furthemore one music ensemble that is located in the USA. In the thesis are described main geographical differences between American And Czech ensembles. In order to accomplish this practical part of thesis author used informaition mainly gained from the results of qualitative research which evolved around deeply detailed interviews. Main goal of the thesis is to describe methodology for managing smaller music ensembles mostly in the area of music groups focusing on non mainstream music genres. Author furthemore generelizes processes and approaches regarding the main differences of four music ensembles and their genre unlikeness.
|
|
|
Home concerts in the 21th century
Jouza, Vojtěch ; Kubaš, Mario (advisor) ; Riedlbauch, Václav (referee)
This bachelor thesis discusses home classical music concerts in the 21st century as a social phenomenon, that is described in this thesis in a broader sense as a economic process and also discribed from a historical and practical perspective. The theoretical part deals with the history of music production and describes the influence of technical reproducibility of the work and the decline of classical music in the 20th century on home concerts. The practical part is focused on a comprehensive evaluation of the project, which launched the initiative Vážný zájem and comparisons of models organizing home concerts of classical music in the 21st century in Germany, USA and the Czech Republic.
|
|
|
The Opera Ensemble of Josef Kajetan Tyl Theatre Analysis
Kopřivová, Zuzana ; Riedlbauch, Václav (advisor) ; Šmíd, Ilja (referee)
The thesis is based on analyzing the opera department production that works within the multiensembled theater in Pilsen. The first part introduces the main factors that theater industry in the Czech Republic deals with, describes the different types of theaters, typology and their internal organization. The theoretical part ends with particular factors like efficiency and production concerning Josef Kajetan Tyl Theater. The theoretical part is followed by the practical one, that is fully dedicated to the particular opera ensemble in Pilsen. This section describes the economic and artistic differences and difficulties of this opera department as well as its strengths and weaknesses. Due to research and personal interviews with the most important people of this ensemble (the director of the theater, the head of the opera ensemble and the dramaturge) I could have observed and therefore analyze this ensemble from different views and perspectives. The conclusion of the thesis reveals whether the opera ensemble in Pilsen is successful or not.
|
|
|
Authors´ approach to application of microtonality
Chudovský, Daniel ; KURZ, Ivan (advisor) ; RIEDLBAUCH, Václav (referee)
This diploma thesis focuses on works of different composers across the 20th century in the field of microtonal and micro-interval music. The aim of this thesis is to point out other solutions of this technique based on analysis of composition approaches of Alois Hába and his contemporaries. Systems of tuning relating the most convincingly to the application of micro-intervals into the melodic-harmonic process of music composition are also discussed in this paper. The core of the thesis is an author's explanation of the so called central reapplication based on a specific approach to the use of micro-intervals. The thesis contains an analytical view of two compositions of its author where central reapplication is utilized as one of the possible approaches to implementing micro-intervals into music compositions. The aim here is to define two different ways of thinking about this tone set and to bring at least a partial recontextualization in viewing of micro-interval music.
|
|
|
Using concertante principle in works by Alfred Schnittke
Fila, Jan ; RIEDLBAUCH, Václav (advisor) ; FILAS, Juraj (referee)
Concertante principle is one of the compositional technic that goes along in the western music
for more than four hundred years. Basis for this historic techniques are used until now. For
researcher arises the question: Exists the concertante principle in the newer musical literature,
or merely is a relic of the distant past? In the last few decades has been one of the strongest
personalities, who dealt with the using of the concertante principle, the Russian-German
composer Alfred Schnittke, who wrote several dozen concertante works. In music history
after the Second World War, we can hardly find any another person that would be dealt with at length this genre. The aim of this thesis is to examine in detail, how the composer treated
with this technique if used only historically given compositional techniques, or innovatively
replaced. As a method of investigation was chosen analysis of large amounts of scores, on
which there is evidence Schnittke use and targeted using of concertante principle.
|
|
|
Using compositional techniques in the work of Ligeti as a source of inspiration for my own compositional work ( focusing on piano music)
Vetchá, Soňa ; KURZ, Ivan (advisor) ; RIEDLBAUCH, Václav (referee)
This bachelor’s thesis deals with the issue of Ligeti’s compositional techniques in general and with special focus on his piano works in periodical manner. Thesis contains analyzes of piano works, mainly Musica Ricercata and selected Piano Etudes, compares Musica Ricercata and Bartók’s Microcosm to which whole chapter is assigned later in this work. Thesis also mentions the importace of Ligeti’s work in Cologne and his acquaintance with key figures of the European avant-garde of that time, with Karlheinz Stockhausen in particular.
At the end of this thesis we adress author’s own bachelor composition Dream for piano and chamber orchestra, which in some ways uses the same techniques Ligeti used in his piano etudes.
|
|
|
Management of Amateur Bands in the Czech Republic
Pniak, Jan ; Riedlbauch, Václav (advisor) ; Straka, Michal (referee)
The objective of this thesis is to sum up the existing knowledge in the field of management of amateur music bands in the Czech Republic, to describe and analyse non-artistic processes of bands and to specify key elements for successful functioning of bands. The existing knowledge is summed up in each chapter and confronted with author's personal experience and interviews with amateur bands originated from Ostrava region. Functioning of the band Sapien is analysed in a case study at the end of the thesis. Both the interviews and author's personal experience show that amateur bands do not engage sufficiently in dealing with their members' motivations, overall band vision and marketing as well, especially in the target audience analysis. The thesis provides resources for amateur band managers in the bands' key activities.
|
guest ::
