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Transformations of Drama department of Czechoslovak television Prague in the period of consolidation
Jiřiště, Jakub ; Czesany Dvořáková, Tereza (advisor) ; Klimeš, Ivan (referee)
The bachelor's thesis follows impacts of consolidation process after 1968 on Literary department of Czechoslovak television. Therefore the area of interest is not individual pieces of work of television dramatic production, but their organizational background. It is analyzed from the point of view of dramaturgy development and personal changes that had direct impact on dramaturgy conception. Since consolidation was not the only change of state but also return before the previous state, the determinants of power of the two stated points of view are followed even during the period before 1968. Only by taking account of such period of time it is possible to capture essential changes of relation of power to the television dramatic production. In the introduction of the thesis is described the activity of followed television department including relevant terminology. The introduction also contains description of the roots of dramaturgy crisis which has exceeded even into the period of Prague spring. The next part of the thesis and mainly its merit monitor specific and in terms of time shifted consolidation process in the Literary department. It is monitored on the background of general development in television and society. This period of time is divided in phase of minimum interest of power...
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Modern history of Aero cinema
Šilarová, Hana ; Czesany Dvořáková, Tereza (advisor) ; Klimeš, Ivan (referee)
This work deals with the recent history of the film theatre Aero, from the year 1998, when it was taken over by the citizens association Pro-Aero, Company for the renewal and development of Aero. The first part describes in detail the growth of this art cinema, the conception of its dramaturgy based on short festivals and original events. The work also deals with the gradual growth of Aero's regional network; its affiliation with other cinemas (Bio Centrál in Hradec Králové, Světozor and Bio Oko in Prague), as well as with the distribution of movies through the company Aerofilms. The second part analyses the promotional strategies of Aero and its sister companies which involve the use of the marketing instruments of 4P, the evolution of ticket prices and of box office rates. Keywords: film, film distribution, film history, Aero, Světozor, Bio Oko, alternative cinema, club cinema, marketing mix, 4P
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Introduction to the legal regulation of Czechoslovak film co-productions between 1945-1970
Bednář, Leoš ; Klimeš, Ivan (advisor) ; Czesany Dvořáková, Tereza (referee)
This diploma thesis focuses on the co-production of films in Czechoslovakia from 1945 to 1970. This neglected institute is described and partially analysed on the principle of the three levels of the legal regulation. The first stage are interstate cultural agreements and agreements of cultural cooperation. The most important is the co-production agreement and agreement of cooperation in the area of cinematography with France and Italy concluded in 1968. The second stage consists of the implementation plans and the framework conventions, which extend the provisions of interstate agreements. It is very difficult to trace these plans and conventions in unprocessed archive funds. So the enlisted information are rather fragmentary. The next stage is created by the specific co-production agreements. These agreements are basis for the co-production projects. The last section of the thesis contains several unrealised co-production projects that have not been created because of some political, economic and other disputes.
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Contribution of János Bolyai to the elements of non-euclidean geometry
Dvořáková, Tereza ; Krump, Lukáš (advisor) ; Žádník, Vojtěch (referee)
The work is dedicated to the only publication of János Bolyai called briefly Appendix, where János Bolyai presented his research about parallels and about dividing geometry into two parts according to the truth or falsity of Euclid's parallel postulate. The aim of the work is to demonstrate, how Bolyai invented new geometry, to approach which proofs he used and at the same time to show the connection between results of Bolyai and today's knowledge about non-Euclidian geometry. Moreover there are two types of pictures in the work. One type corresponds with Bolyai's idea about new geometry, the other type describes geometric situations in Beltrami-Klein's model, which is often used for describing hyperbolic geometry nowadays.
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Film Screenings at CVUT
Henzler, Richard ; Czesany Dvořáková, Tereza (advisor) ; Čeněk, David (referee)
Title: Film Screenings at ČVUT Author: Richard Henzler Department: Film Studies Department, Faculty of Arts, Charles University in Prague Thesis supervisor: Mgr. MgA Tereza Czesany Dvořáková The thesis presents a history of film screenings at ČVUT using the method of oral history. The aim of the thesis is to present the operation of the film club in years 1984 until 1990. Interviews with the founders of the Film club Richard Kohout, Martin Řezníček and Jiří Neuman were used as a primary source. They were complemented by information obtained from the club's internal records and by contemporary newspaper and literary accounts. The main contribution of the thesis is the fact that this topic has not yet been processed and the thesis can be thus used as a basis for further research in the field of oral history and history of film. The theoretical part of the work introduces the method of oral history, its methodology, advantages and shortcomings. The following chapter summarizes a number of projects, both Czech and international, which are using the method of oral history and whose primary interest lies within the field of film studies. The practical part gives a chronological account of the operation of the film club and is supplemented by information from the interviews and from the records of the...
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Bio Lucerna : history of the Prague cinema 1909-1945
Chmelíková, Kristina ; Klimeš, Ivan (advisor) ; Czesany Dvořáková, Tereza (referee)
This master thesis is focused on the history of Prague's leading cinema The Bio Lucema and the same named palace, from 1909 to 1945 thus from the commencement of its operation to the nationalization after the World War II. It concentrates on the functioning of this establishment from the historical, programme and personnel standpoint. Simultaneously, it monitors its development and position in the context of the Czech cinematography from the first decade of the 20th century until the end of World War II. The main task of this work is to confirm the presumption that the Bio Lucema occupied the unique position among Prague and Czech cinemas and to disclose how this status was accomplished.
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The idea of a Film Chamber. The Bohemian-Moravian Film Union and continuity of centralizing tendencies in the film industry in the 1930s and 1940
Czesany Dvořáková, Tereza ; Klimeš, Ivan (advisor) ; Just, Vladimír (referee) ; Szczepanik, Petr (referee)
The key theme of this thesis is the development of the film-industry self-regulation during the years immediately preceding the occupation of the Czech Lands by Nazi Germany and the period of the Protectorate of Bohemia and Moravia. Already in the First Republic (1918- 1939), the association structures were characterized by highly hierarchical relations and encompassed all areas - film production, film distribution and the cinema system. The predominant role was played by film industry associations and the largest unions of film workers. These organizations pressed for the solution of the protracted legislative deficits which complicated the day-to-day operation of the film industry. Starting in the second half of the 1930s, the essential aims of the activities of the film self-regulation included the foundation of a Film Chamber as the central body of Czech cinematography. The guarantor of the future public corporation, and possibly its financier, was to be the government. The views regarding the form of this institution were also influenced by foreign models, including the corporate structures of the Third Reich cinematography. As the authorities were taking their time to act, while the political situation was quickly changing, the film industry associations provisionally centralized their...
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The animate body. The veneration for the body as one of aspects of the ecological life
Dvořáková, Tereza ; Opletalová, Lenka (referee) ; Ortová, Jitka (advisor)
This project deals with sphere of the human ecology. The author considers connections between human relation to the body and relation to nature. She proposes that an ecological opinion is influenced by human position to the body. She asserts the body is a part of human society as well as nature. In the first part, the author sketches metamorphoses of science's paradigm in last centuries. She focuses mainly on the contrast between a mechanistic look of modern period and a dynamic outlook of previous pre - modern periods. The next part of this project tries to map different aspects of ecological approach to the body. Firstly, the author brings various historical approaches to the body, especially them which are connected with our contemporary relation to the body. Further, she considers relations between the human body and human society, between the body and the home (as oikos). She also compares the wilderness of the human body with the landscape. Next topics are related to connection between the body, language and the world of the dreaming, symbols and archetyps. In one part is paid attention to a topic: the body as a border. The conclusion of this project is intended as a list of various ways of ecological work with the body. The author alludes for example holistic perception, techniques of imagination,...
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Deserving Equality: Roma and the Social System of Social Welfare in Skala
Dvořáková, Tereza ; Abu Ghosh, Yasar (advisor) ; Sidiropulu Janků, Kateřina (referee)
Although there are analyses of Roma and their economic practices, there is no analytical interest in gaining social benefits as an economic practice. The topic is still in the hand of economic and political science and their view of claimants for social benefits that goes hand in hand with common sensual understanding of them. According to this vision the system of social welfare is just a generous technical system of distribution of money, which is misused by certain claimants. Following Howe (1990) I see welfare system as culturally mediated distribution of money that in fact, shapes the understanding of persons who enter the exchange. I analyze the ways Roma women negotiate benefits and the logic with which they enter different social arenas and struggle for recognition as humans without being recognized as Gypsy. Therefore, I analyse how notion of humanity intersects with deservingness and gypsyness.
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An impact of Vojta reflex locomotion on patients with multiple sclerosis
Dvořáková, Tereza ; Řasová, Kamila (advisor) ; Honců, Pavla (referee)
Vojta reflex locomotion works on the strength of rediscovery of locomotive patterns. In this study, we investigated influence of Vojta's method to the clinical condition of patients with multiple sclerosis cerebrospinalis. There were five patients with multiple sclerosis which underwent two months Vojta reflex locomotion rehabilitation. We found out that Vojta reflex locomotion has positive influence to relief spasticity on the upper and lower extremities. The spasticity improves at all patients on average on 12, 3 %. Except improve of the spasticity, is also noticeable the increase of muscle strength (around 8 %). In the other clinical symptoms weren't found any considerable improvement in comparison with the primary condition before rehabilitation.
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