National Repository of Grey Literature 127 records found  beginprevious114 - 123next  jump to record: Search took 0.00 seconds. 
Worker, overman, mortal. Three forms of man's humanity in philosophical anthropology.
Novák, Aleš ; Benyovszky, Ladislav (advisor) ; Petříček, Miroslav (referee) ; Ajvaz, Michail (referee)
The concept of humanity in the first half of the 20th century was by far detemined by labour, power, and war. Ernst Jünger focuses on the significance of labour for the brand new understanding of anthropology as the pattern of worker. But his conception is derived from the metaphysics of the will to power by Friedrich Nietzsche. On the other hand, an alternative conception of humanity is presented by the work of Martin Heidegger describing the human as a mortal.
Subjectivity: Hegel and Lévinas.
Furmaňská, Tamara ; Novák, Aleš (advisor) ; Pinc, Zdeněk (referee)
This master's thesis aims to describe the explicit influences of Fridrich Hegel's thought on Emmanuel Lévinas, considering particularly the concept of subjectivity. By an analysis of Hegelian and Cartesian motives in Lévinas' thought, this thesis allows us to grasp the complete structure of Lévinas' concept of subjectitivy in the perspective of modern metaphisical tradition where Lévinas unquestionably belongs.
Arts And Language In The Early Work Of Friedrich Nietzsche
Kvapil, Matouš ; Novák, Aleš (advisor) ; Chavalka, Jakub (referee)
KVAPIL, M.: Arts And Language In The Early Work Of Friedrich Nietzsche. (Master thesis) Charles University In Prague, Faculty Of Humanities, Department Of Europhilosophy. Supervisor: doc. Mgr. Aleš Novák, Ph.D. This work aims to examine the early philosophical and esthetical concept of Friedrich Nietzsche, which is elaborated in his first published work The Birth of Tragedy from the spirit of Music (Die Geburt der Tragödie aus dem Geiste der Musik, 1872). This concept, based on a mutual tension between the Apollonian and Dionysian, will be examined mostly from the perspective of a significant "struggle" of Dionysus and Socrates. Its manifestation is first apparent as a contradiction between theoretical and tragical world understanding or a contradiction between optimism of science and pessimism of arts. The work will mostly focus on the origin of the theoretical optimism, which is coming from the human "will to truth". Its archetype is represented in Nietzsche's early philosophy by Socrates. The problem, which comes to light with this struggle of Dionysus and Socrates, will necessarly lead the work to examine Nietzsche's critique of cognition led by the metaphysical understanding of the term "truth". The basis of this critique lies in the metaphorical character of language and human cognition in...

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