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Sheet Music Recognition and Playing from Photography
Staněk, Jiří ; Veľas, Martin (referee) ; Pavelková, Alena (advisor)
This work deals with development of an application for optical music recognition. This application is designed for mobile phones with Android operating system. The work includes a brief introduction to the problem and introduces some existing solutions. There are described methods for image processing and classification, which are used in final application. It also shows the design and implemenation of the final aplication, where used methods for detection and removal of staff lines, detection and processing of musical symbols and their classification are described. The evaluation of the final application and a summary of achieved results are shown in the end of this work.
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History of audio carriers and transmission of sound
Šimarová, Lucie ; Krhutová, Milena (referee) ; Šedrlová, Magdalena (advisor)
Cílem této bakalářské práce je popsat vývoj zvukových nosičů. Tato bakalářská práce poskytuje náhled do historie a současnosti zvukových nosičů. Nejprve seznamuje čtenáře s teorií přenosu zvuku. Tato část je zaměřena na přenos vlnění a popisuje rozdíly mezi vlnami. Následně jsou probírány analogové a digitální způsoby záznamu zvuku. Hlavní část práce se věnuje uchovávání hudby. Nejprve se práce zabývá uchováním hudby před mechanickým záznamem, tato část zahrnuje notaci, tabulatury a automatofony. V další části je již popsán mechanický záznam zvuku, a to v analogové formě. Poslední kapitola je zaměřena na digitální záznam zvuku. V neposlední řadě práce obeznamuje čtenáře s kulturním a hudebním vlivem jednotlivých nosičů. Znalosti jsou nabyty z různých zdrojů, především z literatury.
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Music as a public space - New concept of Brno Philharmonic
Macurová, Lenka ; Čapák, Bořivoj (referee) ; Rusín, Tomáš (advisor)
An assignment of diploma thesis was to design a concert hall for Brno Philharmonic. Ten years ago, an architectural competition was held to design Janáček cultural centre on a plot between the streets Veselá and Besední. The winning project was simplified and divided into two parts (underground parking and concert hall). My proposal is based on the planned parking, which finally begins to build in 2015. Shape of the house respects the surrounding buildings. My aim was create the building, which would be functional, urban, beautiful and more economical than the winning project.
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Alternative Proposal of Concert Hall in Brno - Janáček Cultural Center
Fikejs, Oldřich ; Bindr, Tomáš (referee) ; Marek, Jiří (advisor)
The Brno Philharmonic is renowned all over the world from London to Tokyo, but in its home town only has a small hall with poor acoustics not suitable for symphony concerts. The efforts to construct a worthy cultural venue to meet the needs of Brno go back to the interwar period and their implementation is still not in sight.The core of the project is a concert hall with capacity of 1,812. Its layout combines the advantages of standard shoebox-shaped halls and surround halls, because the best music experience gets the viewer who is quite close to the orchestra. The disadvantages of the former include poor contact with the orchestra in the rear seating, the latter sacrifice acoustical excellence mainly in the side and rear seating areas for audience proximity and visual stimulation. The building is composed of three functionally distinct parts: the audience’s part, musicians‘ background and technical equipment. The operation of each is placed in a horizontal part of a L-shaped solid. The vertical parts face each other creating a raised central cube containing the concert hall.
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Music Style Recognizer from MP3
Deutscher, Michael ; Szőke, Igor (referee) ; Grézl, František (advisor)
This document describes the concept of music style recognition. It gives a quick reference to the digitalization of music data and storing music data in computers. It also mentions features used for music style recognition and their extraction. The main part of this document compares the successfulness of music genre recognition using features extracted directly from audio data in mp3 format and features extracted by usual analysis.
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Music Club Brno
Modlitba, Zdeněk ; Teplý, Vladimír (referee) ; Odvárka, Antonín (advisor) ; Štěpánek, Ladislav (advisor)
The theme of the project is a new music club with reharsal rooms and recording studio in the center of Brno, Obilní trh. The site is situated on the slope next to the castle Špilberk. The proposal is based on an openness to the public, trying to captivate, pull in and make a passerby the visitor. The whole complex is made of three solitary objects that escalates its scale from view and trying not to create a barrier, but rather give the impression of accessibility. The site of this complex, along with trees, creates a park enviroment which enables the views to the castle Špilberk. The buildings are partially buried in the hillside terrain and directly connected to the extensive green roof, which creates a friendly terrace where you can watch the street or the artists inside the building. Functional content is divided into three objects. The largest one is a music club, including foyer, 2 music halls, terrace allowing views to the Obilní trh, backstages for musicians and garages. The second, single-storey building with a courtyard includes ateliers, reharsal rooms and a sociable relax corridors. The last, two-storey building includes a recording studio, which is situated right inside the courtyard.
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Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking
Svoboda, Jonáš ; Lungová, Barbora (referee) ; Cenek, Filip (advisor)
The camera, as a creature, wanders through space, takes action. We feel tense, every moment of time. In everything. Dance of particles, screaming in unreal tempo. The spatial properties of the haptic world are given by the composition of a score for particle dance. Free notation for sysyphian eternal soul players. Playing a common song of our time and space. Wave. Space between the particles - emptiness. The shape given by the structure of particle dances. So how can you get it. Radiation, Fuse. This is the erosion of the score, the decomposition of the system. Deacon and cleaners. Treasure hunters. Is space between shapes empty? Slavery is not due to the impoverishment of man, but to his transformation into an instrument. The impoverishment of the film's medium is the transformation of the instrument from the instrument into a human being. From the apparatus - rewriting the environment of three-dimensional shapes to the surface, on the apparatus - the emulation of human experience schemes. From indifference to false experience.
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Electric Violin
Domorád, Petr ; Bělohlávek, Jan (referee) ; Zdařil, Zdeněk (advisor)
The bachelor thesis deals with the design of the new design of electric violins. The aim of the work is to break away from the stereotypes and traditional forms of baroque acoustic violins, which are in the design of electric violins often occur . Electric Violin therefore become a kind of substitute for classical violin , this may include a specific instrument , which allows to experiment with violin tones considerably richer . The new design of the shape electric violin should be ergonomically correct for easy violin , but interesting , new and unusual . When designing and manufacturing must be some part of classical violin left ( eg the shape of the neck or fingerboard ) . These parts may slightly vary because each said portion has a specific role to play violin . Proposal for violin based on the basic ergonomic features violin. From classical violin are left only parts which are to preserve functionality may change shape. Three into the protruding part of the body support a comfortable grip of instrument and mechanics, which is located at its ends , allows adjustability holding of instrument by violinist characters . Violin comply with rotational symmetry , which is an advantage , since the instrument can be used right-handed and left-handed. The proposal addresses the fact that the various components do not interfere with the violin ( eg potentiometers for volume and tone controls or instrument input cable for connecting the instrument to the apparatus ) . As these details when control may not see a violinist , but is usually controlled through hearing , are placed in the bottom of the hull of the violin , where playing the violin will not mind a useless way. The material used for the prototype of a violin is wood (possible combinations of various different types of wood for a better visual effect and to promote the curves of the body tools), which, after milling the surface treatment and paint several layers of lacquer . Components for attaching strings and adjustable drives are made of metal. Electronics, which is mounted inside the cavity of the tool body is bought, the additional component.
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Unknown.mp3
Ščudla, Marek ; Doležel, Matěj (referee) ; Šrámek, Jan (advisor)
My bachelor thesis is my next music project, followed by instalation and merchandise. I was solving the questions about trends, genre and its boundaries. I was inspired by past and I was trying to fit it into contemporary context.
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Automatic Harmony Generation
Bobčík, Martin ; Drahošová, Michaela (referee) ; Vašíček, Zdeněk (advisor)
Goal of this master thesis is to study harmonization based on knowledge of given melody and to design a system which will meaningfully automate this activity. In the work there is covered basics of music theory needed for this topic and previous other approaches to this problematic. There is also covered machine learning, neural networks and recurrent neural networks. In the end, there is outlined design of the system, how to make it work and how to use it. Four experiments were executed with the system. Harmonization of the short melodies were unpleasant. Harmonization of longer melodies were overall more successful though. A possible cause might be relatively small used neural network of the system.
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