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Three-part photo from technical point of view and art interpretation of portrait
Polanecký, Jiří ; Sýkora, Ondřej (advisor) ; Šmíd, Jan (referee)
TITLE: Three-part photo from technical point of view and art interpretation of portrait AUTHOR: Jiří Polanecký DEPARTMENT: Institute for professional development, faculty of education SUPERVISOR: Mgr. Ondřej Sýkora ABSTRACT: The purpose of this bachelory diploma is to present portrait photography as well as valuable masterpiece, which helps the Czech Republic police department to identify people. Nowadays the portrait photography is perceived by society as a fashion artistic issue and posibility how to preserve the family memories. A good photographer shouldn't have only esthetical feeling but should be patient, accurate and has a professional education in making portrait photography with the strictly determined conditions. A part of thesis is about the origin and history of portrait photo and its utilization as a masterpiece, as well as problems when the artistic portrait photography is changed to documentary photo for social utilization. Another part of thesis pays attention to problems of making the three-parts photo and its utilization to identify people. The final part of thesis is focused on value of portrait photography and how the portrait photography affects on a spectator and affects in esthetic way. KEYWORDS: three-parts photo, black and white photo, coloured photo, digital photo, portrait, art...
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Martin Šárovec's Private Metamorphosis
Patlejchová, Petra ; Pech, Milan (advisor) ; Vaňous, Petr (referee)
The thesis focus on the Czech contemporary painter Martin Šárovec (*1977). His art expression oscillates between expressionism and realism. He is interested in painting the human face, which under an influence of postmodern media culture mutates into different and sometimes scary portraits of today's society. He paints grotesque, psychedelic and labile snapshots with emptied icons of contemporary pop-culture. The thesis tries to find out the artist's life and art sources that reflects in his paintings. It also puts his work into the context of the Czech contemporary art.
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The picture of woman in portrait photography in magazine letem světem in 1927 and 1937
Bednaříková, Barbora ; Lábová, Alena (advisor) ; Osvaldová, Barbora (referee)
Bachelor thesis The Picture of Woman in Portrait Photography in Magazine Letem světem in 1927 and 1937 examines different images of women in the picture magazine Letem světem. Using visual analysis methods, the thesis compares pictures of a woman as a mother, a housewife, a sex symbol, a worker or a sportswoman in 1927 and 1937. In the theoretical part, it explains the origins and success of picture magazines including the magazine Letem světem in political and media context of the time. In the second part, it describes various methods of portrait photography in the First Czechoslovak Republic, attitudes to the photographic process and, of course, contemporary female visual stereotypes used in the magazine contents and advertisements. The aim of this work is also to show differences between the image of a woman in the magazine and her real social and legal status and living conditions of the time, described in the first part of the thesis.
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Communication medium (television, radio, press) like present facilities for human "portraiture"
Štochlová, Martina ; Hůla, Zdenek (advisor) ; Raudenský, Martin (referee)
Štochlová, M.: Communication media (television, radio, press) like present facilities for human "portraiture" /bachelor thesis/ Prague 2011 - Charles University, Faculty of education, 69 p. Theoretical studies of the relationship of human and the communication media. The study aims to capture the current form of portraiture. Work includes general information about human communication, the possibilities and types of media, but also presents several artists from art dealing with the topic of the presentation of human identity in the media. Keywords: human face, portrait, communication, media, mass media, media presentation
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Sketches and Paintings
JELÍNKOVÁ, Daniela
This bachelor paper called Sketches and Pictures is divided into two parts, theoretical and practical. The theoretical one is focused on Rembrandt van Rijn and the artistic and historical context of his life. Furthemore, this paper deals with the theory of painting a portrait and a self-portrait. Then it analyzes the self-portraits of Rembrandt himself. The goal of this paper is to create its own path by analyzing different artistic approaches of the master of baroque painting. The practical part contains a triptych of self-portraits painted in oil on canvas. The painting was prepared by a set of sketches. The materials used for creating the drawings were diverse, including red chalk, a pencil, and charcoal, both natural and artificial.
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Hall of fame. Marquetry portraits on skateboards.
SMETANA, David
The bachelor thesis deals with marquetry and presents this ornamental technique in the context of history and simultaneously brings contemporary approaches in it's use on the borderland between free and applied art up to date. Empirical part presents authorial project, which is devoted to theme of skateboarding. Particularly, the main concern is the creation of one's own design of inlaid skateboard descs.
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Precarious Society
Schlosserová, Jana ; Lukášová,, Helena (referee) ; Gabriel, Michal (advisor)
The installation is formed from the fifth sculptures, individuals, larger than life size. Their bodies are just shapes and surfaces, which leave place for the rest of the human form. The form is preserved only in black-and-white photography, in portraits, which are part of the sculptures. They ostensibly do nothing, like stopping in time. However they move, but for that move is neccessary initial impetus and it is the role of the viewer. Instability of sculptures is an expression of the unstable position of the human beings in today's society (the origin of instability). Sculptures creates society thanks for their quantity, community and contact.
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New Faces
Pokorná, Barbora ; Brožka, Petr (referee) ; Kvíčala, Petr (advisor)
The project New Faces is a series of portraits dealing with the theme of identity and its loss, human individuality and the phenomenon of ideal of beauty. Each of paintings depict different views on the same face, base on personal confessions of portrayed and his friends. Thus we can observe confrontation of the "subjective" and the "objective", where this supposed "objectivity" acquire the relative value in the context of other pictures. The project points to the problem of self-perception and it explores how human perception distorts the reality, especially if more factors (than just a visual image of reality) affects the person.
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