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Winery Lahofer Dobšice
Musilová, Michaela ; Myslín,, Jiří (referee) ; Dýr, Petr (advisor) ; Kalousek, Miloš (advisor)
The theme of my graduation thesis is a project of a new winery building for the Lahofer Company, which is headquartered in Dobšice u Znojma. A study of this topic was made during the AG33 subject – Architectural Design Studio 3 and this project extended it by the documentation for planning permission and the documentation for carrying out the construction. According to work assignment the project deals with industrial building and public part of the building – the main entrance area and showroom of the winery, also the restaurant and the accommodation for visitors. The public part and the production part are connected with the administrative space. The new building is located instead of vineyard. The house is composed of two primary tracts, which copy the main compositional axis. The northern wing is partly set in the downhill land, which is the important advantage for working in the industrial building – production, ripening and storage of the wine. The two main tracts – the public and the industrial one – are distinguished especially by degree of lighting and also by the colour of the material. The most transparent is the south facade, where the main public entrance is. The roof change its height level with the slope, so the building is more dynamic.
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Execution of Building Construction Phase - Extension of Former Tower Silo in Olomouc
Ráb, Jakub ; Venkrbec, Václav (referee) ; Nečasová, Barbora (advisor)
The subject of my bachelor thesis is construction technological solution of the rough upper construction realization of the extension of former tower silo in Olomouc. The work includes technical report object, facilities of construction zone, solving traffic routes from the production to the place of construction, technological specification for prefabricated and monolithic reinforced concrete constructions, the most appropriate machine assembly, the most appropriate machines assembly, schedule of work, itemized budget, control and test plan and safety and Health protection during work.
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House in the hillside -technologická stage substructure
García Parra, Alan ; Venkrbec, Václav (referee) ; Henková, Svatava (advisor)
The subject of this bachelor thesis is the technological stage of the foundation structure of a family house in Šlapanice u Brna. The work includes technical report, technological regulations of selected works, design of construction site equipment and machinery assemblies, safety and health protection at work. Work includes drawing documentation consisting of a drawing of the situation and site equipment, a timesheet, a bill of quantities, a control and testing plan and balance of resources.
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The relation of science and art in Jan Patočka's philosophy
Dvořanová, Natálie ; Ševčík, Miloš (advisor) ; Dadejík, Ondřej (referee)
The objective of this thesis will be an examination of Patočka's understanding of science and art as two possible comprehensions of reality, and their mutual relation. Firstly, I will focus on presenting the position, from which Patočka's ideas come - that is the distinction of two eras - artistic and aesthetic, where the first one shows religious truths and the other one the subjective and individual world of an artist and a work of art. The aesthetical era begins in the 19th century and connects thusly to the scientific and technological period. Science according to Patočka gives us a tool (and a language) to recover objective, but binding truths. It influences all aspects of life, such as social, economical, political, and also the scientific approach to art. However, modern and contemporary art show the subjective and individual truths, but only in the scientific and technological periods. This mutual relation will be the subject of examination. Powered by TCPDF (www.tcpdf.org)
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Bicy-colonization: A symmetrical ethnography of the development project Kola pro Afriku (Czech Bikes for Gambian Schools)
Werner, Jan ; Stöckelová, Tereza (advisor) ; Brož, Luděk (referee)
This study is a symmetrical ethnography of the Czech development project Kola pro Afriku (Czech Bikes for Gambian Schools), which involves the collection, repairs, modification and shipment of old Czech bicycles to The Gambia. Once there, they are distributed to partner schools and offered to communing pupils. In my research, I mainly focus on the pivotal technology of the project, bicycles, and their performances. Drawing on classic ethnographies of development and (most importantly) on studies based on the actor-network theory (ANT), I gradually explore the bike collection process, their modifications and repairs, their shipment to The Gambia and their local operations. When doing so, I focus on the social topology of the bicycles and its transformations in the timespace. In this regard, the bicycles gradually appear as junk (i.e. a dysfunctional relict of stabilized networks), as a fluid collectivity and as individually fluid. Thereby, this study shows that technology transfers may lead not only to changes in the set of relations, of which the given object consists, but in the very modes, in which those relations arise. It is precisely these topological transformations that significantly contribute to the functioning of the project Kola pro Afriku. Key words: development cooperation,...
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Gilbert Simondon and his influence on current media thinking
Maha, Jiří ; Dvořák, Tomáš (advisor) ; Šlerka, Josef (referee)
Keywords Gilbert Simondon, Bernard Stiegler, Mark B. N. Hansen, philosophy, media, technology, humanism, individuation, information Abstract This text has two parallel objectives. First, to introduce the original work of french philosopher Gilbert Simondon. Second, to show its potential of his philosophy in relation to our thinking about the current media-techno- logically conditioned environment in which we live and through which we understand the world. I have two motivations for the first objective. First, the work of Gilbert Simondon is still completely unknown in Czech Repub- lic, therefore I find it necessary to offer to the reader the introduction of his work. Second, without such introduction it would be very difficult to ope- rate with his crucial concepts in the work of his contemporary interpreters whose contributions I will discuss in the second part of the text. The se- cond objective is motivated with my interest in delimitation of speculative and materialistic line of thinking based on the work of Gilbert Simondon. Such thought with its description of the world is in clear opposition with anthropocentrism. Nevertheless, it cannot be considered as a part of object oriented ontology neither. I'm not going to show the importance of Gilbert Simondon for media theory in this text. Rather, I will...
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Theatre and new media
Tupá, Jana ; Kriššák, Miloš (advisor) ; Šlerka, Josef (referee)
The aim of this work is to describe and analyze the relation between theatre and new media. This is realized by definition of new media, definition of theatre, its origin and chronological development, description of the chronological development of theatre technologies and by analysis of the relationship between theatre and new media from three viewpoints: through plays incorporating elements of new media, plays using new media as a part of scenography, and plays playing about new media; with focus on Czech cultural environment. The practical part of the diploma work shows the use of new media in current theatre on a real play from these three viewpoints. The undertaken analysis discovered new media are used in theatre not only as a part of scenography, but influence theatre by its characteristic principles and become the main topic of theatre plays, following the chosen theory which sees theatre as a reflection of the world. The result of this work is a complex study of interconnecting theatre and technology focusing on new media and analysis of their relation to the current theatre.
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Space-time breakdown in Julio Cortázar's fantastic tales
Krejčová, Veronika ; Poláková, Dora (advisor) ; Škodová, Denisa (referee)
As the title may reveal, my work will focus on space-time breakdowns in Julio Cortázar's (1914-1984) oeuvre. This Argentinian writer's work is centered mainly on the fantastic genre, specifically on tales. He is one of the most important representants of this genre in the zone of Río de la Plata, although for the most of his life he lived in Paris, where also many of his works were written. With help of other literary critics and theorists, I will try to define the space-time breakdowns in his creation. Tzvetan Todorov in his The Fantastic: A Structural Approach to a Literary Genre, distinguishes between three main categories: the strange, the fantastic and the marvelous. Another critic, Ana María Barrenechea, in her a little bit more vital theory divides the fantastic into these three categories: the natural, the unnatural and the mixture of both. As an example I will use four of Cortázar's tales. On those, I will apply the mentioned theories, nevertheless I will also point out the possible lack of clarity and obsolescence in them and will try to offer some new alternative solutions. David Roas, Spanish critic of fantastic literature, will be a great help. Is the space or time important in the literature? And what is that Cortázar's Fantastic feeling? I'll try to answer these questions and...
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