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The legacy of philosophical behaviourism: the concept of mind without minds
Soutor, Milan ; Kolman, Vojtěch (advisor) ; Hill, James (referee)
The epistemological problem of unity and its development in the philosophy of Bertrand Russell is the main subject of this essay. The first chapter is devoted to naïve realism developed by G. E. Moore and adopted by early Russell. I explain the notion of objective unity of proposition. The second chapter concerns Russell's departure from naïve realism and the multiple relation of judgment which Wittgenstein's criticism rendered as fatally unable to handle the problem of synthetic unity. The breakdown of this theory led Russell to naturalism, which is the topic of the last chapter. I pay special attention to the regressive argument proposed in slightly different versions by Moore, L. Wittgenstein and G. Ryle. Keywords realism, neutral monism, behaviorism, unity, consciousness
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Language and style of Czech translations of Émile Zola's novels
Houbová, Pavlína ; Mareš, Petr (advisor) ; Andrlová Fidlerová, Alena (referee)
The aim of this bachelor thesis is the comparative analysis of the Czech translations of Émile Zola's novels. The first chapter presents naturalism as the literary movement and treats his major figures. The second chapter contains theoretical basis which deals with process of translation putting emphasis on Czech and Slovak translation theories. The third chapter is focused on the analysis of the Czech translations and tries to define critically the translation solutions used by Czech translators. By way of conclusion, this thesis seeks to summerize the results of the analysis and offers their critical evaluation.
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West European Impulses of Bulgarian Diabolism (A Look at the Bulgarian Literature of the 1920s)
Jeřábková, Zlatina ; Černá, Milada (advisor) ; Jensterle Doležal, Alenka (referee) ; Sýkora, Michal (referee)
West European Impulses of Bulgarian Diabolism (A Look at the Bulgarian Literature of the 1920s) Abstract Keywords: Bulgarian literature, expressionism, avant-garde, diabolism, horror fiction, marvelous, uncanny, Menippean carnival discourse, romanticism, naturalism, individualism Svetoslav Minkov (1902-1966), Vladimir Poljanov (1899-1988), Georgi Rajčev (1882 - 1947), Čavdar Mutafov (1889-1954) Contrary to its generally innovative potential for Bulgarian literature, the phenomenon called Bulgarian diabolism has been a marginal one from the point of view of literary discourse. The interest of postmodern writers and reviewers has given rise to accentuating some of the partial aspects of the works of Svetoslav Minkov, Vladimir Polyanov, Georgi Raychev and Chavdar Mutafov. However, with the exception of Thomas Martin's monograph Der bulgarische Diabolismus. Eine Studie zur bulgarischen Phantastik zwischen 1920 und 1934, published in 1993, works explicating the nature of the phenomenon in Bulgarian literature have been missing. Due to their novelty and impurity, the syncretic writings of Bulgarian diabolists, blending fading individualistic modernist tendencies together with elements of romantic fiction of horror in the generally expressionist roots of their works, were a phenomenon difficult to rank for their...
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The Contrast of life and death in works of J. K. Šlejhar
Krčálová, Tereza ; Heczková, Libuše (advisor) ; Mravcová, Marie (referee)
The thesis focuses on J. K. Šlejhar's literary work from two points of view. The first part introduces Šlejhar's work in the contemporary literary context as a result of a synthesis of new literary styles. In the second part the thesis concentrates on a textual analysis and reconstruction of the author's "artistic world". The first part of the thesis gives insight into the contemporary discussions aimed at revising and redefining the function of art with respect to the new development in society and new human needs. The critical reception of realism and naturalism and the reflection of the then wide-spread adoption of new influences from foreign literatures are also dicussed. To draw a comparison, we quote both period and current studies dealing with J. K. Šlejhar's work. Thereby we want to demonstrate the changing requirements of literature and art and the changing perception of a literary work throughout time. The second part of the thesis comprises the textual analysis of Šlejhar's selected writings from the point of view of semiotic literary theory and the reconstruction of the author's "artistic world". Such approach enables us to draw comparisons to Russian literature of the 19th century, primarily with the works of N. V. Gogol and F. M. Dostoyevsky, and to discover a common basis for both...
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The Question of Origins of Value in Naturalistic Philosophy of Irving Singer
Hlávka, Jan ; Dadejík, Ondřej (advisor) ; Zuska, Vlastimil (referee)
Irving Singer's theory of value declares itself a member of american naturalistic and pragmatic tradition. It refuses metaphysical speculation on behalf of empirism and stresses the processual character of every experience, focusing more on its imaginatively-affective rather than rational part. Singer distinguishes two basic types of valuation: appriciation of an object, seen as an instrument for a given function, and spontaneous bestowal of value, which values the object on the basis of its own qualities - generating an affective attachement in the process. In a healthy organism, both ought to cooperate to support the fullness of life-in-the-world. Their harmonization is a matter of aesthetics as recognized in the case of love or works of art. This thesis criticizes Singer's project from its own point of view - the american naturalism. In the first chapter, it describes closely Singer's point-of-departure and places it within historical tradition. The matter of the "intrinsic value controversy" is drawn here as well. Following two chapters probe into the pillars of Singer's systém - the conceptions of appriciation, bestowal, imagination and idealization. In comparison with the doctrines of John Dewey, George Santayana and christian situational ethics, fundamentally eclectical character of Singer's...
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Cronicle as a literature genre
Pašková, Jitka ; Stejskalová, Anna (advisor) ; Hrabáková, Jaroslava (referee)
The subject of this thesis consists in following the development of the novelistic chronicle genre, which emerges on the common point of a chronicle and a novel at the end of the 19th century. The ground on which the genre is characterised and the survey of its development conducted is the "new chronicle" U nás by Alois Jirásek, "the chronicle of a Moravian village" Rok na vsi by Mrštík brothers and generation chronicle Rozkvět by František Xaver Svoboda. These three novelistic chronicles are connected by the time of their genesis and have several common features, which are associated mainly with their genre determination (the domination of time and place over the characters and the story, the retardation of the time dynamics, being linked to a place and the accent on the poetic of the concrete). However, their authors drew inspiration from different regions (the northeast of Bohemia, the central Bohemia, the borderland of Moravian Slovakia and Haná) and they depicted distinct social backgrounds. The chronicles differ in the time when their story is played out as well as in the way the sources are adapted. Each of them is a realistic work; however, from the thematic point of view and from the point of view of the taken place, each one represents a different type of realism (the historical realism,...
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Storytelling in images
Husák, Jiří ; Dvořák, Jaroslav (advisor) ; Kornatovský, Jiří (referee)
The thesis deals with history, methods and principles of narration in fine arts since the beginning of history to present days. The problems of stories in pictures are parted to two categories; the inner and outer plane of the story. Each of these narrative planes operate with different procedures. Between these procedures belong compositions, dynamics, rhythm, the usage of symbols, indexes and icons but also the amount of stylization and naturalism. Contemporaneous progressive artistic methods such as comics are the subject of analyses right next to the historical methods of sequential image narration. The thesis observes the methods of composing, working with time and use of the so called gutter as an integral part of the juxtaposed sequences. The analysis' findings are summarised in the personal author production and the didactic evaluation of certain narrative procedures.
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The Czech Literary Naturalism
USTOHALOVÁ, Soňa
I will follow the theoretical and critical discourse, related to establishing of Czech literary naturalism. My sources will be both book editions (essays from the volumes "Lehký harcovník", or "O národní literaturu", made available by the Melantrich publishing company) and journalistic production. Among the personalities she will focus on F. Schulz and V. Mrštík, possibly on other authors according to the primary heuristics results. The idea about general extension of naturalism will be provided by relevant syntheses or partial monographs (ADČL III; Haman: Trvání v proměně; Janáčková: Česká literatura na přelomu století; Český román na sklonku 19. století).
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Josef Velenovský and František Mareš ? two personalities of the Czech scientific life (their biological and philosophical activities)
PODSKALSKÁ, Marie
The diploma thesis Josef Velenovský and František Mareš ? two personalities of the Czech scientific life (their biological and philosophical activities) deals with the philosophical theses of two notable Czech biologists ? philosophers ? in their biological research. The first part introduces the biological and philosophical activities of both personalities. It depicts in detail Mares' views of physiology and Velenovsky's take on natural philosophy. It further contains their critical views of contemporary trends in natural sciences and philosophy, especially the positivism and naturalism. The second part contains a comparative analysis of the fundamental ideas of both scientists, included in The natural philosophy (Volume I, Natural) and Physiology. The text attempts to analyze their theses (positivism, naturalism, vitalism, physiology, natural science) and to find similarities and differences in their points of view.
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