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Provocation and breaking the stereotypes in the works of Juriy Vynnychuk
Danylyuk, Myroslava ; Chlaňová, Tereza (advisor) ; Ulbrechtová, Helena (referee)
This bachelor work is devoted to the personality of contemporary Ukrainian writer Yuriy Vynnychuk. Particular attention is focused on that part of his work and his non-literary activities which are characterised by using provocation, mystification and breaking stereotypes. The aim of this thesis is, on the basis of these three key areas, to map all of his works which feature provocative elements, to attempt to create their typology and make a deeper analysis of selected works. The introductory chapter presents a detailed analysis of the current literary process, particularly of the elements that are focused on the destruction of the traditional canon. Based on this analysis Vynnychuk's works are included in the context of the current literature. The main part analyses specific works and Vynnychuk's approach is compared with other authors dealing with similar issues. At the end his exceptionality and contribution to contemporary literature is evaluated.
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Mystification in the plays of Jára Cimrman
Švarcová, Hana ; Špirit, Michael (advisor) ; Mravcová, Marie (referee)
This bachelor thesis analyses the mystification of the Theatre of Jára Cimrman. In the individual chapters it describes the basic areas that constitute the form of mystification. In these chapters is discussed the relationship between mystification and language comic, writing plays, text-appeal, magazine Český svět and acting. At the same time common features between Jára Cimrman Theatre and radio broadcasts Vinárna U Pavouka, which the theatre took over the basic principle - mystification from are pointed out. In the conclusion which is based on the description of partial relations is discussed that the mystification of the Jára Cimrman Theatre only works if there are present all the individual components. By mutual interdependence of all components and their consistent cooperation is achieved the maximum effect.
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Stereotypes in the Works of Jára Cimrman
Bulejová, Hana ; Bílek, Petr (advisor) ; Činátlová, Blanka (referee)
This thesis deals with the dramatic work of Jara Cimrman, which is based on the cooperation of two authors named Zdenek Sverak and Ladislav Smoljak. In the introductory chapters we analyze the genesis of mystifying legend named Jara Cimrman, then his way from the radio show to the theatre and also his own cult, which all leads to the general poetics of the Theatre of Jara Cimrman. We can find some related attributes in this theatre, like specific acting, phenomenon of their workshops and imaginative humour. All of these attributes leads to the definition of repetitive stereotypes in the plays of this theatre. In this thesis we also try to define the genre of the plays, also their subject matter, topics and their motives. The aim of this thesis is to describe these motives and also its gradual progress as in the particular dramas, so in the social atmosphere of those days.
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Media and their influence on man
Hončová, Simona ; Šnýdrová, Ivana (advisor) ; Mužík, Jaroslav (referee)
The issue of the impact of the media on men and society is increasingly topical nowadays when it is impossible to practically imagine the life without the media. The media have been, are and will be an inseparable part of the current life in spite of the fact that they do not always affect us only positively, they might also have a negative impact on us - no matter whether a short term effect or a long term influence is concerned. This work tries to identify these effects and influence and demonstrate them on concrete examples. At the same time it suggests various possibilities how to tackle with the "media phenomenon" and mitigate its negative impact and influence. Together with streamlining the content of the media, it is necessary to disseminate the common knowledge on conclusions of media studies and thus broaden the media literacy across the whole society.
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Composition and mystification (Jan Novák, Jan Lukeš, T.R. Field)
Odložilíková, Žaneta ; Janoušek, Pavel (advisor) ; Brožová, Věra (referee)
This diploma thesis Composition and Mystification (Jan Novák, Jan Lukeš, and T. R. Field) acquaints the reader with three personages of Czech literature of the twentieth century. So far they have been treated by literary science as rather marginal. Their work is associated with a great deal of literary mystification originating from the authors themselves or people influenced by their literary output and their personalities. All three authors belong to the category of so called 'loonies', which implies that their lives and their work were to certain extent shaped by the eccentricity of their personalities or perhaps even mental disorders. The introductory chapter with its synoptic character defines and describes the term of literary mystification which is further on related to terms such as play, ludism and myth. Particular emphasis is being put on the distinction between the literary mystifications and the traditional ones. Selected literary mystifications in Czech literature are exemplified. Attention is also drawn to the publications of Vladimír Borecký who was interested in the category of so called 'loonies' and 'weirdoes'. The following chapter is concerned with individual authors maintaining an identical procedure of their depiction. After the sources of information are mentioned, the...
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Things and Words in Georgi Gospodinov's Poetry
Zajac, Ondřej ; Grigorov, Dobromir (advisor) ; Černý, Marcel (referee)
This MA thesis is primarily concerned with the poetics of the first two poetry collections by the Bulgarian writer Georgi Gospodinov. The said collections, Lapidarium and The Cherry Tree of One People were published for the first time in the 1990s. The first part of the thesis is devoted to the author's debut, Lapidarium; mainly, we are attempting to capture the collection's characteristic traits and draw attention to the conspicious features connecting this oeuvre with the book Tao Te Ching. In the second part we continue by the analysis of The Cherry Tree of One People. We are focusing on the change of the author's poetics and furthermore, we concetrate on the national/supranatural aspects of the texts. In the concluding part, we anchor Gospodinov's work in the wider context of the 1990s and provide a comparison of contemporary Czech and Bulgarian poetry.
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Stylization procedures in texts by Ladislav Fuks
Fiřtíková, Andrea ; Merhaut, Luboš (advisor) ; Mravcová, Marie (referee)
This thesis deals with the stylization procedures used in the belletristic and journalistic texts written by Ladislav Fuks. The aim of the thesis is to define and demonstrate the basic distinctive methods and procedures such as repetition, intertextuality, ambiguity and mystification, ambivalence and autostylization. This thesis follows the methods mentioned above in characteristic exposures and transformations and examines the diversity of functions these methods fulfil in several texts of different nature. Furthermore, this thesis occupies with the relationship between these methods and author`s artistic stylization as well as to what extent he can be cogitated. This thesis is directed to defining the uniqueness of Fuks`s writing method which offers a variety of reading approaches. It allows to look at Fuks`s writing from different angles and observe the intensity of author`s personal attitudes projecting into his texts. Keywords Ladislav Fuks, stylization, stylization procedures, deliberateness, unpremeditation, repetition, intertextuality, ambiguity and mystification, ambivalence, autostylization, variation(s), memory
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The end of the world in the view of “mysterious characters”. Arbes’s romanetto Poslední dnové lidstva (Last days of Mankind)
Charypar, Michal
The author of this paper interprets Jakub Arbes’s romanetto Poslední dnové lidstva (Last Days of Mankind) by focusing on the motif of disaster. Rather marginal to his main interest is the episode of censorship when the work was first being published, with the confiscation of a package of the first part, which showed the disaster also affected the residence of the Czech governor Thun. The main objective of this study is to understand the narrative method, which is key to understanding the text and includes the fragmentization of the plot, working with several time zones, a relatively small number of protagonists (the narrator, the priest and the madwoman), fantasy elements, the psychologism that was so popular at that time and intentionally unexplained phenomena. Moreover, the events depicted in Arbes’s book may be a mystification or the self-delusion of the subjective authorial narrator.
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Literary modernism and the truth behind hoaxes. The symbolist conception of hoaxes between gnoseological enthusiasm and epistemological scepticism
Řezníková, Lenka
The study focuses the shifts in the representations of hoax in the Czech literature at the end of the 19th century and their epistemological context. Whereas in previous decades mystifications were particularly represented as a social practice, at the turn of the century they free itself from existing ethical standards and raise to a legitimate aesthetic and gnoseological category. This shift in the conception of hoaxes reflected the general rise in the scepticism, which at the turn of the 19th and 20th centuries cast doubt over illusory obviousness of empirical evidence. Despite this epistemological scepticism, however, a new conception showed some gnoseological optimism, i.e. did not exclude the possibility of gaining knowledge as such. However it postulated knowledge of a new and unempirical kind reflecting the danger of delusion.
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Czech Manuscripts and Polish Returns to the National Songs
Dobiáš, Dalibor
This study raises the issue of how late 1810s and early 1820s Polish literature reflects the Czech forged manuscripts, which "as the most prominent fraud in the style of Macpherson’s Songs of Ossian" (Donald Rayfield) substantially molded 19th and 20th century Czech culture. The generic and typological focus is on Śpiewy historyczne z muzyką i rycinami (Historical songs with music and engravings, 1816) by Julian Ursyn Niemcewicz (1758–1841), which preceded the Czech manuscripts, and the edition of Ruska prawda (Russian Truth, 1820, 1822) by the historian of Slavonic law Ignacy Benedykt Rakowiecki, which in opposition to Josef Dobrovský appreciated the pagan realia in the Zelená Hora manuscript and so had an effect on its Czech reception. In the dynamically transforming Czech and Polish literature of the 1810s, this study identifies a number of common elements based on the case of the manuscripts and Śpiewy historyczne, but it also characterizes the differing cultural and social backgrounds behind the basic differences between the manuscripts and Śpiewy. The Czech manuscripts, created in the tradition of European Ossianism, are highlighted by the study primarily as a unique linguistic and literary achievement in the reconstruction of Czech poetic language in the latter half of the 1810s.
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