National Repository of Grey Literature 25 records found  beginprevious16 - 25  jump to record: Search took 0.01 seconds. 
Spiritual songs in Kindergartens
Drahokoupilová, Lucie ; Kmentová, Milena (advisor) ; Kodejška, Miloš (referee)
v angličtině This bachelor's thesis characterizes the availability of spiritual music for preschool/kindergarten-aged children. It maps out the resources and useage of spiritual music in the musical arts and catachetical fields in various kindergartens in the Czech Republic.
Ordinarium by Karel Briza and Mistake in Interpretation in Prague's Churches
Churáčková, Alžběta ; Stříteská, Leona (advisor) ; Valášek, Marek (referee)
The main topic of the bachelor thesis is the analysis of Ordinarium by Karel Bříza. The part about life and work of Karel Bříza is followed by short historical-theological explanation of texts from Ordinarium Missae. The study itself consists of music component analysis. Final chapter deals with recordings of Bříza's Ordinarium from churches in Prague. The mail goal is to describe common mistakes which are frequently repeated, find out whether the organists follow prescribed accompaniment and to evaluate quality of music in Prague's churches.
Music on the Choir Loft of the Church of Advancement of St. Cross in the Town Starý Rožmitál
Křivková, Ludmila ; Stříteská, Leona (advisor) ; Nedělka, Michal (referee)
Church music has always been important in particular periods of the development of music, in some of them even determining. The point of this bachelor thesis named Music on the choir loft at the Church of the Advancement of Saint Cross in Starý Rožmitál is to analyze music from the oldest surviving pieces of information until nowadays. The church is dated back to the first third of the 13th century but until the 18th century the information is very fragmentary. However, we can come to a conclusion that the musical development proceeded in similar way as in the other churches because for example the hymnbook "The heavenly nightingale on the branch of life singing praise to his Creator" remained well preserved in two exemplars. In the parish chronicles there are also old records of property, which - besides other things - mention the instrumental equipment of the choir loft. Around 1750, Antonín Platnýř let here constructed the organ that had been damaged twice by the fire; after the fire in 1933, its disposition was changed from baroque to romantic. However, the last reconstruction gave it back the original appearance and registers and brought new precious information, above others the name of well-known organist Martin Paleček. In the middle of the 18th century the teacher Ondřej Poddaný was working...
"Czech Marian Music" by Adam Václav Michna z Otradovic
Churáčková, Alžběta ; Saláková, Magdalena (advisor) ; Bělohlávková, Petra (referee)
The bachelor thesis deals with Michna's songbook Czech Marian Music from 1647. The main goal of the thesis is to describe Michna's life and work in the context of the creation of his first songbook. The insight into the musical structure of Czech Marian music will be completed with literary and language part. The literary analysis should not be overlooked, considering the fact that Adam Václav Michna z Otradovic was not only a musician but above all an excellent poet.
The Lamentations of Prophet Jeremiah for Basse from Jan Dismas Zelenka
Nosek, Jaromír ; JANÁL, Roman (advisor) ; BÁRTA, Martin (referee)
This Bachelors Thesis The Lamentations of Prophet Jeremiah for Basse from Jan Dismas Zelenka processes an elaborate interpretative analysis of chosen audio recordings. It is concerning at searching differences as well as common characterics of these interpretations and consider its´reasons.This study is supplemented by information about recording factors and Zelenkas´ opus formation circumstances.Thesis mediates an insight into the life of Jan Dismas Zelenka and a historical context as well.It shall bring not only a complex material for deeper understanding to the Lamentations and the composer Zelenka, but also an inspiration and reflection about general principles of interpretation - vocal as well as musical.
A Performer´s perspective on the work of František Fiala (1966)
Laubová, Lucie ; HAJÓSSYOVÁ, Magdaléna (advisor) ; KUSNJER, Ivan (referee)
My bachelor´s thesis is about one of the contemporary composers of the Czech Republik - František Fiala. He was given a great talent, which is deeply rooted in his whole family. I have an opportunity to cooperate with him and perform his reces on numerus occasions. I studied some of his other work and I became interested in his compositional style so much that I decided to do further analysis. In my work I would like to present not only his creation but also his personality.
Sacred tunes and their elaboration in harpsichord literatury
Konečná, Kristýna ; MRÁZKOVÁ, Giedre (advisor) ; SPURNÝ, Vojtěch (referee)
The theme of the thesis is sacred motives and their alaboration in harpsichord literatury. The thesis has two main thematic parts: Sacred motives catolical and protestants. There is individual capitol about Petr Eben and his Sonate for harpsichord.
Marian texts in the baroque sacred music for soprano solo
Rosypalová, Jitka ; PŘÍVRATSKÁ, Jiřina (advisor) ; VOTAVOVÁ, Yvona (referee)
This work deals with Marian texts in relation to their use in baroque sacred music. It focuses on music for solo soprano. First introduced baroque music and its relationship to sacred values. The following is a deeper excursion into Mariology - the position of the Virgin Mary in the Church, Marian feast days, expressions of devotion. The last chapter is devoted to each Marian texts that were often set to music. Each includes data on the occurrence, origin and content. They are listed here important Baroque composers who have specific text set to music, and whose works are also occupied by a solo soprano. Each subsection is an introduction to the text marked accents and official liturgical translation.
Theology of music
NOSKOVÁ, Blanka
This thesis deals with relationship of music and theology. It stems from history of development of the philosophic judgement on the notion of ?musica? in antiquity as well as from the contemporary conceptions and definitions of music. Subsequently it proceeds to the presentation of selected writings of both historical and contemporary theologists? dealing with the subject of the art of music. Based on their analysis this thesis comes to the conclusion that a relationship between theology and music indeed exists and their dialog mutually enriches both of these disciplines. Music transcends the limited capabilities of speech and with its own instruments it speaks about the infinite God. This central thought at which the thesis arrives, is concretely documented in musical activities and pieces of work by selected composers of classical music.

National Repository of Grey Literature : 25 records found   beginprevious16 - 25  jump to record:
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