|
|
Textual interpretation of the Song of Roland
Kolářová, Monika ; Jančík, Jiří (advisor) ; Kalfiřtová, Eva (referee)
This MA thesis deals with the text analysis of the Song of Roland. The text analysis focuses in detail on the formal, content, narrative and symbolic aspects of the Song of Roland. All those features are in the context of the literary and historical frame. The Song of Roland is one of the oldest literary pieces of French literature. It is the most famous heroic song belonging to the "Chanson de geste" and it was created in the 11th century. The main characters of the heroic poem are Charles the great, his nephew Roland, loyal friend Olivier, traitor Galeon and pagan king Marsil. The Song of Roland explores not only the family and friend relations, but the important topics are also betrayal and desire for fortune and glory. The Song deals with the matter of faith being asserted in the way which is typical for the middle ages. The story, which takes part in Spain, where the French have been besieging the pagan fort of Zaragoza for seven years, is very interesting from the historical aspects, but were more interested in the narrative - textual aspects, in which we tried to explore the relationships between the narrators. We focused on individual speeches, who speaks to whom and in which way. We asked ourselves three questions, which we have gradually answered. For the need of an analysis of individual speech...
|
|
|
Interpretation of the Folk Religiosity: From Enlightened "Superstition" to Postmodern "Spirituality"
Veith, Daniel ; Šalanda, Bohuslav (advisor) ; Pargač, Jan (referee)
This work represents various approaches to the phenomenon of folk religiosity, both from the perspective of ethnology and related humanities as well. Folk religiosity is here understood within the meaning of folk version of official religious ideas. Ever since the time of the Reformation in the 16th century, there were efforts to make a discipline out of the folk religiosity. Then the Age of Enlightenment contributed to the process of "disenchantment of the world" (Max Weber). Results of these processes are illustrated, among other things, in the example of handwritten prayer books and the phenomenon of folk chronicleship. The Enlightenment condemnation of folk "superstitions" in the name of racionality is put into context of postmodern interest in the so-called "Celtic Spirituality". Contemporary Celtic Spirituality is a specific spiritual power, which refers to numerous elements from traditional folk religiosity circuit. The analysis of the second life of folk religiosity shows to the creative reinterpretation, which emphasizes the perception of the world as the creation.
|
|
|
Latin Hagiography of Early Middle-Ages as a Source for Christianisation of the Central Europe
Izdný, Jakub ; Drška, Václav (advisor) ; Suchánek, Drahomír (referee)
of the paper The goal of the submitted work is to compare extensively the first hagiographical concerning the process of Christianization in the Central Europe. By paralleling these texts across the national rounds and comparing their image with the current state of the historical research the author tries to understand the role of legend in the Christianization and in particular their possible use as a source for this period. The hagiographical image of paganism, the baptism of the state units, of the ruler and the usual way of the institutional spread of the faith with regard to the image of the lower social classes in the process are all examined in the thesis. Further, attention is paid to the coherence of the Central-European area observable in the typology and the content of examined hagiography.
|
|
|
Celtic Christian Spirituality in the Time of Early Middle Age
LEBAROVÁ, Dorotea
This work deals with Christian tradition in Ireland and northwest Scotland in period from 5th to 12th century. The work is divided into two parts. The first one is an introduction into historical and cultural context. In the second one I used a religious model of Mr. Ninian Smart who distinguishes religion into seven dimensions. That dimensions are doctrinal, mythological, ritual, social, ethic, emotional and artistic. In each of these dimensions I deal with about four topics which are typical for Celtic {--} Christian tradition and on them I illustrate the uniqueness of that tradition. That uniqueness is in high ability for enculturation of Christianity together with ability for new innovative approaches. Some of these new approaches are introduction of new penitential practice, phenomenon of pilgrimage or interconnectedness of monasticism with apostolate.
|
guest ::
