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The Toulouse-Lautrec Museum in Albi
Fučíková, Lucie ; Müllerová, Eva (advisor) ; Kalfiřtová, Eva (referee)
This bachelor's thesis aims to find a connection between the fate of painter Henri de Toulouse- Lautrec and the exhibited artworks at the Toulouse-Lautrec Museum. It also endeavours to remind the artistic legacy of this French modernist. The thesis is divided into two main parts. In the first part, the life of the painter is mentioned in detail. The second part is dedicated to the Toulouse-Lautrec Museum. Here, the author also used her knowledge from the personal visit of the museum in the process of making. This part is chronologically and thematically arranged in accordance with the exposition. Toulouse-Lautrec's key artworks from each life period are successively described. The emphasis is put on searching for possible analogies between the painter's personal and artistic life. KEYWORDS Henri de Toulouse-Lautrec, the Toulouse-Lautrec Museum, French painting, Impressionism, Post-impressionism, Montmartre, Albi
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Perception of female nudity in the second half of the 19th century in the context of French art
Bažantová, Jitka ; Půtová, Barbora (advisor) ; Soukup, Václav (referee)
The subject of this thesis is to analyze the perception of a naked female body in French society of the 2nd half of the 19th century. The work focuses on discovering, highlighting and interpreting the theme of female nudity in artistic works of this period, which provoked strong reactions and influenced contemporary culture. The first part is consecrated to the position of women in the 2nd half of the 19th century society on historical, social and cultural backgrounds and its changes in the ambience of the first wave of the women's movement. The attention is brought to some significant representatives of early feminism and to the goals and innovations these personalities were aiming to achieve. The second part of the thesis describes and analyzes selected works of art on the theme of female nudity. First, it deals with the works of academic painters who were the bearers of traditional artistic ideals and academic rules for displaying naked female body. Their artistic production is nowadays somewhat underestimated. In art history, however, it plays an important role. Therefore, the value of their work for the study of the perception of a naked female body is not omitted. The interest then turns to the Impressionism, the outstanding 2nd half of the 19th century art movement. In the center of...
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Commented translation: Les Impressionnistes (Anne Distel, Nathan/Réunion des Musées nationaux, Paris 1988, pp. 3-47)
Ullrichová, Eva ; Belisová, Šárka (advisor) ; Šotolová, Jovanka (referee)
This bachelor thesis consists of the Czech translation of a part of the first chapter (Judaism: The Journey of the Soul) from a book edited by Steven Rosen Ultimate Journey: Death and Dying in the World's Major Religions and a commentary on the translation. The commentary comprises an analysis of the source text (using an adapted form of Ch. Nord's pattern), a concept of translation method, a detailed description of translation problems and their solutions and a typology of translation shifts. Keywords translation, translation analysis, translation problem, translation shift, impressionism, impressionists, art
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Aesthetics of Virginia Woolf
Bláhová, Šárka ; Ševčík, Miloš (advisor) ; Kaplický, Martin (referee)
This thesis is dealing with characteristics of Virginia Woolf's aesthetic views which progresses according to the then aesthetic teories. It introduces significant differences between the Victorian and the following Modern period which influenced all areas of human activities. The thesis discusses step by step development of human thinking and its reflexions into production and experience of art. Besides that, the thesis analyses art activities of Bloomsbury group, its philosophy and aesthetics. It includes main aesthetic thoughts of Mr. Roger Frye and Mr. Clive Bell who were part of the group and created its aesthetic views. Finaly we will focus on Virginia Woolf and her aesthetic opinions which were influenced by Mr. Roger Frye's aesthetic views. Powered by TCPDF (www.tcpdf.org)
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Stories by Guy de Maupassant in Czech translation
Mundevová, Lenka ; Belisová, Šárka (advisor) ; Šotolová, Jovanka (referee)
In its first part, the thesis deals with Guy de Maupassant's life, the importance of short stories in his work, their reception in the French and Czech literary milieu as well as their uniqueness in the context of the literary movements of the 19th century. As a part of the thesis, an overview of the Czech translations of Guy de Maupassant's short stories is included. A separate chapter is devoted to their reception in the Czech literary context. The second empirical part focuses on the comparative critical analysis of the inital texts and their translations. The translations were chosen so that they could represent different generations of Czech translators (1902 - Pavel Projsa, 1960's - Luděk Kárl and Břetislav Štorm, 1990's - Dana Melanová). Here, the thesis deals with the skills of the translators to express the stylistic concisseness of Maupassant as well as the different stylistic levels of the original text (pathos and poetic language on one hand and informality on the other). In the conclusion, a final critical evaluation of the translations is given.
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