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Revitalization Program of Floral Garden in Kromeriz
Guzdek, Adam ; Šupler, Libor (referee) ; Jura, Pavel (advisor)
Today's entrance through honorable courtyard is so representative that there's no sense of replacing it by a new one anywhere else. The entrance object has a triangular tympanum including Maxmilian Josef's gold signature and coat of arms. It looks like noble city palace of that period. Sense of the first floor, so called piano nobile, is slightly recognizing on a facade. It's the floor with a larger high that's intended for representation. Therefore I decided to use the historical object fully and all the visitors' equipment, exhibition and lecture spaces are placed right here. New-buildings in the garden are minimized that way. I conceived both of the resolving gardens very sparingly. The reason is their historical essence. Always they were only related to the formal part of the Flower garden. Premises used for any purpose (breeding of rare birds, resource for rabbit hill, growing tulips and oranges). Květnice with the cut lane walls to allow the visitor facilities and provide some exciting long-distance views Converging walls, disorientation in space, entertainment in the bowling alley, in the maze. These elements should remain a formal part of the garden today. They should be isolated and without competition. I design gardens with order, as well as the designed Libosad itself.
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Revitalization Program of Floral Garden in Kromeriz
Dvořáková, Terezie ; Herzán, Radovan (referee) ; Ruller, Ivan (advisor)
After studying the historic concept of the garden I began to thik about the urban conception of the current entrance. I thought about the renewal of the original entrance through the colonade directly on the axis of the rotunda. This entrance is nowdays impossible to restore because of the contiguous road which doesn’t permit to create a new entrance space for the new visitors center. Another reason is that th garden is today a part of the city organism and its direct connection to the city center is from the east side where the current entrance from the half of the 19th century lies. I tried to find a different possibility of the entrance so it would go with the baroque symetric conception of the garden and also it would have a connection to the city center. There should be also enough space for building a new visitors center. All these conditions are included in the new entrance which is placed directly to the axis of the rotunda from the east side of the city center. To this side is also orientated the porticus of the rotunda from the break of the 19th and 20th century.
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