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Around Everything I've Got
Moštěk, Richard ; Chomová, Juliána (referee) ; Vaněk, Vojtěch (advisor)
The central motif of my bachelor's thesis is the expansion of a fictitious universe with the help of displacement the boundary of the perception of the object as an image when entering the space. I'm trying to find an edge the perception of the image as a documentation of fictional stories on canvas, versus an artefact in spite identical use of material and technical process. I am exploring the limits of the canvas stretched on the frame and approaches to "multispectality" through which the work can track. The stylization of the painting is influenced by the aesthetics of the first digital feature films animated films and video games from the 1990s and 2000s. The default connecting point for the individual works are a relationship between a wooden frame, cotton canvas and oil paint. Imaginary point zero. The timeless narrative mirrors the significant features and patterns of human action society, including my inevitably subjective point of view. The aim of the bachelor thesis is to create a set of oil paintings with exaggeration reflecting civilization's reluctance to mature to the long term sustainability. The final output of my project is an installation of paintings/creating objects the scene for the viewer himself – the third person.
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Sound of a low whisper
Krutsche, Karin ; Mladějovský, Josef (referee) ; Štindlová, Marie (advisor)
This bachelor's thesis examines the intersection of Christian themes with everyday life and draws inspiration directly from the Bible. The author focuses on her subjective interpretation of faith and reflects on the unexpected ways in which God's presence can manifest itself. Through her artwork, she visually depicts these themes, emphasizing the symbolism of light as a representation of God's transcendence.
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Shapes of Growth
Gehringerová, Bára ; Těthalová, Gabriela (referee) ; Štindlová, Marie (advisor)
The author has been working on the motif of the plant in her work for a long time. She uses them as a metaphor, inspiration and a means to contemplate natural, social and psychological systems. In her bachelor's project she will develop this theme, continuing to explore the similarities between the plant and the human, both formally, in the construction of bodies, and above all in the way each entity exists, for example, in the possibilities of coping with external stresses and supportive influences, in the process of growth and development. The exploration of the plant world is a means of contemplating the human one and their interrelation. Plants thus also become a projection screen, a character narrating the social dynamics of human communities and the psychological processes of the author herself and human beings in general. The aim of the bachelor's work is to create a coherent series of paintings dealing with the theme of human experience through the symbol of the plant.
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Wonder&Wander
Porubský, Aleš ; Zapletal,, Aleš (referee) ; Mikyta, Svätopluk (advisor)
In the Bachelor's thesis entitled Wonder&Wander I loosely follow up on my previous work, in which I work with the themes of alterego, escapism, self-mythologization and . The work deals with an imaginative world in which I work with characters who are heroes and guides at the same time. Wonder&Wander follows heroes and guides in various situations, environments and moods, which are a reflection of my reality and personal experiences. The paintings of this cycle are thematically about fleetingness, melancholy, abandonment, searching, wandering, feeling the world and inner changes. An important theme of this series is the motif of the journey, which has multiple meanings for me: the journey as a solution to problems, the journey as a search, the journey as a preparation, the journey as an environment for changes... The work Wonder&Wander is divided into two parts in order to create a certain duality of reading of the themes, which are present in the motifs of the images. In the first part, I focused on the landscape and the motif of the journey as such, while in the second part, which consists of portraits, I try to amplify the sense of urgency of the mentioned themes.
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Landscape of Memories
Gorbušinová, Anna ; Gajdošíková, Pavla (advisor) ; Tsikoliya, Lenka (referee)
The bachelor thesis deals with the theme of home and landscape painting from the perspective of the perception of childhood memories. In the theoretical part, concepts such as identity, emotional relationship to place and genius loci are analysed with reference to the important theorists Christian Norberg-Schulz and Geston Bachelard. The theoretical part of the thesis also examines the development of landscape painting and elaborates on the period from the 19th to the 20th century, when artists began to explore the depiction of feelings and inner emotions. In this part of the thesis, the author's grasp of the theme of her childhood home and its influence on her contemporary work. The practical part forms the focus of the bachelor's thesis - it is devoted to a painting cycle of nostalgic landscapes of childhood memories. It represents her own search for an artistic language and the testing of artistic techniques. It mentions both foreign and Czech painters whose themes and artistic language served as inspiration. The result is a set of paintings Landscapes of Memories, reflection on its creation and artistic treatment. In the didactic part, the author describes landscape painting in the school environment and the development of the perception of landscape through different age categories. In the...
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Card players as a theme in visual arts
HROMÁDKOVÁ, Lenka
The bachelor thesis is theoretical and practical form. Subject of interest is art group Osma and theirs art work from years 1907-1909 with theme of card players. First chapter introduces the reader with the group Osma, focusing on the common theme of card players. This part is also based on the socio-historical context of time, in which the group produced their works. Reader is introduced with problematics of communication of the group and its surroundings. Second chapter presents informations of each individual member of the group. Thesis is then focused on analysis of works in terms of visual side and also technological side. The theoretical part includes extensive visual attachment. The practical art part processes knowledge from the theoretical part and reflects the works of the Osma group with the subject of card players. The results are studies and final drawings on a paper pad. The entire process of creation is captured by photographic documentation.
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Shades
Králová, Balbína ; Kovář, Petr (referee) ; Fexová, Patricie (advisor)
The result of my thesis is a set of paintings in dry pastel on canvas. Through the deliberate deformation of figures, which I use as a means of artistic expression, I try to capture the fragile nature of human existence, characterized by instability and transience. The subjects of the resulting paintings are portraits that depict my sisters and me.
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Who Finds a Painter Finds a Treasure
Dvořák, Jakub ; Klyuykov, Alexey (referee) ; Štindlová, Marie (advisor)
The diploma thesis represents the authorial collaboration between two painters - Jakub Dvořák and Michaela Nováková. Programmatically, they dedicate themselves to jointly painting individual paintings, while the result is based on several levels: the visual content itself, in which the painting handwritings of both authors intertwine, an invisible but no less essential process of constant mutual communication, even for the viewer, seeking a common consensus during the creation process - from the very choice of the subject to the division of the painting areas. The paintings created together thematically depict scenes from the (sub)urban landscape of a small town in Vysočina, which is related to the fact that both authors live in this area. From a technical point of view, it will be oil paintings in various formats. The goal is to create a cycle of oil paintings made by the author pair. In addition to the theme of collaboration, which will permeate every painting, the unifying theme of the selected subjects is no less important - the goal is therefore not only the form created by the intermingling of handwritings both painters, but also the content.
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Substances
Zadražilová, Lenka ; Písaříková, Jana (referee) ; Fexová, Patricie (advisor)
The thesis is part of a long-term project in which I focus on dust. The scope of this material is, however, narrowed down and the thesis comes to a point where the focus is on only one kind of dusty substance – wood dust, sawdust, or wood in general. The series of paintings with the motif of wood, which is applied with sawdust on wooden boards, does not only thematize a certain form of dust, but also a certain linguistic category and experience with wood, or the experience of working with it, developed since the time of my childhood because of living in a carpenter's family. The thesis contains a combination of painterly and conceptual starting points, drawing on and benefiting from the experience of earlier artwork on a dust project.
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Mental alchemy
Nováková, Bára ; Vaňous,, Petr (referee) ; Mikyta, Svätopluk (advisor)
The thesis consists of several approaches to the process of visual image creation itself. The approaches vary based on four different experiences, with lived reality. Each of the four stages has its own rules for approaching the image. Each approach includes a different treatment of formats and techniques. Overall, the thesis includes the following media: oil painting on canvas, pencil, crayon, charcoal and pastel drawing on paper, and printmaking (drypoint) on paper. The formats range from approximately 15 × 21 cm to 250 × 200 cm. The main aim of the thesis is to show the different approaches and energies that lead to different starting points for the creation of a visual image. The thesis is therefore a personal search and a detective investigation into what the ideal image should be. What form should the image take? What energy should be brought into the image? What exactly are we mirroring in the image?
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