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Temporal acpects of existential problematic
Šímová, Olga ; Bláha, Jaroslav (advisor) ; Jakubcová Hajdušková, Lucie (referee)
Main topic of the work is a temporality in visual art of 20.century and its existential meanings. The analysis is concentrated of selected art works created in drawing and painting. Works of art are studied with premise that its marked temporality is related to its existential substances and authors questioning of sense of live. The text also reflects on temporality in relation to psychical habit of author and search for mental balance in creative art procces. Work leads to knowledge that marked temporality of the art is often in relation to crisis of authors identity. Text also reflects on relation to identity and time of live in society and in art influenced religion and power ideologies. There are group of didactic themes of education trough visual art and introduce to my own work of art in part of text.
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The corporality and landscape phenomenon in the mutual relation-ship
Černá, Johana ; Bláha, Jaroslav (advisor) ; Jakubcová Hajdušková, Lucie (referee)
There are six chapters in the theoretical part of my diploma work. In these chapters I treat the corporality and landscape phenomenon in the perspective of philosophy, visual arts and the environment. I focus on the relationship of human being to landscape and its influence on the natural processes and the continuity in the feedback from landscape to human being. In the following I try to make the parallel comparison and synthesis of these two seemingly different topics and try to analyze these notions from many different angles. I offer critical comment on two most significant "representatives" of the corporality and landscape problems - land-art and body-art - and try to provide other solutions and connections. The educational part of my work was named The Project "The Way". It gives a suggestion of the educational application of my topic and reflects practically proved part of my project. The Project is mainly focused on the restoration or searching for the relation to the place, which has formative meaning to a child. The very last, graphic part, that was called "The Place", reflects the evolution of my theoretical and art contemplations from the corporality and landscape phenomenon towards the final artwork.
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