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Reflextion of technologies of electroacoustic music in vocal and instrumental music
Lukeš, Jiří ; RATAJ, Michal (advisor) ; BARTOŇ, Hanuš (referee)
The present text of the thesis discuss the technology and its impact on the composer's compositional work . Current music scene we called artificial music in principle pervades the world of acoustic sound to the world of electroacoustic sound, which is a major field of researches of art music for several decades.
Continuous development and improvement of the technologies in the context of better accessibility in practice means increasing infiltration of technology solutions to the triangle composer - performer - listener . The main focus of the text consists of analytical probes into the current technological solutions and their subsequent contribution to the work of the composer. Technology can play a role of analyse, interpretation, and indirectly also compositional realisation. The knowledge gained in electroacoustic techniques then embedded in the context of acoustic compositional techniques , resulting in many times possibilities for classification of sound through different optics. An important role for the sound still plays a space. The work deals with the meaning of the word space both in terms of architectural design , and the view of possibility to create virtual space. The penultimate chapter gives the reader an insight into the field of generative music through the project Mysticism fragrance. Final text summarization aims primarily to identify and map out possible solutions for composing in the context of the technologies which we can use today .
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The Merging of contemporary classical Music nad Jazz in the selected Examples
Sýkora, Tomáš ; FILAS, Juraj (advisor) ; BARTOŇ, Hanuš (referee)
Merging of classical music and jazz is an integral part of the history of the 20th century music. Both genres had a significant influence on composers of the past and have also significantly influenced contemporary composers. Within this process the terms like third stream, crossover and fusion arose. The aim of this paper is to demonstrate different approaches of work where the merging of contemporary classical music and jazz is obvious and also to bring in the own compositional approach inspired by this topic.
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Introduction to rhythm System of indian classical Music
Reindl, Tomáš ; BARTOŇ, Hanuš (advisor) ; HOŘÍNKA, Slavomír (referee)
This work is focused on explanation of principles, concepts and forms of rhythm system of indian classical music. On this topic there haven´t been written any other autonomous work in czech language before. The work itself is divided into two parts concentrated separatelly on north-indian (hindustani) and south-indian (canatic) system. Both of them are born from same roots but there are remarkable differences too. For both of these traditions there is explanation of different rhytmical forms and their analysis, indian rhythm cycles (tála), their counting systems and its practical usage. For India there is typical way of recitation of rhythms using special sylables (bol). For their comprehension there is necessary to explain basics of indian tabla playing and its traditional repertoir. Autor himself was long term devoted to this musical system which he studied deeply with indian masters. As a tabla player he is playing this music regularly and as composer he is often inspired by these sophisticated rhythm principles
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Vibraphone
Kasal, Jan ; MAZOUROVÁ, Markéta (advisor) ; BARTOŇ, Hanuš (referee)
Particular chapters summarize dividing of idiofons. I wrote about a history
of vibraphone, its very beginnings and I continued with the description of
vibraphone as a musical instrument. The aim of my bachelor thesis is to find
manufacturers of vibraphones all over the world, to list various ways of playing
the instruments, types of drumstick and ways how to hold and use them. I tried
to make a list of the most important and famous vibraphone performers from the
very past until the present, both of the Czech Republic and abroad.
The last chapter describes vibraphone compositions of various pieces of
music. I got a lot of useful information from my melodic instrument lectorers,
especially from vibraphone specialists, performers and students while working on
my thesis. Hopefully vibraphone and other drum instruments which are not
generally known and respected in the Czech Republic soon will be appreciated as
in other countries.
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Music in Czech feature film
Dušek, Jan ; BARTOŇ, Hanuš (advisor) ; FILAS, Juraj (referee)
Doctoral thesis Music in Czech feature film (Composing principles of Czech film music composers) is focused on analysis of composing principles in relation to visual part of the movie. Introducing chapter is analyses of beginning of associative film music convention (the music in close relation to visual part) in Czech silent and especially early sound film. The second, the most extensive chapter analyzes selected examples of composing principles of composers in relation to functions of film music which it fulfills.
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Open Compositional Creation. Unbounded Possibilities of Inspiration with the Help of Computer
Kadeřábek, Jiří ; BARTOŇ, Hanuš (advisor) ; LOUDOVÁ, Ivana (referee)
In the present paper, the author shares his experience in the field of compositional creation which integrates a whole range of stylistic and genre material, as well as essentially non-musical material. The topic of the so called open compositional creation is restricted by the use of computer within the compositional process and/or at the performance of the piece. The author´s creative starting points and experience are supported by an outline of the historical and cultural context, a short characteristic of computer technologies and specific examples from the author´s own work as well as the work of other composers.
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Kazakh national wind instruments and their utilization in music of Kazakh composers
Aitbayeva, Nargiza ; Filas, Juraj (advisor) ; Bartoň, Hanuš (referee) ; Matoušek, Vlastislav (referee)
The problem of Kazakh national wind instrument has interested me for a very long time. They reached their progress in 19 cent. Therefore in that time there was a lot of music schools founded there. The ancient tradition of playing wind instruments and their classes had become professional. But in use this section was not able to perform as solo instruments in Kazach folklor instrument orchestra. They have supported and accompanied other groups of instruments. Their structure and their devices of play were interesting for me, too. It?s really difficult to find any instruments like these, which can make more than two tones in one time. It explains the role of this instrument group as completion instruments in an orchestra. As a result they can create whole accord and make required harmony.
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Piano as an intermediate of contemporary composer
Dušek, Jan ; Bartoň, Hanuš (advisor) ; Kučera, Václav (advisor) ; Filas, Juraj (referee) ; Matějů, Zbyněk (referee)
This master´s thesis is deal with a piano and its technical possibilities. The main focus is heeding especially on techniques used in music of 20th century, its possibilities of performance and writing. In this thesis are besides orthodox techniques (playing on the keys) also non-orthodox techniques (prepared piano, playing inside of the instrument). In attachments are photos of playing certain non-orthodox techniques, on the CD its sound result.
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