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Dune: The Language of Literature and the Language of Film
DUFEK, Matyáš
This bachelor's thesis focuses on Frank Herbert's novel Dune and its film adaptations, conducting a comparative analysis of these works and examining the portrayal of characters, events, time, and space within the context of literary and cinematic narratives. The analytical approach is grounded in the fields of narratology and semiotics in literature and film. The primary aim of the thesis is to explore the general differences between the language of literature and the language of film and to address the question of the possibilities and limitations of their translatability. In this manner, the thesis contributes to a deeper understanding of the relationship between a literary work and its film adaptations and engages in a discussion on the significance of media adaptations for the interpretation of literature.
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Steal me your €motion
Rygálová, Monika ; Országhová, MA Kristína (referee) ; Sterec, Pavel (advisor)
The text deals with ways and methods of creating my diploma thesis called Steal me your €motion. The diploma thesis deals with the relationship between machine learning and emotionality. To what extent is artificial intelligence able to undergo emotional relationships and experiences defined by the physicality and experience of the human body. The topic of the work is the creation of a (fictional) inhuman entity that longs to learn from people as many bodily acts as possible that will help it infiltrate the human community. In addition to reflecting the current level of scientific knowledge, I bring an element of fiction and fiction.
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Transparency of voice and light
Hejduk, Adam ; Tomáš,, Svoboda (referee) ; Ambrůz, Jan (advisor)
The diploma thesis entitled Transparency of Voice and Light presents an audiovisual installation, the theme of which is individual reflection of the environment through the creation of fictional stories. In his work, the author also deals with the possibility of overlaps with own previous works and with the creation of a thematic interconnection. The installation links a set of subjective fictional narratives. The installation is scenographic in nature and represents a platform for telling personal statements and ideas.
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My Bachelor's Thesis
Moravanský, Tomáš ; Nadaud, Pierre (referee) ; Ptáček, Jiří (advisor)
Videomeaning is the second of a series of pictorial compositions. They build on linking words and their meanings, each one kreujúcich framework. In the version of the genre are the outputs of the four characters in the same situation in one room, each of which can function as a single unit with an inherent background as well as a sample, cut a kind of fictional universe, which in his work long build. Imagine more storey house on each floor and several rooms. Monochrome spaces throughout the building, where the color and atmosphere determined by light and sound in every room differently. As one of the rooms, the floors, the theme of which is Videomeaning. Room inhabit in this case four characters, each living their own lives. The characters carried by description, white card on which the explanation of their meaning in the simplest form possible. They are the only other inhabitants of the house. On this floor is their meaning, have meaning. Explanation importance. The first plan. Name, origin, function and material. Some character is a separate room, another may be the opposite in greater numbers, and the focus is more on the compositional enjoyment. Indeed, each it is operating on their own, unless in one act with several characters to one meaning. For this moment, I chose the example of the four figures that work in both cases.
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The Space for All of Us
Dobiášová, Dominika ; Poliačková, Martina (referee) ; Štindlová, Marie (advisor)
The diploma work Sanctuary for Each of Them consists of a series of objects and paintings in which I try to capture the mutual necessity and ambiguity of the individual's position in society. I am trying to bring the viewers to a strange, unsettling place where a series of plots and stories take place. Relationships develop between the characters, but also between them and the fictional world in which their stories are set. Motifs and characters from the paintings then transition into anthropomorphic objects - figures depicted in glassware and table bases. In this way, the action shifts directly into the physical space of the gallery and turns into a scenography that can be entered and interacted with on a personal level.
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Formats of Lying
Čepelka, Michal ; Mikuláštík, Milan (referee) ; Klímová, Barbora (advisor)
I perceive the thesis as a result of long-term considerations of forms of lies and manipulation and their importance in today's society. Based on the research of these forms and the environments in which they occur, I try to detect the effect of the lie on both individuals and society. And with the use of multiple media that capture this exploration process.
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Comparison of Vehicle Handling Characteristics
Kalábová, Barbora ; Semela, Marek (referee) ; Vémola, Aleš (advisor)
This thesis deals with the analysis of the car driving characteristics depending on the type of drive wheels. The first chapter defines the basic theoretical cars concept as well as procedures for determining the individual variables needed to identify the driving dynamics of vehicles. The practical part describes the plan and the progress of realized measurements on a selected pattern of vehicles, and the measured values are interpreted. The final part deals with the evaluation of the performed measurements and the data identified within these measurements.
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The Novel as Moment of In-Between. Oikological Considerations on the Where of Belletristic Prose
Vanbrabant, Jonas Kristiaan ; Sepp, Hans Rainer (advisor) ; Nielsen, Cathrin (referee)
The Novel as Moment of In-Between. Oikological Considerations on the Where of Belletristic Prose Jonas Vanbrabant Abstract This master's thesis addresses the phenomenon of belletristic prose from an oikological point of view, on the question of the place of reading and writing. Considering the novel, and in the same breath the novella and the short story, as multiple moments of 'in-between' opens up perspectives beyond the phenomenologically superseded dichotomy of receptionist aesthetics on the one hand and productionist poetics on the other. Drawing on a wide variety of thinkers from the broader field of Husserl's legacy, notably Adorno, Bakhtin, Blumenberg, Derrida, Eco, Henry, IJsseling, Kundera, Levinas, Palmen, Richir, Ricœur, Schapp, Schütz, Sepp and Stein, the in-betweenness of the novel is explored in three chapters. Firstly along the selves of the reader and writer and the characters, showing, with focus on the role of empathy and affective phantasy, that these figures cannot but be configured inside the in-between of the literary work. In the second chapter regarding the problem of fiction, in which, minding the realistic and the imaginative preserved in fiction, the novel is being depicted as woven or weavable fabric, which precisely because of its in-betweenness leads to meaning and sympathy....
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