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The place of Ladislav Klíma on the Czech stage
Kozubíková, Tereza ; Topolová, Barbara (advisor) ; Sarkissian, Alena (referee)
The aim of the thesis is to describe chronologically the history of Ladislav Klima's inscenation in the Czech theaters based on historical reviews, articles, correspondence and diaries. This work deals with the original dramatic texts, as well as with some later dramtized literary works, with the emphasis on seven inscenations from the 1920s to the present day, Matěj Poctivý, Matějovo vidění (Stavovské a Národní divadlo, Studio Ypsilon, Divadlo v Dlouhé), Lidská tragikomedie (HaDivadlo, Stavovské divadlo) and Utrpení knížete Sternenhocha (Divadlo Komedie). The thesis describes the creative process of production of inscenations, their acceptance by the theater supervisors and actors, explores the transformation of the original text in relation to the poetics of the theater, follows different interpretations of directors. Based on the study of sources it also tries to capture their audience feedback and critical reflections. The work includes in the attachment an interview with the director of two Klima's inscenations Arnošt Goldflam and a list of researched inscenations . Powered by TCPDF (www.tcpdf.org)
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Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman)
Jančálková, Petra ; Janoušek, Pavel (advisor) ; Topolová, Barbara (referee)
The thesis Inscenation Principles by director K. H. Hilar in National Theatre from 1921 to 1935 (focusing on cooperation with stage designer Vlastislav Hofman) is about director K. H. Hilar's inscenation principles in position as the boss of National theatre from 1921 to 1935. The aim was to focus on Hilar's work at the National Theatre, as well as its cooperation with the actors, the elements of expressionism and later civilism in his arrangement and last but not least, given his cooperation with the set designer, especially with the architect and artist Hofman. Part of thesis involves a lot of images from Hilar inscenations . Most sources are available in the archives of the National Museum in Terezin, and archives of the National Theatre in Prague. The professional literature is available at the Theatre Institute, also in Prague.
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Performance, management and financing of the Prague State Opera after its merger with the Opera of the National Theatre
Palasová, Tereza ; Riedlbauch, Václav (advisor) ; Boukal, Petr (referee)
The work compares available pieces of information about the management of the National Theatre and the Prague State Opera before and after the merger. The work does not aim to formulate final conclusions about the merger, as this extensive process is only in its early stages of development. The aim is to organize unsorted information about opera sphere in Prague, to analyse results achieved so far, to create a comparison with the previous status, and conclude author's own assessment of the direction of the transformation process. The merger is examined from several perspectives. Firstly, the author surveys the economic results and indicators in the long term horizon and interprets them in terms of the organizations themselves, but also in context of the cultural sector and public finance of the Czech Republic. The author draws information on the economic situation mainly from secondary documents, such as annual reports, management conceptions and also internal documents that were provided to the author by economic department of the National Theatre. In addition to economic impacts, the author also looks at other aspects of the merger, which are more qualitative -- such as dramaturgy or changes concerning employees. The author has received primary information for this purpose through personal interviews with current or former employees. In conclusion, the author presents the intentions of the institutions' leadership, as well as its visions for the near future.
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Otokar Fischer´s Dramatic and Journalistic Works
KERHARTOVÁ, Lucie
This dissertation is centered on the personality of Otokar Fischer and his relationship towards theatre and journalism. Important was his action in National Theatre and therefore one of the chapters is dedicated to it. Also cannot be missed Fischer' s individual dramatic output and his contributions to period journals, thanks to which he actively shares merits of modern culture creation since the first half of the 20th century.
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Czech National Theatre as a symbol of Czech emancipation and national identity
Hybnerová, Tereza ; Rataj, Jan (advisor) ; Vošahlíková, Pavla (referee)
The thesis is focused on the influence of National Theatre on Czech national emancipation and creation of national identity. In the first chapter I analyze general meaning of national theaters in other countries and process of their development. Later I focus on circumstances of the development of Czech National Theatre. The next chapter concentrates on problems of the construction of the theatre and the meaning of decoration. The third chapter shows significant occasions of 20th century, when National Theatre played important role.
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The Spain Plays on the Stages of Prague in the XIXth Century
MLÁDKOVÁ, Eva
My bachelor thesis deals with the productions of the Spanish dramatics on the Prague stages in 19th century. The aim of thesis was creating a list of all productions and describing the success of each play with comparison to others from available materials. Part of the thesis was also the development of summary cards from individual performances.
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The National Theatre as a Sign of National Identity
Kalhotková, Petra ; Chytková, Zuzana (advisor) ; Karlíček, Miroslav (referee)
The aim of this work is to confirm and verify the national identity of a target group in relation to the consumption of cultural goods referring to the particular example of the National theatre. With the help of a qualitative research conducted through semi-structured personal interviews supplemented by elements of graphic projective techniques, this selected target group (young people from 16 to 35 years old) hereby represents a new meaning of patriotism and attitude towards the National theatre. The results are put into context together with the goal of my investigation and the theoretical bases.
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Marketing Mix of Big Theatre Scenes
Hájková, Martina ; Černá, Jitka (advisor) ; Janovský, Michal (referee)
This bachelor thesis is focused on marketing of big theatre scenes, national theatres. The main goal of this thesis is evaluation of marketing mix of selected national theatres from countries with similar historical background and their subsequent comparison. The theoretical part will introduce marketing mix and specifics of theatre marketing. The practical part is focused on concrete marketing mix of Czech National Theatre, Slovak National Theatre and Austrian Burgtheater and their comparison.
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