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Svatojiřská legenda a její odraz v porcelánovém papírmaše
HEJDUSOVÁ, Aneta
The diploma thesis deals with the legend of St. George, deals with its processing in the Renaissance Florence and presents monuments with this motif from Italy and Czech territory. The aim of the diploma thesis is the interconnection of the theoretical and practical part. Inspiration became the ceramic reliefs made by Renaissance artists, in particular the della Robbia family. The work will be supplemented by an unconventional technique of processing porcelain paper with the motive of St. George. The theoretical part discusses the life of St. George, deals with the mission of the saint and tells the legendary story of victory over the dragon. Also included are documents that provide a deeper analysis of the legend of St. John the Baptist, as well as the iconography that discusses the St George's legend from the point of view of Christian beliefs. In the practical part, the theoretical part will be used for the processing of composite material from paper and porcelain with motive of St. George the dragonslayer.
Harpsichord compositions for two players until first half of 18th century
Krupková, Marie ; KNOBLOCHOVÁ, Monika (advisor) ; MRÁZKOVÁ, Giedre (referee)
This thesis focuses on harpsichord repertoire for two players – four hand pieces both on one and two instruments without accompaniment of the other instruments. Thesis includes pieces from 16th century to first half of 18th century. The first chapter deals with the general development of keyboard music forms from Renaissance to Baroque era. It includes only those forms, which appears in repertoire for two players. In the second chapter describes forms, musical style and its development in individual countries in Europe during Renaissance and Baroque. The third chapter gives an analysis of concrete pieces for two players and describes its style and forms. Last chapter is the list of four hand pieces until first half of 18th century. Keywords: two harpsichords, four hands, two players, Renaissance, Baroque
Typology of tomb sculptures in the 16th century
Vrbová, Martina ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
This Bachelor thesis deals with Renaissance tomb sculpture in Czech lands. The thesis first describes types of Renaissance tomb sculptures and mentions symbols and motifs frequently used in that period as well as manners of figures depicted. These findings are summed up using particular examples of the aristocratic sculpture of the House of Lobkowicz and Pernštejn. Each selected tombstone and epitaph is described and set in the context, while attention is also paid to the history of the church where the sculpture is situated and the family buried. At the end, tombstones of the two houses are compared and set in their historical context.
Concept of Female Beauty and Ugliness in Renaissance
Filipová, Terezie ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
"There is no excellent beauty, that hath not some strangeness in the proportion." Francis Bacon Female beauty defines not only physical attractiveness, but also ˗ to a greater extent than male beauty - social status. Ugliness has, on the other hand, been mocked, condemned, and even attributed to diabolical forces. Art bears witness to this. While beauty abides by the laws of proportionality, as is clear from the depictions of Venus, the ugliness of debauched old women attempts to awaken the viewer's moral sense. In this work, aesthetic analysis of selected representative works is set within their cultural, social and religious context. Keywords female, beauty, ugliness, renaissance
Particular latin school near the church of St. James in Kutna Hora in the 16th century
Zbořil, Martin ; Nespěšná Hamsíková, Magdaléna (advisor) ; Jarošová, Markéta (referee)
The theme of my work is particular latin school in Kutna Hora, which is situated near the church of St. James. The earliest mention about Kutna Hora school dates back to the 14th century. During the Hussite wars, there were two fires in the town (1422 and 1424), probably fires hit also the school. The school fell into disrepair for many years. Big construction works at the school took place at the end of 16th century. Benefactors helped a lot with funds, especially one of the richest Kutna Hora businessman, Zikmund Kozel. In the years between 1594 and 1595, the new Renaissance building was built. Charming Renaissance elements can still be seen, for example, on the marble portal from Prague stonemason. Amazing source of this event is a construction diary, which shows the construction of Kutna Hora school, we can find it in the archive of Kutna Hora. Additionally, the constructional historical research is also available. Keywords Particular latin school, The Church of St James, 16. century, Kutna Hora, Renaissance, Renaissance in Bohemia, Architecture, Construction diary, Zikmund Kozel, Renaissance portal, Czech country, Archdeanery
Development of the Window in the history of architecture
HÁVOVÁ, Tereza
Theoretical part of the paper will be devoted to the development of the window as one of indispensable architectonic parts. Historical development of the window, its meaning, changes of shape etc. can be traced from roman style until the beginnings of the modern architecture in the Czech Republic with the reference to important architectonic centers. The biggest emphasis will be placed on the gothic era due to the characteristics of this project. In a practical part of the project a haptic model will be made out a burned clay completed with the collection of sketches. The model will be adjusted for the needs of the blind and should be primarily used for their education. The final project will be placed to the Church of Virgin Mary in Ceske Budejovice, where it will be part of the exposition "Haptic models for the disabled"
Spain of Charles V from The Perspective of Spanish and Foreign Historiography
Samková, Eva ; Čechura, Jaroslav (advisor) ; Doležalová, Eva (referee)
Eva Samková: Španělsko Karla V. pohledem španělské a zahraniční historiografie bakalářské práce Abstract Bachelor thesis "Spain of Charles V in the vision of the Spanish and foreign historiography" focuses on the person and government of Emperor Charles V in Spain in the years 1516- 1556. The aim of the thesis is to compare texts, ideas and theories in the works of historians engaged in European history of the 16th century and the person of the Emperor Charles V. Specifically, the works of the Spanish historian M. F. Álvarez (Biografia de una nacion. Madrid 2010), German historians K. Brandi (Emperor Charles V. The growth and destiny of a man and of a world-empire. London 1968) and F. Seibt (Charles V. Emperor and the Reformation. Prague 1999), Austrian historian F. Heer (European spiritual history. Prague 2000) and international collection of essays, whose editor is H. Soly (Charles V. 1500-1558 and his time. Antverps) 1999). First is introduction to the life and personality of Charles V in the brief biography and a further follow excerpts from each studied books, supplemented by quotations from the original text. Finally, the actual comparison of the aforementioned literature.
FRIEDRICH SCHILLER: „MARY STUART“ – COMPLEX COSTUME RESOLUTION
Fehérová, Barbara ; ZÁBRODSKÁ, Dana (advisor) ; ŠTEFKOVÁ, Kateřina (referee)
The topic of this thesis is the theater play „Mary Stuart“ written by F. Schiller. Theoretical part is divided into four chapters. First chapter briefly describes the life of author and his body of work. The second chapter analyzes his play “Mary Stuart”. The third chapter describes three contemporary theater productions of plays dating to the Renaissance period with focus on costume design. The fourth chapter deals with Renaissance in Europe and clothing of that period. The practical part presents the costume design itself for the play Mary Stuart. An analysis of scenes and figures of the play is carried out and the process and artistic decisions made during the design of costumes is described. The practical part closes off with sketches and pictures of the final costume design.

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