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Annotated translation of the text of the historical documentary: Vitalij Shentalinskij, Raby svobody, Moskva 2009 (selected part - Pulya vmesto tochki. Boris Pilnyak)
Paton, Tereza ; Rubáš, Stanislav (advisor) ; Oganesjanová, Danuše (referee)
The aim of this Master Thesis is to present annotated translation of the text from the historical documentary by trilogy author Vitalij Shentalinskij "Raby Svobody". In the commentary attention was paid not only to problems at various language levels, but also to cultural and the other influences. The theoretical part, which is based on Czech and Slovakian theoretical works of Jiri Levy and Anton Popovic, could also help to facilitate deeper understanding the role of the translator and alternative ways of how the translator can de- duce a solution to particular translation problems. Key words: translation, translation problems, cultural facts, Boris Pilnyak, Soviet Union, repressions
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Chanson as a complex speech act and its translatability
Stehlíková, Aneta ; Jančík, Jiří (advisor) ; Suková Vychopňová, Kateřina (referee)
Title of the thesis: The chanson as a complex speech act and its translatability Keywords: chanson, translation, song lyrics, chansonnier, interpretation, acting, nonverbal communication, Aznavour, Bécaud, Piaf, Hegerová, Gott, Čeřovská, cabaret Abstract: The aim of the thesis is to describe the possibilities and the limits of translatability of chanson with regard to song lyrics and dramatic performance. The main contribution consists in determination of a relation between borrowed chansons and their French originals. The realization of the thesis is based on a research on the field of literary translation and acting on the one hand and on the analysis of song lyrics and dramatic performances on the other hand. The analyses in both cases concern three selected French chansons and Czech versions corresponding to them. The first part of the thesis defines the chanson and explains its historical development in the Czech territory. The theory of literary translation and lyrics translation is presented and applied to the translation of chanson in the second part. The third part deals with possibilities of a dramatic interpretation of chanson on the basis of the theory of acting. The last part brings a double analysis which concerns song lyrics and dramatic interpretation of chosen pairs of chanson.
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Annotated translation of the first and the second chapters of Karel Srp's book "Toyen"
Soloveva, Oxana ; Oganesjanová, Danuše (advisor) ; Molchan, Maria (referee)
This bachelor thesis consists of two parts. The first part is a translation of selected chapters from the book Toyen written by Karel Srp. The second part represents a commentary of the translation. The commentary is divided into the following sections: translation analysis of the source text, translation method, typology of translation problems and translation shifts. Key words: translation, translation analysis, translation method, translation problem, translation shift, surrealism, art
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Annotated Translation: Culturnosť, Hygiene and Gender: Sovetization of "Motherhood" in Russia in the 1920-s-1930s (Ioulia Gradskova, Moscow 2007, p. 242-258)
Čarnoká Kreuzová, Michaela ; Rubáš, Stanislav (advisor) ; Csiriková, Marie (referee)
The bachelor thesis has two parts. The first part is a translation of the essay Culturnosť, Hygiene and Gender: Sovetization of "Motherhood" in Russia in the 1920s-1930s by Ioulia Gradskova. The second part is an expert commentary on the translation, which has five parts: analysis of the source text, approach to translation, method of translation, problems of translation and typology of translation shifts.
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Two Czech translations of The Lusiads by Camoes
Havlovcová, Zuzana ; Housková, Anna (advisor) ; Grauová, Šárka (referee)
In this diploma work there are examined two existing Czech translations of Portuguese Renaissance epic The Lusiads (Os Lusíadas), written by poet Luís Vaz de Camoes, published in 1572 for the first time. It is a heroic poem written in ten-syllables strophes with rhyme AB AB CC. The first translator was poet Jaroslav Vrchlický, who published it in 1902. For the second time ( in 1956)the work was translated by poet Kamil Bednář and Zdeněk Hampl, the Czech founder of Portuguese language studies.
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Annotated Translation: Rhythmic Patterns in Language in E.O.Selkirk: Phonology and Syntax: The Relation between Sound and Structure. MIT Press, Massachusetts, London, 1984; pp. 36-71
Damová, Nina ; Kalivodová, Eva (advisor) ; Mraček, David (referee)
3 Klí ová slova esky: p eklad, analýza textu, p ekladatelské problémy, p ekladatelské posuny, rytmické vzorce, metrická m ížka, Princip rytmického st ídání Klí ová slova anglicky: translation, translation problems, text analysis, translation shifts, rhythmic patterns, metrical grid, Principle of Rhythmic Alternation Abstrakt esky: P edm tem této bakalá ské práce je vyhotovit komentovaný p eklad ásti kapitoly The Rhythmic Patterns in Language, vydané v knize americké foneti ky Elisabeth Selkirkové Phonology and Syntax: The Relationship Between Sound and Structure, poprvé vydané v roce 1984. Jde o text odborného charakteru pojednávající o rytmických vzorcích v angli tin a možném zp sobu jejich zápisu, tzv. metrické m ížce. Komentá k p ekladu obsahuje p ekladatelskou analýzu výchozího textu podle Christiany Nordové, typologii p ekladatelských problém a strategie jejich ešení a kategorizaci p ekladatelských posun spolu s vysv tlením, pro k daným posun m došlo. Abstrakt anglicky: The object of this bachelor thesis is to write a commented translation of a part of the chapter The Rhythmic Patterns in Language, published in Phonology and Syntax: The Relationship Between Sound and Structure, a book by the American phonetician Elisabeth Selkirk published in 1984. It is a text of a scientific prose on rhythmic...
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