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Typology of Renaissance portico of royal works around mid - 16th century in Bohemia. Kostelec nad Cernymi lesy, Podebrady, Brandys nad Labem
Čermáková, Lucie ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
Renaissance arcades typology of royal architectural works in Bohemia around 1550 A.D. Kostelec nad Černými Lesy, Poděbrady, Brandýs nad Labem. Chateaux owned by ruler Ferdinand I. and situated outside of Prague served as a hunting residences. The buildings became king's property in the 1540th . Various reasons for rebuilding led to conversion from gothic castles to comfortable renaissance chateaux. Renaissance appearance of chateaux with an emphasis on the form of courtyards and arcade's corridors are the main topic of this thesis. Types of arcades are examined on three selected buildings, chateaux in Brandýs nad Labem, Kostelec nad Černými Lesy and Poděbrady. For entire overview of morphology used in renaissance arcades passages it is important to point out noble mansions in whose courts the arcade's corridors were used as well. This thesis specifically attempts to bring the analogy to the selected buildings in the Czech environment and also in foreign countries. The examples in the treatises and the inspiration for certain types of arcades from Antique to the Renaissance period are also reminded.
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Wohlmut's organ choir in St. Vitus, Wenceslaus and Adalbert cathedral in Prague
Urych, Jan ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
This thesis deals with the architectural appearance of the organ choir loft, located at the. St.Vitus,Wenceslaus and Adalbert cathedral at Prague Castle. It was realized between 1556- 1561 by Boniface Wohlmut's draft. The main target of this thesis is a detailed and formal analysis of the organ choir loft. Secondary target features approach of the organ choir functions and it's position in the context of the specific cathedral space. It also features inclusion of this organ choir to wider construction portfolio connected with the Boniface Wohlmut personality. The organ choir will be presented in overall art and historic context of examined period.
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Presentation of the selected collections of renaissance and baroque paintings in Bohemia and Moravia
Frdlíková, Markéta ; Zlatohlávek, Martin (advisor) ; Jarošová, Markéta (referee)
Presentation of the selected collections of renaissance and baroque paintings in Bohemia and Moravia This Bachelor Thesis refers to the presentation of works of renaissance and baroque paintings in the most important Bohemian and Moravian galleries. The Thesis is especially focused on the permanent exhibitions of the National Gallery in Prague, Moravian Gallery in Brno, Archdiocesan Museum in Olomouc and Kroměříž and the Strahov Gallery and their description, evaluation and comparison. The thesis is also aims attention to the creation of permanent exhibitions and the function of art museums in last fifty years. In the last chapter, the presentations of Czech collections are compared to the foreign permanent exhibition of renaissance and baroque art in The National Gallery in London and in Galleria Degli Ufizzi in Florence.
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Provincial Courts in 16th Century Portrayals in Bohemia
Havlicová, Jindřiška ; Jarošová, Markéta (advisor) ; Doležalová, Eva (referee)
The diploma thesis Provincial Courts in 16th Century Portrayals in Bohemia deals with portrayals of the higher provincial courts sessions in Bohemia in the 16th century as well as with their typology. In this time arose mural paintings, which decorated representative spaces of some residences which belonged to the prominent nobleman families, pictures and graphics which illustrated treatises with law themes. The aim of this thesis is to map these portrayals, compare them and set them into the cultural-historical context.
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Church Kindergarten Management
Jarošová, Markéta ; Trojan, Václav (advisor) ; Voda, Jan (referee)
This bachelor thesis focuses on the management of church kindergarten (CK). It deals with the specifics of the CK and differences due to the municipal kindergarten. The aim is to compare sub-areas of management of CK and municipal kindergartens. Based on this I would like to find out whether there are differences between church kindergarten and municipal kindergartens management. The work should expand the awareness of professionals and managers and to facilitate the orientation of the church kindergarten, especially for beginners. Legislation looks at religious schools like private schools, but it is a separate category. In the practical part completion of a questionnaire and guided interview was chosen as the research method. The research focuses on the differences in the areas of local church nursery and municipal kindergarten management. Another endpoint is the view of managers on the church kindergarten. Since these differences are mainly legislative this is rather supplement to the theoretical part, where differences and specific have already been revealed.
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Reception of Italian Renaissance forms of architecture in Bohemia
Volfová, Kateřina ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The Bachelor's thesis deals with reception of Italian Renaissance forms of architecture in Czech. The base of this thesis consist in studying architectural theories. The first part of this thesis is focused on theories by Roman architect Vitruvius and theories by Renaissance architect Leon Battista Alberti. In his work Alberti used the principles of Vitruvius but he updated it. This thesis also includes descriptions of Florentine buildings which follow the principles and were projected by Alberti. The major part of this thesis is dedicated to beginnings and acceptation the Italian Renaissance forms of architecture in Central Europe. Trough Hungarian royal court these forms came to Czech and at the beginnings were applied as decorative elements. Keywords reception, Italian Renaissance, architecture, theory, Bohemia
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Prague Johanniters in the Middle Ages - architecture and wall painting
Cimler, Čestmír ; Kuthan, Jiří (advisor) ; Jarošová, Markéta (referee)
Bc. Čestmír Cimler: Prague Johanniters in the Middle Ages This thesis, named Prague Johanniters in the Middle Ages- architecture and wall painting is focusing on architecture and frescoes of Order of Malta in Prague before the break of Hussite wars. One of aims of the thesis is also to figure out typology and function of buildings of the Order, falling within the Priory of Bohemia's authority. Art production od the Orderhas not been systematically examined till today. Range of authority of the Priory overlapped the area of Bohemia into Moravia, Silesia, Hungary and Austria. The relations among commandries were quite close, most likely because of expansion of the Czech king Přemysl Otakar II. Under the autority of the Priory of Bohemia was a great amount of commandries. Several of them are preserved till today; others were partially destroyed or even damaged completely. The most important Order's seat in Bohemia was a commandry belonging to the Church of Lady beneath the Chain, founded in 60's of 12th century, developing till the first quarter of 15th century. The Church of our Lady beneath the Chain is a very significant monument because of its architecture. This church is composed of many construction phases, from Romanesque to baroque times. This thesis is focusing on medieval architectonical production...
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Clothing in Masterpieces of the Old Flemish School in the 15th Century
Václavíková, Kateřina ; Jarošová, Markéta (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
The aim of the Bachelor's Thesis is to present an overview of the evolution of the 15th Century Burgunian fashion. The Thesis is based on the study of the masterpices by the Old Flemish painters and iluminators which had been represented by the official clothing of the Burgundian aristocracy and Flemish elite. The attention is espetially paied to the details of clothes, fabrics, patterns and accessoires. Final results are confronted with the literature and the examples from the 15th Century. Burgundian fashion of Western Europe, which evolved from Gothic is continually compared with clothing from renaissantian Italy and the attention is also paied to the contamporary trade with fabrics
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Oldtown's gradual (NK ČR, XVII.A.40), 1561-1567, from the manufactory of Jan Taborsky of Klokotska Hora
Součková, Ema ; Kubík, Viktor (advisor) ; Jarošová, Markéta (referee)
Oldtown's gradual The aim of this work is a monographic elaboration of the Oldtown's gradual (XVII.A.40), from 1561 to 1567, in the context of the work of Jan Taborsky of Klokotska Hora, with the emphasis on connotation of Žlutice gradual. The work elaborates and critically appraises the literature about the genesis and decor, deeply analyses its illuminations (through formal and iconographic analysis) and gives basic orientation in questions of analogies of its decor. Another goal of this work is a summarization of the decor of Oldtown's gradual and elaborated analysis of its illuminations. Oldtown's gradual is one of the best Renaissance manuscripts. The penman was Jan Taborsky of Klokotska Hora; chapter 2.1. deals with his life and production. Matous Ornys of Lindperk was the limner; chapter 2.2. deals with his work. Indisputably, he belongs to the best limners of the 16th century. The decor of the gradual is described in the chapter 4.2. Illuminations of gradual have conventional scheme of choral manuscripts. A lot of analogies are to be found in the medieval and also Renaissance manuscripts. There are elements of medieval literary paintwork, but also fully Renaissance elements: perfect linear perspective and high-quality scenery. Oldtown's gradual is one of the most beautiful and one of the...
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Mannerist Tapestries in the Czech Republic
Sulíková, Daniela ; Jarošová, Markéta (advisor) ; Zlatohlávek, Martin (referee)
The thesis Mannerist Tapestries in the Czech Republic is focusing on the topic of mannerist tapestries in the Czech Republic. So far this subject remains, in both czech and foreign professional literature, without any greater attention and if the topic is mentioned, the expressions "late renaissance", "mannerism" and "early baroque" are very often mixed. For this reason, it is necessary to define "mannerist tapestry", based on formal analysis, comparison and focusing on cultural-historical background. After this theoretical part, it will be possible to place certain tapestries to this very short art period or vice versa to exclude them. The main part is focused on mannerist tapestries from the castles, museums, ect. of the Czech Republic and their inclusion in the European context. Key words Mannerism, Tapestry, Decorative arts of the16th century, Art collections from the Czech Republic
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