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Renaissance mural paintings and sgraffiti on the facades in town Prachatice
Žabková, Gabriela ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Práce zpracovává renesanční fasádní nástěnné malby a sgrafita v Prachaticích. Časově je práce vymezena 16. stoletím, kdy město vlastnili Rožmberkové. Největší rozkvět města je spojen s vládou Viléma z Rožmberka v 2. polovině 16. století, kdy ve městě také vnikly všechny výpravnější figurální výzdoby domů. Výzdoba jednotlivých domů odráží postupný majetkový vzestup prachatických měšťanů. Realizace z 50. a 60. let 16. století jsou spíše výtvarně a také technologicky skromnější. Největší vzepětí jak majetkové tak také umělecké lze sledovat od začátku 70. let. Hrdost měšťanů a jejich estetické nároky nejlépe dokládá výzdoba Staré radnice. Nesmírně zajímavá a kvalitní výzdoba prachatických domů otvírá jako celek řadu otázek. Vedle dílenských a uměleckých souvislostí s ostatními jihočeskými městy, je to problém autenticity památky. Na některých fasádách, které byly pokládány za renesanční, se již s renesanční malbou ve skutečnosti nesetkáme. Jedná se o barokní novotvary, které motivickými částmi navázaly na původní výzdobu. Výrazné jsou odkazy na Rožmberky, které připomíná téměř každá fasáda. To nelze vysvětlit jinak, než jako výraz subordinace majiteli panství a tamnímu panovníkovi. Rožmberky na počátku 17. století v této roli vystřídal český král a říšský císař. KLÍČOVÁ SLOVA - Prachatice - renesance -...
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Rajhrad Altarpiece
Špinková, Tereza ; Ottová, Michaela (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
English Summary: Rajhrad Altarpiece Rajhrad Altarpiece was made by bohemian painter in the first half of the fifteen century. To this day, it has been preserved six panels - two of them have been created for the width and they deal with the theme of Crucifixion and Christ Carrying the Cross. Other panels are composed for the height and they talked about the Last Supper, Prayer on the Mount of Olives and Resurrection. The last painting concerns about the Finding and Verification of Saint Cross. The altarpiece used to be dated around 1415-1430. Nowadays, Milena Bartlová, following the new archive material (which was discovered by Bohumil Zlámal, Ivo Hlobil a Kateřina Engstová), has changed the previous opinion. She moves the origin of the altarpiece towards the year 1452 and she suppose that the panels were originally intended for the church of St. Mauritz in Olomouc. Other explorers date these paintings by the year 1440. The author of Rajhrad Altarpiece came from the precedent style of painting which was characterized by the lyric moments, complicated draperies and far-away kind of faces. The artist completes this scheme by the interest in the action, structure of place and here and there, he is concerned in individual portraits. He is supposed to have seen this kind of "realistic" motives in the illuminated...
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Architectural Transformations of the Chateau of Hrubý Rohozec
Lyčková, Barbora ; Nespěšná Hamsíková, Magdaléna (advisor) ; Šmied, Miroslav (referee)
While concentrating on the comparison of conclusions regarding the chateau of Hrubý Rohozec in published academic work, this paper also presents an overview and evaluation of the architectural transformations of said chateau. The time period addressed spans four centuries, commencing with the building of the chateau and ending in the 17th century. Emphasis is placed on the early-medieval phase of the chateau, on the building activity which took place in the late Gothic era (Krajířové z Krajku), and on the later Renaissance alterations of Hrubý Rohozec by the Wartembergs (z Vartemberka).
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The architecture of Nelahozeves Castle
Víšková, Martina ; Nespěšná Hamsíková, Magdaléna (advisor) ; Šmied, Miroslav (referee)
The aim of the bachelor thesis "The architecture of Nelahozeves Castle" was to summarize existing knowledge and to compare different opinions. If it was possible I tried ground opinions which appear correct opposite other by arguments. Emphasis was set to architectural patterns of Sebastiano Serlio. Some of the questions stay still open for example the question authorship of Nelahozeves Castle. The first chapter of my thesis introduces historical and cultural context and also pays attention in detail to Florian Griespek, the builder of Nelahozeves Castle. In addition, it mentions his earlier construction of the castle in Kaceřov with which the object of my interest has some links. A reference to fortress architecture is also incorporated. This is followed by the main part of the work, the chapter on Nelahozeves Castle. After a general introduction and history of the village, a list of owners and somewhat complicated issue of construction process are presented. A relatively extensive section is devoted to the description and analysis of architecture with an emphasis on the books by Sebastiano Serlio. Links to the Italian and Czech buildings are also briefly mentioned. The last chapter addresses the difficult question of Nelahozeves Castle authorship and is concluded with an overall assessment of the building.
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Landscape in Roelant Savery's work and his significance for Czech painting
Švrčinová, Šárka ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Anotattion: Landscape in Roelant Savery's work and his significance for czech painting Roelant Savery is one of the most famous landscape painters, who came from Flanders where was experienced in Paul Bril's and above all in Brughels's work and his brother Jakob. Rudolf II. the Emperor was deeply interested in Savery's style of painting, for that reason he deceded to invite him to Prague, where he appeared in 1604 and lived there to draw and paint landscapes behind Prague usually, where found out wild nature, that influenced the theme of his works. He also attended to picturesque but veritable Prague rutes and houses. Thanks to him were made several drawings with waterfalls, rocks and virgin Alps. During early Baroque period landscape painting wasn't so usual, because requirements changed and landscape had to recede into the background. There prevail figural motive, both We can find in the work of Matyáš Mayer, Jan Jiří Hering, Jan Jiří Heinsch. Realism is also obvious for Karel Škréta. Famous was also Václav Hollar thanks to his cityscapes. Michal Leopold Willmann and his mythic figure Orfeus inspired Václav Vavřinec Reiner also. In 18. century Hartmanns' family works was making up landscapes in historical style, similar to Jan Brueghel and Roelant Savery mainly. We can admire animals by Wenzel Peter, who...
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The Graphic Production of Albrecht Altdorfer after 1520 in the Collections of the National Gallery in Prague
Kadlecová, Žaneta ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
12 Summary The Graphic Production of Albrecht Altdorfer after 1520 in Collections of the National Gallery in Prague Thesis deals with the graphic works of Albrecht Altdorfer after 1520 in collections of the National Gallery in Prague. The aim of this paper is to outline the situation in the Danube region at the turn of 15 to 16 century and the creation of so-called Danube school. It presents celebrity of Danube artist Albrecht Altdorfer versatile talents as a master and a man of high social status. Creation of the artist remains somewhat neglected in Bohemia and is thus largely outside the interest of art historians. Even most German works that deal with work of this artist is aimed at producing a master painter and graphic works are therefore in his life's work a little taken a back seat. Particular attention is placed on the graphic art of miniatures in 1520 after the National Gallery in Prague with the aim to clarify the way graphics suggestions are displayed and to point out to changes in the development of miniatures style. Fundamental chapter is part of the catalogue with the newly developed the catalogue headwords, which will present a series of graphic works, which are reported by the National Gallery in Prague only with basic information on size and current condition. Bachelor thesis is...
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The Renaissance decoration of the Lobkovic (Schwarzenberg) palace in Prague
Henslová, Barbora ; Nespěšná Hamsíková, Magdaléna (advisor) ; Zlatohlávek, Martin (referee)
The Baccalaureate thesis, "The Renaissance decoration of the Lobkowicz (Schwarzenberg) Palace in Prague", starts with a brief introduction into construction activities of aristocracy around Prague Castle during the reign of Ferdinand I who supported building of new residences in this part of the capital. Aristocratic families were buying properties and burgher houses burned out in a devastating fire of Lesser Quarter and Hradcany in 1541 and building their grand Renaissance palaces. Prague's High Burgrave, Jan Junior Popel of Lobkowicz, had his impressive palace built on the Hradcany Square between 1545 and 1567. He called an Italian architect Agostino Galli, who worked at Horsovsky Tyn, the main country residence of the Lobkowicz family, and he built an unusually T-shaped palace. Four rooms on the second floor still have well-preserved original coffered ceilings with paintings depicting scenes from antique mythology and history. Chosen subjects of the paintings, created by some house painter around 1580 when the palace was the residence of Krystof and Vilem of Lobkowicz, were nothing unusual at that time. However, the author of this idea was rather Jan Junior Popel, one of the most powerful aristocrats in the Kingdom of Bohemia.
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Chateau Kratochvíle - stucco and painting decorations
Rabenhauptová, Hana ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Hana Rabenhauptová - Chateau Kratochvíle - stucco and painting decoration The bachelor thesis "Chateau Kratochvíle - stucco and painting decoration" deals with the actual state of the stucco relief decorations, mural and ceiling paintings and paintings in exteriors. The author describes the individual scenes as they can be seen today including individual parts of these scenes and the figures painted as well as what has been preserved only as hardly identifiable fragments. As for the most relief decorations and paintings, the author found in the literature their iconography and mentioned also several significant models according to which the decoration in Kratochvíle was made. The renovation works held in Kratochvíle which influenced the actual look of Kratochvíle were also the issue of this thesis. During last thirty years, significant works have been held in Kratochvíle which gave the Chateau its original splendour. The renovation works were undertaken in a highly sensitive and regardful way in order to protect the original stucco and painting decoration. renaissance chateau Kratochvíle painting stucco decoration restoration
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Late Gothic Murals of Žirovnice Castle
Chalupná, Romana ; Royt, Jan (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
Resumé bakalářské práce Tato práce pojednává o pozdně gotických nástěnných malbách žirovnického hradu, které vznikly v době, kdy toto panství vlastnil Václav Vencelík z Vrchovišť. Tento původně kutnohorský měšťan Žirovnci zakoupil roku 1485 a za pomoci svých finančních prostředků se snažil také vstoupit do společnosti českého panského stavu, ten jej však patrně nikdy nepřijal. Výzdoba jíž se v této práci zabývám se nachází ve třech místnostech v patře jižního traktu hradu. Zbytky maleb se nacházejí také na vnější stěně vnitřního nádvoří. V druhém patře jižního křídla se dříve nacházel Hodovní sál, zdobený malbami ze stejné doby. Tato místnost však byla zničena požárem roku 1964. Malby byly odkrývány a restaurovány od počátku 20. století, poslední zásahy proběhly v roce 2001. Výzdoba kaple je datována k roku 1490 nad obrazem Madony. Malby této místnosti jsou nejlépe dochovanou částí výzdoby. Nachází se zde výjevy z Christologického cyklu ( Getsemanská zahrada, Ukřižování, Poslední soud) z Mariánského cyklu ( Zvěstování, Madona na půlměsíci), světci a světice řazené podle hierarchií. Malby v Zelené světnici mají prezentovat donátora maleb jako příslušníka šlechty a ukázat jeho znalosti dvorské kultury. proto jsou zde vybrány náměty typické pro toto prostředí v pozdním středověku. Jsou to alegorie rytířských...
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Hieronymus Bosch and Venice
Novotná, Věra ; Zlatohlávek, Martin (advisor) ; Nespěšná Hamsíková, Magdaléna (referee)
This (bachelor) thesis concerns the phenomenon of Hieronymus Bosh and its possible links to art and life of Venice and Veneto in the sixteen century. The title of it is: Hieronymus Bosch and Venice. It is trying to set up tangible hypothesis based on broad study on literature concerning Bosch, especially his paitings, accommodated now in Palazzo Ducale in Venice,. Further it concerns on the sixteen century Veneto and, specifically and most importantly the mighty and beautiful art of the Serenissima. It is describing eventually indicated links if in at least two sources. It finally synthetizes the literature and concludes: there are no such confirmed indications in serious literature. It is further trying to include the panels in venezian contemporary art and its development, and is looking for any descendents of the Master in Veneto and in wider Europe, too. It gathers all Venetian donors and supporters, who had connections or knowledge on Bosch, Mainly it outlines the collection of Bosch's paintings owned by Cardinal Grimani; in comparison, too, other European noted collections, and their results. This work reveals importance of the works of Bosch and interest among the historians of arts since modern age, including last issues, on the other hand, the lack of serious studies on this specific...
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