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Learned dependency: a specific problem of asylum seeker integration
Tollarová, Blanka ; Alan, Josef (advisor) ; Kusá, Zuzana (referee) ; Uherek, Zdeněk (referee)
Univerzita Karlova, Fakulta sociálních věd / Smetanovo nábřeží 6, 110 01 Praha 1 info@fsv.cuni.cz, tel: 222 112 111 www.fsv.cuni.cz Dle čl. 4 Opatření rektora č. 6/2010 o Zpřístupnění elektronické databáze závěrečných prací http://www.cuni.cz/UK-3470.html a čl. 1 Opatření děkana 29/2010 se z časového hlediska závěrečné práce dělí do tří skupin: a. "nové práce", tj. práce odevzdávané k obhajobě počínaje 29. 9. 2010, b. "starší práce", tj. práce odevzdané k obhajobě od 1. 1. 2006 do 28. 9. 2010, c. "práce před rokem 2006", tj. práce odevzdané k obhajobě před 1. 1. 2006. V tomto případě jde o "starší práci" odevzdanou k obhajobě od 1. 1. 2006 do 28. 9. 2010. Omlouváme se, ale dokument není v elektronické verzi k dispozici.
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The Screen of Laughter and Remembering: Cinematography and Post-Socialist Memory
Hladík, Radim ; Dvořák, Tomáš (advisor) ; Kusá, Zuzana (referee) ; Hanáková, Petra (referee)
THE SCREEN OF LAUGHTER AND REMEMBERING Collective Memory and Representations of State Socialism in Czech Cinematography This dissertation has very little to say about state socialism. Rather, it is a work about the memory of state socialism in the post-socialist Czech Republic, about the ways in which state socialism can be remembered in the present. From the perspective of collective memory, "it is not only the ancien regime that produced revolution, but in some respect the revolution produced the ancient regime, giving it a shape, a sense of closure" (Boym 2001, xvi). And there are indeed many, often conflicted modes of remembering this particular past. Françoise Mayer, for example, has identified several distinct types of remembering the "communism" in Czech society (Mayer, 2009). And her list is by no means exhaustive. At the centre of this treatise is the Czech post-socialist cinema. My dissertation thesis was prompted by the question of how cinematic representations bear on the collective memory of state socialism in the Czech Republic. . In the first chapter, I explore how cinema represents the past in comparison to historiography. In my work, it is evident that Czech cinema does not follow the epistemological criterion of referentiality that binds historians. A more important observation - and one...
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Restitution Identity in the Rudé Právo nad Restitution of the Rudé Právo Identity in Year Zero
Šmídová, Olga ; Petrusek, Miloslav (advisor) ; Pavelka, Jiří (referee) ; Kusá, Zuzana (referee)
This dissertation analyses the mass media (the Czech communist press "Rudé právo") discourse of property restitutions one year after the revolution of 1989. The author is inspired by the approaches and procedures of Critical Discourse Analysis in investigating the discursive and extra-discursive practices of the communist/left wing newspaper Rudé Právo. From the perspective of symbolic power as control, she analyzes the newspaper text as well as the social context in which the text was produced. She reconstructs the institutional and organizational transformation of the Rudé Právo daily, whose social position and identity changed radically during 1990, from a Communist Party affiliated propagandist to a private left-wing newspaper. The author links a discursive, narrative, and recursive frame analysis of the Czech communist press with the Boltanski and Thévenot theory of justice and the theory of retrospective/transitional justice. The dissertation describes the establishment of the restitution agenda and successive crystallization of the restitution discourse during "year zero" after November 1989. The author also observes the discursive area on a more general scale, i.e., in the economic reform and transformation discourse. In 1990, the privatization ideology represented the core of the transformation...
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