|
| |
|
|
Existence as a chase - A persecution of the borders of meaning
Niemann, Lutz Aloys ; Sepp, Hans Rainer (advisor) ; Joisten, Karen (referee)
(Deutsch) Diese Arbeit versucht sich unter Einbeziehung interkultureller Quellen im Dialog mit Julio Cortázars Erzählung "der Verfolger" [el perseguidor] an einer Verfolgung der Jagd. Sie hofft, mit dem Begriff der Jagd und seiner Ausdifferenzierung in verschiedene Modi fundamentale Bewegungsrichtungen der menschlichen Existenz zu beschreiben. Die menschliche Existenz kommt dabei als spannungsreiches Zwischen ("inter") von sinngetragener medialisierter Bezogenheit und außer-sinnhafter realer Faktizität in den Blick. Im Verlaufe der Arbeit werden anhand ausgewählter Szenen der Erzählung nicht nur die Spannung des Zwischen selbst, sondern auch seine Pole zum Gegenstand des philosophischen Fragens gemacht. Schlüsselworte: Jagd, Cortázar, Zwischen (inter), Sinn, außer-Sinn, Reales, Leib, absolutes Nichts
|
|
|
The Role of Imagination in Aesthetic Experience in Mikel Dufrenne's Thought
Borecký, Felix ; Ševčík, Miloš (advisor) ; Fulka, Josef (referee) ; Hrbata, Zdeněk (referee)
1 Summary: F. Borecký, The Role of Imagination in Aesthetic Experience in Mikel Dufrenne's Thought The aim of this dissertation thesis is to present Dufrenne's original conception of imagination and to highlight its significance for philosophical aesthetics. We focus on a critical interpretation of two alternative approaches which Dufrenne considers in his work. The first approach is based on a noetic perspective, the other on an ontological one. In both cases, Dufrenne claims that imagination is a productive, effecting activity which in a formative manner participates in knowledge of a priori truths regarding human being in the world. Such knowledge is most fully accomplished in the aesthetic experience. Only there a man opens oneself to the external world while maintaining with it a relation of primordial corporeity, which they both - i.e., both humans and the world - share. Imagination and its correlate, the imaginary, in an aesthetic experience stimulate each other and enable a reverberation of the most fundamental possibilities of human being in the world. It is imagination and the imaginary which enable a man to penetrate the superficial empirical level and reach the deep level of the a priori. On the level of the a priori, a man can experience the original corporeal unity which is of the same kind...
|
|
| |
guest ::
