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Mural paintings of the Great hall in the castle of Blatná. Iconography and foreign parallels.
CHUMOVÁ, Martina
The bachelor thesis called ,,Mural paintings of the Great hall in the castle of Blatná. Iconography and foreign parallels" is focused on the decor in the Blatna´s Old Palace, whose iconographic program has not been clarified in a satisfying way yet. Due to the extensive damage, a significant part of the paintings became unreadable and unclear, nevertheless some of the scenes and motifs were defined with certainty. Therefore, the thesis aims to gather all iconographic interpretations or all information that can help to clarify the meaning of the paintings in any way necessary. A detailed photo-documentation and a description of the paintings, with which the available data and knowledge are critically evaluated on the basis of comparison, are an integral part of this project.
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Representation of plants in Roman wall-paintings
Kossuthová, Patrícia ; Ondřejová, Iva (advisor) ; Titz, Pavel (referee)
(english): This paper discusses displaying plants on the murals, especially in the area of Pompeii and further around affected by eruption of Vesuvius in 79 AD. Showed plants in this work are divided into several categories according to the context of the show. This work contains a list of identified plant species, which is demonstrated in individual examples of paintings. In addition to paintings in Pompeii area this work mentions the example of a display of plants in the garden painting in the Villa di Livia at Prima Porta, near Rome. Keywords: Roman wall-painting, Roman art, plants, Pompeii
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The Mural Paintings in the Church of St. James the Greater in Křeč
Kratochvílová, Denisa ; Royt, Jan (advisor) ; Pučalík, Marek (referee)
The Mural Paintings in the Church of St. James the Greater in Křeč The submitted bachelor thesis "The Mural Paintings in the Church of St. James the Greater in Křeč" focuses on the basic introduction to the mural Passion cycle from the first half of 14th century in Křeč. The first chapter is focused on basic literature. The next chapter is dedicated to the outlining of historical relationships leading to the creation of this cycle. The third chapter si dedicated to building history and the equipment of church and the other one is about the art-historical context of this period. The fifth chapter is related the mural paintings itself. Concisely summarizes basic description and the history and the present condition of mural paintings. The other chapters are focused on individual scenes of the Passion cycle and their analogies. This bachelor thesis is comprehensive monograph which is based on the available literature. Key words mural paintings, Middle Ages, iconography,the Passion cycle, Křeč, Saint James the Greater
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Medieval mural paintings with legend of Saint Wenceslas in 14th century
Gattringerová, Iva ; Royt, Jan (advisor) ; Pučalík, Marek (referee)
Medieval mural painting with legend of Saint Wenceslas in 14th century Thesis presents medieval mural paintings with the illustrations of life and murder of Saint Wenceslas from 14th century. Thesis is focused on summary of the topic literature and afterwards iconographical and formal description of five medieval mural cycles in Karlštejn castle, Dobroměřice, Černochov, Žďár u Blovic and House At the Stone Bell in Prague.
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The symbols gallery in chorus of Prags cathedral
Šafránek, Pavel ; Sojka, Jaroslav (advisor) ; Šmied, Miroslav (referee)
The symbols gallery in chorus of Prags cathedral This thesis expleins about a heraldic decoration under a inner triforium of St. Vitus Cathedral in Prague. This decoration, which began to form from the Renaissance, is veluable but it was offer overlooked. This decoration is set containing 38 provincial symbols. This thesis shows a context between symbols and a decoration of the metropolitan templ. This work is completed by contexts of history and by exploring of style evolution in art history. St. Vitus Cathedral., armorial gallery, heraldry, murals peitings Ferdinand I., King, Margrave, Count, Prince, character, coat of arms, shield, gem, seal
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The history, reconstruction and use of culture monument (The case study of the auditorium Gymnázium Benešov)
Pokorný, Matyáš ; Heřmanová, Eva (advisor) ; Tyslová, Irena (referee)
Gymnasium Benešov is a very significant educational institucion in the city. Its history is closely linked to the order of piarists, who came into the city in the early of the 18th century. They established a colliage here and started a school teaching. The existence of the order then played a very important part in cultural development of the city and its inhabitants. In 1907 a new neo-renaissance building was constucted for this institucion, because the number of students was ever growing. One part of the new building was a baroque chapel with seccesion wall paintings. During the last century these paintings met a very complicated but remarkable history. The central themes of these paintings were strongly religiously oriented and were therefore in conflict with political power, which came after the Communist revolution in February 1948. So it happened that they were painted over and for several decades disappeared from the world. They disappeared, but were not lost nor completely forgotten, under a layer of white paint they only rested, waiting patiently for the day of their re-discovering. It eventually took place in the reconstruction of the chapel, which was carried out in the school year 2006/2007 on the occasion of the building's centennial celebrations. Let us now together in the footsteps of the reconstruction, let us examine what preceded it, what diffficulties it met and what results it finally brought.
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