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Differences in the perception of female characters in various media versions of The Witcher
Štosová, Tereza ; Fousek Krobová, Tereza (advisor) ; Švelch, Jaroslav (referee)
The subject of this diploma thesis is the perception of female characters in various media adaptations of The Witcher from the perspective of audiences that show signs of fan affiliation. The research focuses on the two most recent adaptations, i.e. the third game The Witcher: Wild Hunt and the serie The Witcher on the Netflix platform. The research took the form of in-depth interviews with a total of nine participants and focused on the role, characteristics, relationships and motivations of female characters in order to find out how respondents perceive these areas in adaptations. The first part of the diploma thesis deals with the theoretical basis related to popular culture, audiences, game and film studies and gender in media. It also presents the world of The Witcher, the selected characters and the critique of adaptations. The next section of the thesis deals with the research methodology. The grounded theory was used as a method of work and multiple levels of coding and categorization were conducted. These categories are then presented in the empirical part of the thesis together with a demonstration of the respondents' statements followed by data interpretation and discussion. The main findings include that female characters play an important role in both adaptations from the audience's...
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Parallelism in the Poetics of Juan Rulfo and María Luisa Bombal
Norocká, Monika ; Poláková, Dora (advisor) ; Housková, Anna (referee)
The aim of this Diploma Thesis is to bring attention to the resemblance between the work of one of the most important Hispanic American authors of 20th century, the Mexican Juan Rulfo, and his less well-known Chilean colleague, María Luisa Bombal. Even though the work of these writers has often been associated with the beginnings of the so-called Magical Realism, so far literary critics have not studied the parallelism in their poetics in detail. This work observes the deviation of these authors from the type of literature dominant in their time, and their effort to renovate it. Furthermore, it concerns the similarity in the approach to death in their work; it pays attention to the influence of the Nordic literature on their literary production. Another part of this work is dedicated to the parallels between the character of Susana San Juan from Rulfoˈs Pedro Páramo and Bombalˈs female characters. In addition to that, the work reflects the personal relationship between the authors in question.
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Female characters in the dramatical work written by Erika Mitterer
Vojíková, Olga ; Glosíková, Viera (advisor) ; Bučková, Tamara (referee)
This diploma thesis deals with dramatic works of the Austrian writer Erika Mitterer. The first part introduces her life and work. The second part presents six Mitterer's dramas which form the basis for the third part of the study aimed at an analysis of female characters in the author's plays. This section focuses on those mothers and women whose actions significantly influence the plots of the selected plays. Key words Drama, Austrian literature, female characters
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Female characters in the work of Franz Kafka
Svobodová, Karolína ; Weinberg, Manfred (advisor) ; Zbytovský, Štěpán (referee)
The thesis deals with female characters in selected works by Franz Kafka (1883-1924), the well known representative of the Prague German literature. These works include the short story The Metamorphosis (1915) and the posthumously published novel fragments The Man Who Disappeared (1927), The Trial (1925) and The Castle (1926). The thesis discusses how the individual female characters are portrayed in these texts, what role they play in the protagonist's life and how they influence him. At the forefront, there is an interaction between the male main characters and the female characters. The thesis proceeds mainly in a textanalytical way without making any connections between fictional women in the works of the author and real women in his life. At first, the female characters in each of the selected texts are separately analysed and then they are compared. The conclusion serves for a comparison of all female characters in these works and for a formulation of a general statement about them.
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Wives and Whores: Female characters in the plays of Harold Pinter
Schormová, Františka ; Wallace, Clare (advisor) ; Pilný, Ondřej (referee)
This BA thesis discusses four female characters from three plays of the British dramatist Harold Pinter, placing them in context of depicting 'The Femine.' Pinter's female characters must not only be seen in the tradition of stereotypical depicting women, but also in context of the patriarchal concepts they have to face - the male dominance, male gaze and male bonding. The second chapter provides background for discussing female characters - reasons why to do so are provided and the idea of woman as 'the Other' is introduced. This concept led to the stereotyping of women and subsequently to their misrepresentation in fiction. The basic dichotomy of 'wife/whore' is investigated. The chapter also examines the specifics of representation on the stage with references to the development of drama. It concludes with placing Pinter within this context. The third chapter contains close reading of three Pinter's plays - The Homecoming, Old Times and Betrayal. The roles of female characters are examined in relationship to the power structures they are trying to dismantle. The chapter argues that even if they manage it, the victory does not challenge the patriarchal structure as such. The fourth chapter is focused on realisation of Pinter on Czech stages. It provides the history of the stagings, focusing...
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Prague and Women in Paul Leppin's Novel "Severin's Journey into the Dark"
Czielová, Simona ; Hadwiger, Julia Nina Vanessa (advisor) ; Tvrdík, Milan (referee)
(in English) This thesis deals with the way female characters are portrayed in Paul Leppin's Novel Severin's Journey into the Dark (Severins Gang in die Finsternis, 1914). After the author and his work are shortly introduced, the female characters of the novel are being analysed. Their qualities and their roles and positions in society as well as their relationship to the main male character are being compared to the period scientific papers (mostly psychological and psychiatric works). These influenced the whole society at the beginning of the 20th century and thereby helped to determinate the trends in literature. A part of the thesis also deals with an anthropomorphised picture of Prague. The analysis of the novel should give an answer to the question how much individuality female characters posses and how much the social and psychological premises of turn of the century influenced them.
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