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Slovene National Theatre in Ljubljana
Machara, František ; Němec, Josef (referee) ; Ruller, Ivan (advisor)
The city block, which we use for a creating our architectural rendering of new Natoinal theatre building is situated on one othe hystorical city axis in the centre of Slovenian capital city Ljubljana. This axis was create in time of old romanian historical setlement. and pases during our cityblock. this is one of the most important moment , I was inspirated with...
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Gallery of modern architecture
Štrocholcová, Eva ; Ing. arch. Petra Žalmanová, Ph.D (referee) ; Šindlar, Jiljí (advisor)
Main task of the project was to create a proposal of Gallery of architecture which would be integrated into the residential colony in context of surrounding city structure. The plot is situated on south-west of the city part Brno-sever, in close connection with city centre, in steep slope. Currently, its function is a garden of adjacent plots. The plot is located close to the national cultural monument Villa Tugendhat, registered in The World Heritage List. Therefore, the new gallery should react to its existence. Proposal suggests locating of new object in north-eastern part of the plot for maximal usage of plot’s main potential that is a view to historical city centre. Main intention of design was a sensitive intervention to the area to keep calm atmosphere of surrounding residential colony with significant villas and to use potential and topographical advantages of the parcel. At the same time there was an effort to find a concept that would provides suitable conditions for exhibitions. The proposal tries to maximize usage of natural lighting which plays here an important role. Building seems to be a single storey object from the street. 2 floors are recessed into terrain and thanks to this overcome high difference between street and terrace in lower part of the plot. Object is divided into 3 functional units: The Gallery (exhibition area), The Studios (leasable space for architects for work and presentation of their projects) and The Theatre (space for other activities focused on architecture, such as lectures and projections). Walls and roofs of units are inclined to utilize potentials of site for the specific function and become polygonal shapes that meet the initial intention. Glassed inclined plane penetrates through the interior of gallery. It defines a spatial skylight that lets natural light from the north come to every corner of Gallery. It creates relationship between interior and exterior and connects all the functional units of the object.
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Concrete ceiling over stage
Tošenovjan, Marek ; Šimůnek, Petr (referee) ; Perla, Jan (advisor)
This thesis is focused on the design of monolithic ceiling structure above the stage of the theater. The requirements for placement of an theatrical equipment are respected in the calculation of internal forces. Special emphasis is placed on the calculation of support moments in a partial fixation of the ceiling frame in a reinforced concrete wall. The structural design is limited by deflection limits affecting the functionality of theatrical equipment.
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FACE or a BODY´S PROJECTION SCREEN
Joura, Bořek ; HAVELKA, Jiří (advisor) ; MĚCHÁČEK, Tomáš (referee)
This thesis aims to describe the structures of a face and consequently explain the ways of communicating emotions between people. Different methods were used for the base of my thesis: I studied pictures of various facial expressions and read different specialized books - with theatrical as well as scientific content. My focus was on the very details of human's face. I was searching to find out how people are able to understand one another. I realized that human communication goes beyond mere words. I find this revelation useful for my further theatrical work as the details in particular facial expressions differentiate the good actors from the bad ones.
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SOUND AS A TOOL OF AN ACTOR
Čtvrtník, Jan ; NOVÁK, Vladimír (advisor) ; KLÍMA, Miloslav (referee)
My diploma thesis deals with the use of sound in the theater, especially the sound that is formed by the actor. The work consists of insight into the theory of sound in the theater, which includes rather general view of the issue and tries to formulate the concepts. Hereafter I use these in the second part, which is a reflection of the practical work, for which I selected three concrete examples of completed performances.
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FIVE TO TWELVE
Skružná, Pavlína ; HAVELKA, Jiří (advisor) ; CIHLÁŘ, Ondřej (referee)
This diploma thesis is a work of an actor´s graduate and deals with
personal experience with functioning in a particular group.
It is divided into three parts. The first part is devoted to social psychology
and explains how the group and its functioning is seen by this field.
In the second part, the author applies these facts on a specific group, who
are her classmates of acting at the Department of Alternative and Puppet
Theatre.
The third part focuses on a psychological questionnaire of individual group
members and close associates of the group.
This thesis named Five to twelve has no scientific ambitions, but is
rather insight into one particular group of actors, and personal reflections
of the author.
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Artistic processing of theatrical costume inspired by the phenomenon of the Commedie dell'Arte
KOČVAROVÁ, Anna
The thesis is divided into two parts, theoretical and practical, which are thematically related. The theoretical part of this thesis introduces the Italian commedia dell'arte, its specific components such as the types of characters, scripts, improvisation, stage design, costumes and masks. It will also cover the spread from Italy to the outside world and its impact on various fields of art, which will be presented through several specific examples of artworks. The work will also address the evolution of costume design. In the practical part costume designs will be drawn and presented and one will be selected for fabrication. This will include accompanying photographs. The fabricated costume will include descriptions of the specific sources of inspiration, choice of shapes, colors and materials.
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MARGINAL MUSIC SUBCULTURES AND EASTHETIC CONNECTED WITH THEM AS A STARTING POINT OF THE AUTHOR'S PERFORMANCE.
Burdová, Barbora ; SMOLÍK, Robert (advisor) ; KRÁLOVÁ, Andrea (referee)
The whole thesis has been trying to have a look into marginal music subcultures
as a field of inspiration necessary with forming an author´s performance.
One of the main sources of that is the metal sub-culture which is divided into
other sub-sub-fields.
Author is fixing the blackmetal sub-culture into center of attention and she is
trying to undercover its possibilities by theatrical items. She is trying to look at
common values between theater and metal music and she is interested in how to
utilize music itself, which actually serves as sound curtain only.
During authors creation she is interested into expression means replacing the
text. Into the front position metal aesthetic is posted, as an outlet of
scenographic way of thinking and creating, and last but not least, it is the main
concern of interpretation of Sami´s culture and its transformation into theatrical
form.
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