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Graphics Intro 64kB Using OpenGL
Gunia, Pavel ; Španěl, Michal (referee) ; Herout, Adam (advisor)
This work deals with the phenomenon of graphic intros, a digital graffiti of the modern age. The focus is put on size restricted animation of size of the executable file lower than 64 kilobytes. It reveals the main techniques used. Finally, interesting aspects and experiences that came up are discussed, as well as the conclusion and future work proposal.
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Graphics Intro 64kB Using OpenGL
Geršl, Jan ; Kubíček, Radek (referee) ; Herout, Adam (advisor)
The field of this project is size restricted graphic intro. The paper deals with motivation creating such an intro and talks briefly about history. Main focus is put on general description of various principles common in demo development, techiques used achieving the practical assignment are provided with more detailed description.
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Reflection of the internet in Art and Theory of the 21st Century
Cepáková, Kateřina ; Lahoda, Vojtěch (advisor) ; Štefková, Zuzana (referee)
The purpose of this thesis is to show several examples of how the Internet affected art and theory in the 21st century. We can trace the origins of these changes as far as the 1990s when the Internet became a massively used medium. At that time, the art movement of net.art was born and new media studies were established. This so-called digital avantgarde used the unprecedented possibilities of communication and distribution that the Internet offered and pushed further the boundaries of artistic practice. This avantgarde was followed later by new generations of artists who experimented further with the medium and reflected on it critically. The Internet however changed dramatically many times ever since then - its interface and contents were being more and more influenced by the users. Artists connected to the term post-internet started to translate Internet aesthetics and themes to physical space. They were the first to do that in such a big measure. Currently the Internet has become so banal and transparent that it's difficult to recognise how far its influence on art and the art theory reaches. The second part of this thesis concentrates on concrete examples of theorists and artists whose practice is being influenced by the Internet in greater matter. These examples will show that it's no longer...
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Consequences of Reconceptualization of New Media Artworks
Scholz, Petr ; Charvát, Martin (advisor) ; Váša, Ondřej (referee)
Within the new social and technological conditions of the second half of the 20th century, new conceptions of art are being established, later described as "New Media Art". Automated processes (often with integration of artificial intelligence) of artistic creation questions the status of authorship over the final artifact. Next to the ambiguities regarding the status of the artist, the nature of the works themselves is also changing (uniqueness, simulations). The aim of the thesis is to provide theoretical and philosophical analysis of new media artworks based on the synthesis of theoretical background provided by perspectives of multiple authors. This theoretical frame, along with own practical knowledge, will be used for the analysis of selected specific new media art projects, which will provide a closer view on the contemporary computer generated artworks. The end of the thesis will be formulate thoughts about possible future developments in the field of automated creation of algorithmic art or authorship.
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Reflection of the internet in Art and Theory of the 21st Century
Cepáková, Kateřina ; Lahoda, Vojtěch (advisor) ; Štefková, Zuzana (referee)
The purpose of this thesis is to show several examples of how the Internet affected art and theory in the 21st century. We can trace the origins of these changes as far as the 1990s when the Internet became a massively used medium. At that time, the art movement of net.art was born and new media studies were established. This so-called digital avantgarde used the unprecedented possibilities of communication and distribution that the Internet offered and pushed further the boundaries of artistic practice. This avantgarde was followed later by new generations of artists who experimented further with the medium and reflected on it critically. The Internet however changed dramatically many times ever since then - its interface and contents were being more and more influenced by the users. Artists connected to the term post-internet started to translate Internet aesthetics and themes to physical space. They were the first to do that in such a big measure. Currently the Internet has become so banal and transparent that it's difficult to recognise how far its influence on art and the art theory reaches. The second part of this thesis concentrates on concrete examples of theorists and artists whose practice is being influenced by the Internet in greater matter. These examples will show that it's no longer...
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